Louis A. "Lou" Levy (March 5, 1928 – January 23, 2001) was a bebop-based pianist who worked with many top jazz artists, later coming to embrace the cool jazz medium and playing in that style as well (though never quite losing his Bud Powell influence).
Levy was born to Jewish parents in Chicago and started playing piano when he was twelve. His chief influences were Art Tatum and Bud Powell.
A professional at age nineteen, Levy played with Georgie Auld (1947 and later), Sarah Vaughan, Chubby Jackson (1947–1948), Boyd Raeburn, Woody Herman's Second Herd (1948–1950), Tommy Dorsey (1950) and Flip Phillips. Levy left music for a few years in the early fifties and then returned to gain a strong reputation as an accompanist to singers, working with Peggy Lee (1955–1973), Ella Fitzgerald (1957–1962), June Christy, Anita O'Day and Pinky Winters. Levy also played with Dizzy Gillespie, Shorty Rogers, Stan Getz, Terry Gibbs, Benny Goodman, Supersax and most of the major West Coast players. Levy recorded as a leader for Nocturne (1954), RCA, Jubilee, Philips, Interplay(1977), and Verve.
Lou Levy may refer to:
Lou Levy (December 3, 1910– October 31, 1995) was a music publisher during the Tin Pan Alley era of American popular music.
Levy established Leeds Music Corporation in 1935 with his friends, lyricist Sammy Cahn and composer Saul Chaplin. He is credited with the discoveries of Cahn and Chaplin, Bob Dylan, Charles Strouse, Richard Adler and Jerry Ross, and Henry Mancini. He also either discovered, managed, or developed the careers of such artists as the Ames Brothers, Petula Clark, Bobby Darin, Eddie Fisher, Connie Francis, Woody Herman, Steve Lawrence, Les Paul, The Andrews Sisters, Buddy Rich, Woody Herman and Charles Aznavour
Levy supplied numerous other singers with hit material: Frank Sinatra with "All or Nothing At All," "Strangers in the Night," and "I'll Never Smile Again"; Petula Clark with "Downtown" and "Call Me"; The Everly Brothers with "Let It Be Me"; Tom Jones with "It's Not Unusual". He published the Beatles' first American hit, "I Want to Hold Your Hand."