Please tell us which country and city you'd like to see the weather in.
Wishbone Ash
Wishbone Ash are a British rock band who achieved success in the early and mid-1970s. Their popular records included Wishbone Ash (1970), Pilgrimage (1971), Argus (1972), There's the Rub (1974), and New England (1976). They were one of the first bands to use twin lead guitars.
Wishbone Ash are considered to be one of the major innovators of the harmony twin lead guitar format. Their contributions helped Andy Powell and Ted Turner to be voted "Two of the Ten Most Important Guitarists in Rock History" (Traffic magazine 1989), and to appear in the "Top 20 Guitarists of All Time" (Rolling Stone). Melody Maker (1972) described Powell and Turner as "the most interesting two guitar team since the days when Beck and Page graced The Yardbirds".
Formed in Torquay, Devon, in 1969, out of the ashes of trio The Empty Vessels (originally known as The Torinoes, later briefly being renamed Tanglewood in 1969), which had been formed by Wishbone Ash's founding member Martin Turner (bass & vocals) in 1963 and complemented by Steve Upton (drums and percussion) in 1966. The original Wishbone Ash line-up was completed by guitarists/vocalists Andy Powell and Ted Turner. In 1974, Ted Turner left the band, and was replaced by Laurie Wisefield. The band continued on with strong critical and commercial success until 1980.
Wishbone Ash (album)
Wishbone Ash is the first studio album by Wishbone Ash. The band's debut album became a reality when they were opening for Deep Purple in early 1970. Deep Purple guitarist Ritchie Blackmore was jamming during the band's soundcheck when Wishbone guitarist Andy Powell boldly plugged in and began jamming with Blackmore.
After the show, Blackmore recommended that MCA Records sign the band. Deep Purple producer Derek Lawrence produced this album, which features elements of blues, progressive rock, and psychedelic improvisation. The album was a success and Wishbone Ash would soon become one of the most popular rock bands of the early 1970s.
Track listing
All songs previously released on DECCA album old number DL7-5249 entitled Wishbone Ash.
MCA version is MCA-23.
All songs composed by Martin Turner, Steve Upton, Ted Turner and Andy Powell.
"Blind Eye" and "Queen Of Torture" were released on 7" single, MCA MK5061 (February 1971)
Lorelei
The Lorelei is a 132 m (433 ft) high, steep slate rock on the right bank of the River Rhine in the Rhine Gorge (or Middle Rhine) at Sankt Goarshausen in Germany.
Etymology
The name comes from the old German words lureln, Rhine dialect for "murmuring", and the Celtic term ley "rock". The translation of the name would therefore be: "murmur rock" or "murmuring rock". The heavy currents, and a small waterfall in the area (still visible in the early 19th century) created a murmuring sound, and this combined with the special echo the rock produces to act as a sort of amplifier, giving the rock its name. The murmuring is hard to hear today owing to the urbanization of the area. Other theories attribute the name to the many accidents, by combining the German verb "lauern" (to lurk, lie in wait) with the same "ley" ending, with the translation "lurking rock".
By the German language orthographic reform of 1903, in almost all German terms letter "y" was changed for letter "i", but in some German names the letter "y" was kept, such as Speyer, Spay, (Rheinberg-)Orsoy, and including Loreley, which is thus the correct spelling in German.
Lorelei (song)
"Lorelei" is a song composed by George Gershwin, with lyrics by Ira Gershwin; it was written for their musical Pardon My English (1933).
It is about the Loreley legend.
Notable Recordings
References
External links
Lorelei, Edmonton
Lorelei is a residential neighbourhood located in the Castledowns area of north Edmonton, Alberta, Canada.
It is bounded on the north and west by Castledowns Road, on the east by 97 Street, and on the south by Beaumaris Road and 160 Avenue. Travel north along 97 Street takes residents past CFB Edmonton located just north of the city, while travel south along 97 Street takes residents past the Northern Alberta Institute of Technology and into the downtown core.
Most of the residences in the neighbourhood were built in the 1970s and 1980s, with residences being a mixture of single-family dwellings (57%), row houses (25%), walk-up apartments in buildings with five or fewer stories (10%) and duplexes (8%). Roughly three out of four residences are owner-occupied.
Demographics
In the City of Edmonton's 2012 municipal census, Lorelei had a population of 7003402700000000000♠4,027 living in 7003147500000000000♠1,475 dwellings, a -3.4% change from its 2009 population of 7003417000000000000♠4,170. With a land area of 1.22 km2 (0.47 sq mi), it had a population density of 7003330080000000000♠3,300.8 people/km2 in 2012.
