The Lord of the Sabbath is an expression describing Jesus which appears in all three Synoptic Gospels, Matthew 12:1-8, Mark 2:23-28 and Luke 6:1-5. These sections each relate an encounter between Jesus, his Apostles and the Pharisees, the first of the four "Sabbath controversies".
According to the Gospel of Mark:
One Sabbath, Jesus was going through the grainfields, and as his disciples walked along, they began to pick some heads of grain. The Pharisees said to him, "Look, why are they doing what is unlawful on the Sabbath?" He answered, "Have you never read what David did when he and his companions were hungry and in need? In the days of Abiathar the high priest, he entered the house of God and ate the consecrated bread, which is lawful only for priests to eat. And he also gave some to his companions." Then he said to them, "The Sabbath was made for man, not man for the Sabbath. So the Son of Man is Lord even of the Sabbath."
Some versions of Luke's Gospel provide a specific date for the incident - the second Sabbath after the first (likely to mean the Sabbaths counted from the Feast of First Fruits in accordance with Leviticus 23).Matthew's Gospel provides an additional example to justify working on the Sabbath:
Sabbath (/ˈsæbəθ/) is a day set aside for rest and worship. According to Exodus 20:8 the Sabbath is commanded by God to be kept as a holy day of rest, as God rested from creation. It is observed differently among the Abrahamic religions and informs a similar occasion in several other practices. Although many viewpoints and definitions have arisen over the millennia, most originate in the same textual tradition of: "Remember the sabbath day, to keep it holy".
In Judaism, Sabbath is the seventh day of the Hebrew calendar week, which in English is known as Saturday. The term has been used to describe a similar weekly observance in any of several other traditions; the first crescent or new moon; any of seven annual festivals in Judaism and some Christian traditions; any of eight annual pagan festivals (usually "sabbat"); an annual secular holiday; and a year of rest in religious or secular usage, the sabbath year, originally every seventh year.
Sabbath (as the verb Shavath) is first mentioned in the Genesis creation narrative, where the seventh day is set aside as a day of rest and made holy by God (Genesis 2:2–3). Observation and remembrance of Sabbath is one of the Ten Commandments (the fourth in the original Jewish, the Eastern Orthodox, and most Protestant traditions, the third in Roman Catholic and Lutheran traditions). Most people who observe the Sabbath regard it as having been instituted as a perpetual covenant for the Israelites (Exodus 31:13–17), as a sign respecting two events: the day during which God rested after having completed Creation in six days (Exodus 20:8–11), and the Israelites' deliverance from Egypt (Deuteronomy 5:12–15). Originally, Sabbath-breakers were officially to be cut off from the assembly or potentially killed (Exodus 31:15). Observance in the Hebrew Bible was universally from sixth-day sundown to seventh-day sundown (Nehemiah 13:19, cf. Leviticus 23:32) on a seven-day week.
Marco Bellocchio (Italian: [ˈmarko belˈlɔkkjo]; born 9 November 1939) is an Italian film director, screenwriter, and actor.
Born in Bobbio, near Piacenza, Marco Bellocchio had a strict Catholic upbringing – his father was a lawyer, his mother a schoolteacher. He began studying philosophy in Milan but then decided to enter film school, making his first film, Fists in the Pocket, (I pugni in tasca, winner of the Silver Sail at the 1965 Festival del film Locarno), funded by family members and shot on family property, in 1965.
Bellocchio's films include China is Near (1967), Sbatti il mostro in prima pagina (Slap the Monster on Page One) (1972), Nel Nome del Padre (In the name of the Father – a satire on a Catholic boarding school that shares affinities with Lindsay Anderson's If....) (1972), Victory March (1976), A Leap in the Dark (1980), Henry IV (1984), Devil in the Flesh (1986), and My Mother's Smile (2002), which told the story of a wealthy Italian artist, a 'default-Marxist and atheist', who suddenly discovers that the Vatican is proposing to make his detested mother a saint.