Loving You

Loving You, Lovin' You, or Luvin' You may refer to:

Film

Literature

Music

Albums

Songs

Loving You (album)

Loving You is the third studio album by Elvis Presley, issued on RCA Victor Records in mono, LPM 1515, in July 1957. Recording sessions took place on January 15, 16, 17, and 18, 1957, at the Paramount Pictures Scoring Stage, and on January 12, 13, 19, and February 23 and 24, 1957, at Radio Recorders in Hollywood. These are the first sessions where Steve Sholes is officially listed as producer. It spent ten weeks at No. 1 on the Billboard Top Pop Albums chart. It was certified Gold on April 9, 1968 by the Recording Industry Association of America.

Content

The soundtrack includes seven songs composed expressly for the movie Loving You from writers contracted to Elvis Presley Music and Gladys Music, the publishing companies owned by Presley and his manager, Colonel Tom Parker. An eighth song intended for but not appearing in the movie, "Don't Leave Me Now", was included on the album, and a new recording would appear on the soundtrack for his next film, Jailhouse Rock.

No Dice

No Dice is an album by British rock band Badfinger, issued by Apple Records and released on 9 November 1970. Their second album under the Badfinger name and third album overall, No Dice significantly expanded the British group's popularity, especially abroad. The album included both the hit single "No Matter What" and the song "Without You", which would become one of the most successful compositions of the rock era.

History

Although this was the band's second album released under the Badfinger name, the previous album, Magic Christian Music, was originally recorded as The Iveys but released as Badfinger. It was the band's first album recorded after new guitarist Joey Molland joined the group, replacing bassist Ron Griffiths. Molland's addition caused Tom Evans to switch from rhythm guitar to bass. Badfinger would release five albums, generally their most successful recordings, with this line-up.

No Dice peaked at number 28 on the Billboard Hot 200 chart. Widely praised in music reviews at the time, Rolling Stone magazine opined that it represented what the Beatles would have sounded like had they retained their initial formula.