A stunt is an unusual and difficult physical feat or an act requiring a special skill, performed for artistic purposes usually on television, theatre, or cinema. Stunts are a feature of many action films. Before computer generated imagery special effects, these effects were limited to the use of models, false perspective and other in-camera effects, unless the creator could find someone willing to jump from car to car or hang from the edge of a skyscraper: the stunt performer or stunt double.
One of the most-frequently used practical stunts is stage combat. Although contact is normally avoided, many elements of stage combat, such as sword fighting, martial arts, and acrobatics required contact between performers in order to facilitate the creation of a particular effect, such as noise or physical interaction. Stunt performances are highly choreographed and may be rigorously rehearsed for hours, days and sometimes weeks before a performance. Seasoned professionals will commonly treat a performance as if they have never done it before, since the risks in stunt work are high, every move and position must be correct to reduce risk of injury from accidents. Examples of practical effects include tripping and falling down, high jumps, extreme sporting moves, acrobatics and high diving, spins, gainer falls, "suicide backflips," and other martial arts stunts.
A stunt in American football and Canadian football, sometimes called a twist, is a planned maneuver by a pair of players of the defensive team by which they exchange roles to better slip past blockers of the offensive team at the beginning of a play.
The purpose of a stunt is to confuse opposing blockers, which is an aid to the defense in rushing an opposing forward pass or kick. The main weakness of a stunt is that it is more vulnerable than average to running plays by the opposing team. In most cases, the defense will not use a play incorporating stunting if it expects a running play from the offense.
There are two main types of stunts. In one, a line player, who would otherwise try to charge forward, instead drops back, and a nearby linebacker or defensive back charges forward instead. In the other, which is known as cross-rushing, line players, instead of charging straight ahead, cross paths. One of them may follow a looping path that goes behind the other before moving forward (in which case the stunt is called a "loop"), or one may wait for the other to penetrate slightly first, and then cross behind, their paths angling across each other. In some variants, a rushing player will run around more than one rushing teammate.
A stunt is a difficult or unusual feat performed for film or theatre.
Stunt or Stunting may also refer to:
Loneliness is a complex and usually unpleasant emotional response to isolation or lack of companionship. Loneliness typically includes anxious feelings about a lack of connectedness or communality with other beings, both in the present and extending into the future. As such, loneliness can be felt even when surrounded by other people. The causes of loneliness are varied and include social, mental or emotional factors.
Research has shown that loneliness is widely prevalent throughout society among people in marriages, relationships, families, veterans and successful careers. It has been a long explored theme in the literature of human beings since classical antiquity. Loneliness has also been described as social pain — a psychological mechanism meant to alert an individual of isolation and motivate him/her to seek social connections.
People can experience loneliness for many reasons and many life events may cause it, like the lack of friendship relations during childhood and adolescence, or the physical absence of meaningful people around a person. At the same time, loneliness may be a symptom of another social or psychological problem, such as chronic depression.
Loneliness is a complex and usually unpleasant emotional response to isolation or lack of companionship.
Loneliness may also refer to:
Kevin Anthony Jackson (born 30 November 1964), better known as Sanchez, is a Jamaican reggae singer and record producer. He is best known as Billboard reggae songs such as "Frenzy", "One In A Million", "I'm Missing You", "I Can't Wait", "Fall in Love", "Loneliness", "Never Dis Di Man", "In Your Eyes" and "Pretty Girl". He started as a singer in 1987.
Born in Kingston, Jackson grew up in the Stony Hill and Waterford areas. He was given the nickname 'Sanchez' due to his football skills - a reference to a footballer of that name. He sang from an early age in the Rehoboth Apostolic Church choir in St Catherine. After working with several Kingston sound systems, first as selector for the Rambo Mango sound system, he began recording and had his first hit with "Lady In Red", recorded for producer Red Man in 1987. By 1988 he was one of Jamaica's most popular singers, and at his performance at Reggae Sunsplash that year he was called back for six encores. He had further big hits with "Loneliness Leave Me Alone", produced by Winston Riley, and with his version of Tracy Chapman's "Baby Can I Hold You", which was included on the Philip "Fatis" Burrell-produced Number One album (1989). He has worked with several of Jamaica's other top producers, including King Jammy, Bobby Digital, and Donovan Germain.