Shakers

The United Society of Believers in Christ's Second Appearing is a religious sect, also known as the Shakers, founded in the 18th century in England, having branched off from a Quaker community. They were known as "Shaking Quakers" because of their ecstatic behavior during worship services. In 1747, women assumed leadership roles within the sect, notably Jane Wardley and Mother Ann Lee. Shakers settled in colonial America, with initial settlements in New Lebanon, New York (called Mount Lebanon after 1861) and what is now Watervliet.

Shakers today are mostly known for their celibate and communal lifestyle, pacifism, and their model of equality of the sexes, which they institutionalized in their society in the 1780s. They are also known for their simple living, architecture, and furniture.

During the mid-19th century, an Era of Manifestations resulted in a period of dances, gift drawings and gift songs inspired by spiritual revelations. At its peak in the mid-19th century, there were 6,000 Shaker believers. By 1920, there were only 12 Shaker communities remaining in the United States. In the present day, there is only one active Shaker village, Sabbathday Lake Shaker Village, which is located in Maine. Their celibacy resulted in the thinning of the Shaker community, and consequently many of the other Shaker settlements are now village museums, like Hancock Shaker Village in Massachusetts.

Salt and pepper shakers

Salt and pepper shakers (or in the UK, salt and pepper pots) are condiment holders used in Western culture that are designed to allow diners to distribute grains of edible salt and ground peppercorns. Salt and pepper shakers are sometimes held in a cruet-stand.

History and usage

Salt and pepper shakers can be made from a variety of materials, including plastic, glass, metal, and ceramic. Salt shakers became increasingly common after anti-caking agents were introduced by the Morton Salt company in the 1920s. The Great Depression of the 1930s boosted the popularity of salt and pepper shakers as global ceramics producers concentrated on inexpensive items.

Except in the most casual dining establishments, they are usually provided as a matched set, sometimes distinguishable only by the number of holes on the top of the shaker. Designs range from small, plain glass screw cap containers (invented by John Landis Mason, inventor of the Mason jar) to more ornate works of art. Sometimes the design refers to some pair of related objects—such as a replica of a West Highland White Terrier containing salt and a Scottish Terrier containing pepper. Designs may also relate to specific occasions or holidays. As a result of this diversity of design, collecting salt and pepper shakers is a hobby. Design of salt and pepper shakers has also been used to transmit cultural perspectives about race and other cultural values.

Simon

Simon may refer to:

Names

Electronics and technology

Media names

Other

Recurring Saturday Night Live characters and sketches introduced 1990–1991

The following is a list of recurring Saturday Night Live characters and sketches introduced between September 29, 1990, and May 18, 1991, the sixteenth season of SNL.

Larry Roman the Talent Scout

A Dana Carvey sketch. Debuted September 29, 1990.

Middle-Aged Man

A Mike Myers and Chris Farley sketch. Chris Farley portrayed a character known as "Drinking Buddy," Middle-Aged Man's sidekick. Debuted October 20, 1990.

Simon

Simon is a sketch about a young British boy, played by Mike Myers, who likes to draw, and has his own BBC television program, Simon. The sketches always begin by showing the BBC logo with a faux British announcer back-announcing some ridiculously insipid sounding programming on right before it. The show borrows its theme song from a British children's television series called Simon in the Land of Chalk Drawings, though, aside from the concept of a young boy who draws, the premises are completely dissimilar. Simon broadcasts his program from his bathtub, in which he appears to be nude. On the show, Simon displays his drawings (pronounced drawerings in an exaggerated British accent), which he bends over to pick up, whereupon he scolds the audience, by yelling his catch phrases, "Don't look at my bum!" and calling the audience "Bum Lookers!" and "Cheeky Monkeys!"

Simon (cipher)

Simon is a family of lightweight block ciphers publicly released by the National Security Agency (NSA) in June 2013. Simon has been optimized for performance in hardware implementations, while its sister algorithm, Speck, has been optimized for software implementations.

Description of the cipher

The Simon block cipher is a balanced Feistel cipher with an n-bit word, and therefore the block length is 2n. The key length is a multiple of n by 2, 3, or 4, which is the value m. Therefore, a Simon cipher implementation is denoted as Simon2n/nm. For example, Simon64/128 refers to the cipher operating on a 64-bit plaintext block (n=32) that uses a 128-bit key. The block component of the cipher is uniform between the Simon implementations; however, the key generation logic is dependent on the implementation of 2, 3 or 4 keys.

Simon supports the following combinations of block sizes, key sizes and number of rounds:

See Also

References

Remix (I Like The)

"Remix (I Like The)" is a song by American pop group New Kids on the Block from their sixth studio album, 10. The song was released as the album's lead single on January 28, 2013. "Remix (I Like The)" was written by Lars Halvor Jensen, Johannes Jørgensen, and Lemar, and it was produced by Deekay. The song features Donnie Wahlberg and Joey McIntyre on lead vocals.

"Remix (I Like The)" did not enter the Billboard Hot 100 in the United States, becoming their first lead single to fail charting since "Be My Girl" (1986). Instead, the song peaked at number 38 on the Adult Pop Songs chart.

Critical reception

PopCrush gave the song 3.5 stars out of five. In her review Jessica Sager wrote, "The song sounds like an adult contemporary answer to The Wanted mixed with Bruno Mars‘ ‘Locked Out of Heaven.’ It has a danceable beat like many of the British bad boys’ tracks, but is stripped down and raw enough to pass for Mars’ latest radio smash as well." Carl Williott of Idolator commended the song's chorus, but criticized its "liberal use of Auto-Tune" and compared Donnie Wahlberg's vocals to Chad Kroeger.

Remix (book)

Remix: Making Art and Commerce Thrive in the Hybrid Economy is Lawrence Lessig's fifth book. It is available as a free download under a Creative Commons license. It details a hypothesis about the societal effect of the Internet, and how this will affect production and consumption of popular culture.

Summary

In Remix Lawrence Lessig, a Harvard law professor and a respected voice in what he deems the "copyright wars", describes the disjuncture between the availability and relative simplicity of remix technologies and copyright law. Lessig insists that copyright law as it stands now is antiquated for digital media since every "time you use a creative work in a digital context, the technology is making a copy" (98). Thus, amateur use and appropriation of digital technology is under unprecedented control that previously extended only to professional use.

Lessig insists that knowledge and manipulation of multi-media technologies is the current generation's form of "literacy"- what reading and writing was to the previous. It is the vernacular of today. The children growing up in a world where these technologies permeate their daily life are unable to comprehend why "remixing" is illegal. Lessig insists that amateur appropriation in the digital age cannot be stopped but only 'criminalized'. Thus most corrosive outcome of this tension is that generations of children are growing up doing what they know is "illegal" and that notion has societal implications that extend far beyond copyright wars. The book is now available as a free download under one of the Creative Commons' licenses.