Lovelock | |
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File:OSClovelock.jpg | |
Author(s) | Orson Scott Card & Kathryn H. Kidd |
Country | United States |
Language | English |
Series | The Mayflower Trilogy |
Genre(s) | Science fiction |
Publisher | Tor Books |
Publication date | 1994 |
Media type | Print (Hardcover & Paperback) |
Pages | 285 pp |
ISBN | 0-312-85732-2 |
OCLC Number | 29792816 |
Dewey Decimal | 813/.54 20 |
LC Classification | PS3553.A655 L68 1994 |
Followed by | Rasputin |
Lovelock (1994) is a science fiction novel by Orson Scott Card and Kathryn H. Kidd. It is the first novel in The Mayflower Trilogy. The novel's eponymous narrator takes his name from James Lovelock, the scientist-inventor who formulated the Gaia Hypothesis. The Gaia Hypothesis figures heavily in the book.
Contents |
Lovelock is set in a near-future in which humanity is preparing to send out its first interstellar colonization ship, called the Ark. Lovelock, a genetically- and cybernetically-enhanced Capuchin monkey relates the story in the first person. Lovelock serves as the "Witness" for Carol Jeanne Cocciolone, meaning that his job is to record every waking moment of the life of a prominent member of society. As the chief Gaiaologist of the Ark, Carol Jeanne is responsible for managing the extensive terraforming their new planet will require, integrating the terrestrial species needed for the colonists' survival with the planet's existing ecology. In the speculative future described by the novel, a new field of science, Gaiaology, has come into existence, based on the Gaia Hypothesis. Like every Witness, Lovelock has been indoctrinated to love and obey his owner unconditionally.
When the book begins, the Cocciolone family is packing for their new life aboard the Mayflower. The family consists of Carol Jeanne, her husband Red, their daughters Lydia and Emmy, and Red's parents Mamie and Stef. They take a shuttle to the Ark, during which Lovelock is ashamed of his primitive, terrified response to free-fall.
Aboard the Mayflower, the Cocciolone family begins to integrate themselves into the society of the Ark. When Lovelock meets a scientist who attempts to communicate with him via sign language, Carol Jeanne explains that she hadn't taught her Witness sign language because she didn't want him "chattering to [her] all the time."[1] This event marks Lovelock's first feelings of furious rebellion.
Lovelock begins to long for a mate, and children of his own. After learning about a supply of cryogenically frozen capuchin monkeys, he steals a young female monkey and hides her in the low-gravity poles that support the Ark. Unfortunately, she grows up stunted and sickly. Lovelock, realizing that should his actions be discovered he would be put to death, begins to write his story in a hidden file on the Ark's computer.
Lovelock! is the second album by Gene Page. It was produced by Billy Page
Lovelock is the county seat of Pershing County, Nevada, in which it is the only incorporated city. It is the namesake of a nearby medium-security men's prison and a Cold War-era gunnery range. Formerly a stop for settlers on their way to California and later a train depot, the town's economy remains based on farming, mining and also increasingly on tourism.
Lovelock lies in the Humboldt River Basin, very near the terminus of the river. Some twenty miles outside the town is the Lovelock Native Cave, a horseshoe-shaped cave of about 35 ft width (11 m) and 150 ft length (46 m) where Northern Paiute natives anciently deposited a number of duck decoys and other artifacts.
According to the United States Census Bureau, the city has a total area of 0.9 square miles (2.3 km2), all of it land. It has four differently designed welcome signs with pioneer and Wild West themes placed on its approach roads. At the southern end of town is the 20-acre reservation of the Lovelock Paiute Tribe.
Life-like, a place to live and clothes wear
Life-like, starting here and ending there
Life-like, maximising time and space
Life-like, a happy smile upon my face
All this and so much more
Light floods the open door
Blood抯 rushing to my head
I抦 standing on the edge of
Life-like, crawling up out of the slime
Life-like, standing in the check out line
Life-like, eyeing all the pretty girls
Life-like, dreaming of another world
Where are my freinds today?
What gannes shall we play?
In their hearts I can't see
Nothing looks back at me but life-Iike
A million souls await the call to rise and sing
They stand and fall while in the clouds the angels count the myriad things
Divinity and grace have etched like lines face of God
But here it's very odd
His miracles abound but they arg drown sound of tapping fingers
Life-like, a face for every double take
Life-like, the genuine, original fake
Life-like, in the lies you tell to me
Life-like, a reasonable facsimile
Open your hand to me
In your palm I can read
Long life and happiness
It's just like all the rest, it's life-like life
In the morning I walk beneath a shining
My steps reverberate in beat with the m humanity
Those murmuts fill my ears but the voice never heaf
As I walk along that busy street and though there抯 nothing to seek