Plainsong (also plainchant; Latin: cantus planus) is a body of chants used in the liturgies of the Western Church. Though the Eastern Orthodox churches and the Western Church did not split until long after the origin of plainsong, Byzantine chants are generally not classified as plainsong.
Plainsong is monophonic, consisting of a single, unaccompanied melodic line. Its rhythm is generally freer than the metered rhythm of later Western music.
Plainsong developed during the earliest centuries of Christianity, influenced possibly by the music of the Jewish synagogue and certainly by the Greek modal system. It has its own system of notation, employing a stave of four lines instead of five.
Two methods of singing psalms or other chants are responsorial and antiphonal. In responsorial singing, the soloist (or choir) sings a series of verses, each one followed by a response from the choir (or congregation). In antiphonal singing, the verses are sung alternately by soloist and choir, or by choir and congregation. It is probable that even in the early period the two methods caused that differentiation in the style of musical composition which is observed throughout the later history of plain chant, the choral compositions being of a simple kind, the solo compositions more elaborate, using a more extended compass of melodies and longer groups of notes on single syllables. A marked feature in plain chant is the use of the same melody for various texts. This is quite typical for the ordinary psalmody in which the same formula, the "psalm tone", is used for all the verses of a psalm, just as in a hymn or a folk song the same melody is used for the various stanzas.
Plainsong is a bestselling novel by Kent Haruf.
Set in the fictional town of Holt, Colorado, it tells the interlocking stories of some of the inhabitants.
The title comes from a type of unadorned music sung in Christian churches, and is a reference to both the Great Plains setting and the simple style of the writing.
The novel was adapted in 2004 into a Hallmark Hall of Fame TV movie on CBS.
The book follows several stories of families in a small town in eastern Colorado. Maggie is the link between many of the other characters and strands of the novel. She introduces Victoria to the McPheron brothers, and has a romantic relationship with Tom.
Plainsong may refer to:
Louise or Luise may refer to:
People with the given name Louise or Luise
"Louise" is a song by the British synthpop group The Human League. It was released as a single in the UK on 12 November 1984 and peaked at number thirteen in the UK Singles Chart. It was written jointly by lead singer Philip Oakey with fellow band members Jo Callis and Philip Adrian Wright. The song features a lead vocal by Oakey and female vocals by Susan Ann Sulley and Joanne Catherall, analogue synthesizers by Philip Oakey, Jo Callis, Philip Adrian Wright and Ian Burden. The producers were Chris Thomas and Hugh Padgham. Although enjoying modest success when released as a single, it appeared on Melody Maker's list of 50 top singles of 1984.
"Louise" was the third single released from Hysteria, the Human League’s follow up album to the international multi platinum selling Dare. Like the rest of Hysteria, it was recorded during the hugely expensive and turbulent sessions by the band at AIR Studios during 1983/4. Dare producer Martin Rushent had quit earlier, after repeatedly falling out with Oakey and production had been handed to Chris Thomas and Hugh Padgham, with final finishing taking place at Town House Studios.
Louise is an opera (roman musical) in four acts by Gustave Charpentier to an original French libretto by the composer, with some contributions by Saint-Pol-Roux, a symbolist poet and inspiration of the surrealists.
The opera depicts Parisian working-class life. However the city itself is in many ways the true star of this very atmospheric work – invoked at various points during the opera. A French example of verismo opera, it tells the story of the love between Louise, a seamstress living with her parents in Paris, and Julien, a young artist. It is the story of a young girl's desire for freedom (associated in her mind with her lover and the city of Paris).
Charpentier later wrote a sequel to Louise, the opera Julien, which describes the artistic aspirations of Louise’s suitor.
Louise premiered on 2 February 1900 at the Opéra-Comique conducted by André Messager in a production by Albert Carré. It was successful, reaching its 100th performance just over a year later; the 500th performance at the Opéra-Comique took place on 17 January 1921, and by the early 1950s it had reached over 950 performances. The opera helped launch the career of the soprano Mary Garden, who sang Louise in Act 3 at the eighth performance. On 30 April 1900 the Opéra-Comique director Albert Carré gave away 400 seats to Paris dressmakers.