Look (2009 film)

Look is a 2009 short film written and directed by filmmaker Ryan Pickett.

Plot

Look is about a barmaid, Emma (Starina Johnson), who is caught in a daydream when interrupted by a lost model (Theresa Meeker). The desire for beauty reveals an unsettling emptiness.

In an interview with Matthew Saliba of Rogue Cinema, Pickett said, "I feel so alive as a director when making films like this. It's pure emotion. What can we tell you from just our eyes? What are you seeing with yours? Essentially what "Look" is about. Perception and how it works in our lives. The story was just part of the whole, I knew what I wanted to accomplish in this film and worked on a story that would allow that. There actually was a bit more dialogue in the film that I decided to cut out. The story is what you create in your head while watching it, not one I wrote. Or that was my intention." In an interview with Saliba, Meeker said, "Ryan really left its meaning up to interpretation. There are so many different ways that people could think about Look without being wrong in their analysis of it."

2009 in film

The year 2009 saw the release of many films. Seven made the top 50 list of highest-grossing films. Also in 2009, the Academy of Motion Picture Arts and Sciences announced that as of that year, their Best Picture category would consist of ten nominees, rather than five (the first time since the 1943 awards).

Highest-grossing films

Events

May

July

Awards

2009 films

Films released in North America in 2009 include:

January–March

April–June

July–September

October–December

Notable deaths

Publications

References

External links

Film (band)

Film was a Yugoslav rock group founded in 1978 in Zagreb. Film was one of the most popular rock groups of the former Yugoslav new wave in the late 1970s to early 1980s.

History

New wave years (1979-1981)

During 1977 and 1978, bassist Marino Pelajić, guitarist Mladen Jurčić, and drummer Branko Hromatko were Azra members when Branimir "Johnny" Štulić brought Jura Stublić as the new vocalist. Stublić was to become Aerodrom member, but due to his deep vocals it never happened. The lineup functioned for a few months only and after a quarrel with Štulić, on early 1979, Pelajić, Jurčić, Hromatko and Stublić formed the band Šporko Šalaporko i Negove Žaluzine, naming the band after a story from the "Polet" youth magazine, which was soon after renamed to Film. The memories of the Azra lineup later inspired Štulić to write the song "Roll over Jura" released on Filigranski pločnici in 1982.

Saxophonist Jurij Novoselić, who at the time had worked under the pseudonym Kuzma Videosex, joined the band, inspiring others to use pseudonym instead of their original names: vocalist Stublić became Jura Jupiter, bassist Pelajić became Mario Baraccuda and guitarist Jurčić became Max Wilson. Before joining the band, Stublić did not have much experience as a vocalist, however, since his father had been an opera singer, he often visited the theatre and opera, and at the age of 13, he started playing the guitar, earning money as a street performer at seaside resorts.

Film (film)

Film is a 1965 film written by Samuel Beckett, his only screenplay. It was commissioned by Barney Rosset of Grove Press. Writing began on 5 April 1963 with a first draft completed within four days. A second draft was produced by 22 May and a forty-leaf shooting script followed thereafter. It was filmed in New York in July 1964.

Beckett’s original choice for the lead – referred to only as “O” – was Charlie Chaplin, but his script never reached him. Both Beckett and the director Alan Schneider were interested in Zero Mostel and Jack MacGowran. However, the former was unavailable and the latter, who accepted at first, became unavailable due to his role in a "Hollywood epic." Beckett then suggested Buster Keaton. Schneider promptly flew to Los Angeles and persuaded Keaton to accept the role along with "a handsome fee for less than three weeks' work."James Karen, who was to have a small part in the film, also encouraged Schneider to contact Keaton.

The filmed version differs from Beckett's original script but with his approval since he was on set all the time, this being his only visit to the United States. The script printed in Collected Shorter Plays of Samuel Beckett (Faber and Faber, 1984) states:

Lubrication theory

In fluid dynamics, lubrication theory describes the flow of fluids (liquids or gases) in a geometry in which one dimension is significantly smaller than the others. An example is the flow above air hockey tables, where the thickness of the air layer beneath the puck is much smaller than the dimensions of the puck itself.

Internal flows are those where the fluid is fully bounded. Internal flow lubrication theory has many industrial applications because of its role in the design of fluid bearings. Here a key goal of lubrication theory is to determine the pressure distribution in the fluid volume, and hence the forces on the bearing components. The working fluid in this case is often termed a lubricant.

Free film lubrication theory is concerned with the case in which one of the surfaces containing the fluid is a free surface. In that case the position of the free surface is itself unknown, and one goal of lubrication theory is then to determine this. Surface tension may then be significant, or even dominant. Issues of wetting and dewetting then arise. For very thin films (thickness less than one micrometre), additional intermolecular forces, such as Van der Waals forces or disjoining forces, may become significant.

Look (Song for Children)

"Look" (labelled on session tapes as "I Ran") is a composition written by Brian Wilson for American rock band the Beach Boys, intended as a potential track for the band's aborted Smile concept album. Due to lost tapes and scarce information, the recording of "Look" exists today only as an instrumental piece.

In 2004, "Look" was rewritten with Van Dyke Parks as "Song for Children", and released on Wilson's solo rerecording of Smile.

Composition

The song was to be entitled "Look", but during later vocal overdubs was marked as "I Ran" on session tape boxes. The tapes in these boxes remain lost, so it is unknown what the vocal arrangement of the song consisted of in 1966. An explanation for the title "I Ran" can be attributed as the answer to a repeated lyrical question occurring in "Cabin Essence" ("Who ran the iron horse?").

Placing emphasis on glockenspiel, clavichord, and pounding floor toms, the instrumental track bears some melodic and stylistic similarities to the penultimate choral fugato of the recent Wilson composition "Good Vibrations". "Look" was attempted early on in Smile sessions, being the second song worked on after "Good Vibrations"—possibly having branched from the composition as a byproduct of its arduous gestation. A prominent section of the song makes reference to the iconic opening of the American ragtime piece "Twelfth Street Rag", as per the album's persistent Americana theme. Vocal overdubs were recorded on October 13, 1966 (1966-10-13).