Long Night (song)

"Long Night" is a single by The Corrs, released in 2004, taken from their fourth studio album Borrowed Heaven. The song was written by Sharon Corr. Even though it was not a very successful single around Europe or the U.S., it reached #4 in Brazil and remained on Top 10 for weeks, after its use on a famous prime time national soap opera Senhora do Destino.

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Video

The video for "Long Night" only features Andrea and, very shortly, Sharon during her violin solo. Apart from that, we see different versions of Andrea moving backwards through a love affair with a young man. It was shot on October 29, 2004.

Long Night

Long Night may refer to:

See also

Long Night (Kim Hyung-jun song)

"Long Night" (Japanese: 眠れない夜, Hepburn: nemurenai yoru, lit. "sleepless night") is Kim Hyung-jun's first Japanese single, which was released on July 27, 2011 under Avex Entertainment. The single is also available in DVD version.

Background and development

In January 2011, Kim Hyung-jun held a fan event at the Tokyo Shinagawa Stellar Ball. During the event, he announced he signed under Avex Entertainment for his future Japanese activities. In March, Kim released his first solo mini album My Girl in South Korea, marking his debut as a solo artist. He also released its Japanese version under Avex on April 6, then he continued touring around Asia to promote his album until early July.

Later on, he announced that he will be officially debuting as a solo artist in Japan with his upcoming single release, "Long Night". He mentioned that the single would produce a cool and comfortable feeling because it will be released in the summer. Since he would be performing solo from now on and the lyrics are written in Japanese language, his second language, however, he mentioned that it would be more difficult for him to be able to express the meaning and feeling of the single properly.

Long Night (album)

Long Night is an album by jazz musician Frank Strozier, recorded in 1961 for Jazzland.

In a review for the August 16, 1962 issue of Down Beat magazine jazz critic Pete Welding wrote: "Strozier's writing for the sextet numbers is spare and attractive: he has avoided the temptation to keep three horns going all the time and uses the tenor and baritone for effective ensemble accents."

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Personnel

References