Podcasts:
Lorelei
ALBUMS
- Lore of Lies released: 2014
Lorelei
ALBUMS
- Tatuatu Zenidan Zerua released: 1999
- Bada Hiri Gorri bat released: 1997
LORELEI
ALBUMS
- PASTRALE released: 2000
Lorelei
ALBUMS
- Enterprising Sidewalks released: 2012
- Everyone Must Touch the Stove released: 1995
Lorelei
ALBUMS
- Угрюмые Волны Студеного Моря released: 2013
-
by Wishbone Ash
-
by Wishbone Ash
-
by Wishbone Ash
-
by Wishbone Ash
-
by Wishbone Ash
-
by Wishbone Ash
-
by Wishbone Ash
-
by Wishbone Ash
-
by Wishbone Ash
-
by Wishbone Ash
-
by Wishbone Ash
-
by Wishbone Ash
-
by Wishbone Ash
-
by Wishbone Ash
-
by Wishbone Ash
-
by Wishbone Ash
-
by Wishbone Ash
-
by Wishbone Ash
-
by Wishbone Ash
-
by Wishbone Ash
-
by Wishbone Ash
-
by Wishbone Ash
-
by Wishbone Ash
-
by Wishbone Ash
-
by Wishbone Ash
-
by Wishbone Ash
-
by Wishbone Ash
-
by Wishbone Ash
-
by Wishbone Ash
-
by Wishbone Ash
-
by Wishbone Ash
-
by Wishbone Ash
-
by Wishbone Ash
-
by Wishbone Ash
-
by Wishbone Ash
-
by Wishbone Ash
-
by Wishbone Ash
-
by Wishbone Ash
-
by Wishbone Ash
-
by Wishbone Ash
-
by Wishbone Ash
-
by Wishbone Ash
-
by Wishbone Ash
-
by Wishbone Ash
-
by Wishbone Ash
-
by Wishbone Ash
-
by Wishbone Ash
-
by Wishbone Ash
-
by Wishbone Ash
-
by Wishbone Ash
-
by Wishbone Ash
-
by Wishbone Ash
-
by Wishbone Ash
-
by Wishbone Ash
-
by Wishbone Ash
-
by Wishbone Ash
-
by Wishbone Ash
-
by Wishbone Ash
-
by Wishbone Ash
-
by Wishbone Ash
-
by Wishbone Ash
-
by Wishbone Ash
-
by Wishbone Ash
-
by Wishbone Ash
-
by Wishbone Ash
-
by Wishbone Ash
-
by Wishbone Ash
-
by Wishbone Ash
-
by Wishbone Ash
-
by Wishbone Ash
-
by Wishbone Ash
-
by Wishbone Ash
-
by Wishbone Ash
-
by Wishbone Ash
-
by Wishbone Ash
-
by Wishbone Ash
-
by Wishbone Ash
-
by Wishbone Ash
-
by Wishbone Ash
-
by Wishbone Ash
-
by Wishbone Ash
-
by Wishbone Ash
-
by Wishbone Ash
-
by Wishbone Ash
-
by Wishbone Ash
-
by Wishbone Ash
-
by Wishbone Ash
-
by Wishbone Ash
-
by Wishbone Ash
-
by Wishbone Ash
-
by Wishbone Ash
-
by Wishbone Ash
-
by Wishbone Ash
-
by Wishbone Ash
-
by Wishbone Ash
-
by Wishbone Ash
-
by Wishbone Ash
-
by Wishbone Ash
-
by Wishbone Ash
-
by Wishbone Ash
-
by Wishbone Ash
-
by Wishbone Ash
-
by Wishbone Ash
-
by Wishbone Ash
-
by Wishbone Ash
-
by Wishbone Ash
-
by Wishbone Ash
-
by Wishbone Ash
-
by Wishbone Ash
-
by Wishbone Ash
-
by Wishbone Ash
-
by Wishbone Ash
-
by Wishbone Ash
-
by Wishbone Ash
-
by Wishbone Ash
-
by Wishbone Ash
-
by Wishbone Ash
-
by Wishbone Ash
-
by Wishbone Ash
-
by Wishbone Ash
-
by Wishbone Ash
-
by Wishbone Ash
-
by Wishbone Ash
-
by Wishbone Ash
-
by Wishbone Ash
-
by Wishbone Ash
-
by Wishbone Ash
-
by Wishbone Ash
-
by Wishbone Ash
-
by Wishbone Ash
-
by Wishbone Ash
-
by Wishbone Ash
-
by Wishbone Ash
-
by Wishbone Ash
-
by Wishbone Ash
-
by Wishbone Ash
-
by Wishbone Ash
-
by Wishbone Ash
-
by Wishbone Ash
-
by Wishbone Ash
-
by Wishbone Ash
-
by Wishbone Ash
-
by Wishbone Ash
-
by Wishbone Ash
-
by Wishbone Ash
-
by Wishbone Ash
-
by Wishbone Ash
-
by Wishbone Ash
-
by Wishbone Ash
-
by Wishbone Ash
-
by Wishbone Ash
-
by Wishbone Ash
-
by Wishbone Ash
-
by Wishbone Ash
-
by Wishbone Ash
-
by Wishbone Ash
-
by Wishbone Ash
-
by Wishbone Ash
-
by Wishbone Ash
-
by Wishbone Ash
That's That
by: Wishbone AshWhat can I say?
My position is clear
When it comes to you
I got the right idea.
I just can't stand you
For one more day -
When daylight breaks
I'll be miles away.
'Cause I know what I want
And I know you do too
So that's that.
This is the day I stand up and fight.
There's no price on my head
I know I'm right.
The debt is all yours
Now I'm going away