Valeria may refer to:
The Gens Valeria was a patrician family at Rome, which later included a number of plebeian branches. The Valeria gens was one of the most ancient and most celebrated at Rome; and no other Roman gens was distinguished for so long a period, although a few others, such as the Cornelia gens, produced a greater number of illustrious men. Publius Valerius, afterwards surnamed Poplicola or Publicola, played a distinguished part in the story of the expulsion of the Kings, and was elected consul in the first year of the Republic, BC 509. From this time forward, down to the latest period of the Empire, for nearly a thousand years, the name Valerius occurs more or less frequently in the Fasti, and it was borne by the emperors Maximinus, Maximianus, Maxentius, Diocletian, Constantius, Constantine the Great, and others.
The Valeria gens enjoyed extraordinary honours and privileges at Rome. Their house at the bottom of the Velia was the only one in Rome of which the doors were allowed to open back into the street. In the Circus Maximus a conspicuous place was set apart for them, where a small throne was erected, an honour of which there was no other example among the Romans. They were also allowed to bury their dead within the walls, a privilege which was also granted to some other gentes; and when they had exchanged the older custom of interment for that of burning the corpse, although they did not light the funeral pile on their burying-ground, the bier was set down there, as a symbolical way of preserving their right.
Valeria (Valería) is a Mexican telenovela produced by Ernesto Alonso for Telesistema Mexicano in 1966. It was directed by Julio Alejandro.
An Argentinian remake of Valería was made in 1986. A Peruvian telenovela Milagros is quite similar to Valería.
In this telenovela is shown the First Holy Communion of the main character Valería. On the day of her First Communion, Valería witnessed the murder of her father and rape of her mother.
Loneliness is a complex and usually unpleasant emotional response to isolation or lack of companionship. Loneliness typically includes anxious feelings about a lack of connectedness or communality with other beings, both in the present and extending into the future. As such, loneliness can be felt even when surrounded by other people. The causes of loneliness are varied and include social, mental or emotional factors.
Research has shown that loneliness is widely prevalent throughout society among people in marriages, relationships, families, veterans and successful careers. It has been a long explored theme in the literature of human beings since classical antiquity. Loneliness has also been described as social pain — a psychological mechanism meant to alert an individual of isolation and motivate him/her to seek social connections.
People can experience loneliness for many reasons and many life events may cause it, like the lack of friendship relations during childhood and adolescence, or the physical absence of meaningful people around a person. At the same time, loneliness may be a symptom of another social or psychological problem, such as chronic depression.
Loneliness is a complex and usually unpleasant emotional response to isolation or lack of companionship.
Loneliness may also refer to:
Kevin Anthony Jackson (born 30 November 1964), better known as Sanchez, is a Jamaican reggae singer and record producer. He is best known as Billboard reggae songs such as "Frenzy", "One In A Million", "I'm Missing You", "I Can't Wait", "Fall in Love", "Loneliness", "Never Dis Di Man", "In Your Eyes" and "Pretty Girl". He started as a singer in 1987.
Born in Kingston, Jackson grew up in the Stony Hill and Waterford areas. He was given the nickname 'Sanchez' due to his football skills - a reference to a footballer of that name. He sang from an early age in the Rehoboth Apostolic Church choir in St Catherine. After working with several Kingston sound systems, first as selector for the Rambo Mango sound system, he began recording and had his first hit with "Lady In Red", recorded for producer Red Man in 1987. By 1988 he was one of Jamaica's most popular singers, and at his performance at Reggae Sunsplash that year he was called back for six encores. He had further big hits with "Loneliness Leave Me Alone", produced by Winston Riley, and with his version of Tracy Chapman's "Baby Can I Hold You", which was included on the Philip "Fatis" Burrell-produced Number One album (1989). He has worked with several of Jamaica's other top producers, including King Jammy, Bobby Digital, and Donovan Germain.