The Seven and Five Society was an art group of seven painters and five sculptors created in 1919 and based in London.
The group was originally intended to encompass traditional, conservative artistic sensibilities. The first exhibition catalogue said, "[we] feel that there has of late been too much pioneering along too many lines in altogether too much of a hurry." Abstract artist Ben Nicholson joined in 1924, followed by others such as Henry Moore and Barbara Hepworth, and changed the society into a modernistic one and expelled the non-modernist artists. In 1935, the group was renamed the Seven and Five Abstract Group. At the Zwemmer Gallery in Charing Cross Road, London they staged the first exhibition of entirely abstract works in Britain.
Die Globalisierungsfalle: Der Angriff auf Demokratie und Wohlstand is a 1996 non-fiction book by Hans-Peter Martin (born 1957 in Bregenz , Austria), and Harald Schumann (born 1957 in Kassel, Germany), that describes possible implications of current trends in globalisation. It was published in English as The Global Trap: Civilization and the Assault on Democracy and Prosperity in 1997. At this time, both authors were editors of the news magazine Der Spiegel. From 1999 to 2014, Hans-Peter Martin, who is stated in the book to be one of just three journalists to be allowed to take part in all activities at the Fairmont convention, was a member of the European Parliament.
The book was a best-seller in the author's native Germany and went on to be a worldwide bestseller with over 800,000 copies sold and translated into 27 languages.
In particular, the book is known for defining a possible "20/80 society". In this possible society of the 21st century, 20 percent of the working age population will be enough to keep the world economy going. The other 80 percent live on some form of welfare and are entertained with a concept called "tittytainment", which aims at keeping the 80 percent of frustrated citizens happy with a mixture of deadeningly predictable, lowest common denominator entertainment for the soul and nourishment for the body.
The Seven Society (founded 1905) is the most secretive of the University of Virginia's secret societies. Members are only revealed after their death, when a wreath of black magnolias in the shape of a "7" is placed at the gravesite, the bell tower of the University Chapel chimes at seven-second intervals on the seventh dissonant chord when it is seven past the hour, and a notice is published in the University's Alumni News, and often in the Cavalier Daily. The most visible tradition of the society is the painting of the logo of the society, the number 7 surrounded by the signs for alpha (A), omega (Ω), and infinity (∞), and sometimes several stars, upon many buildings around the grounds of the University.
There is no clear history of the founding of the society. There is a legend that, of eight men who planned to meet for a card game, only seven showed up, and they formed the society. Other histories claim that the misbehavior of other secret societies, specifically the Hot Feet (later the IMP Society), led University President Edwin A. Alderman to call both the Hot Feet and the Z Society into his office and suggest that a more "beneficial organization" was needed.
Jillian Rose Banks (born June 16, 1988), known simply as Banks (often stylized as BANKS), is an American singer and songwriter from Orange County, California. She releases music under Harvest Records, Good Years Recordings and IAMSOUND Records imprints of the major label Universal Music Group.
She has toured internationally with The Weeknd and was also nominated for the Sound of 2014 award by the BBC and an MTV Brand New Nominee in 2014. On May 3, 2014, Banks was dubbed as an "Artist to Watch" by FoxWeekly.
Jillian Rose Banks was born in Orange County, California. Banks started writing songs at the age of fifteen. She taught herself piano when she received a keyboard from a friend to help her through her parents' divorce. She says she "felt very alone and helpless. I didn't know how to express what I was feeling or who to talk to."
Banks used the audio distribution website SoundCloud to put out her music before securing a record deal. Her friend Lily Collins used her contacts to pass along her music to people in the industry; specifically Katy Perry's DJ Yung Skeeter, and she began working with the label Good Years Recordings. Her first official single, called "Before I Ever Met You" was released in February 2013. The song which had been on a private SoundCloud page ended up being played by BBC Radio 1 DJ Zane Lowe. Banks released her first EP Fall Over by IAMSOUND Records and Good Years Recordings.Billboard called her a "magnetic writer with songs to obsess over." Banks released her second EP called London by Harvest Records and Good Years Recordings in 2013 to positive reviews from music critics, receiving a 78 from Metacritic. Her song "Waiting Game" from the EP was featured in the 2013 Victoria's Secret holiday commercial.
Charles Dickens' works are especially associated with London which is the setting for many of his novels. These works do not just use London as a backdrop but are about the city and its character.
Dickens described London as a Magic lantern, a popular entertainment of the Victorian era, which projected images from slides. Of all Dickens' characters 'none played as important a role in his work as that of London itself', it fired his imagination and made him write. In a letter to John Forster, in 1846, Dickens wrote 'a day in London sets me up and starts me', but outside of the city, 'the toil and labour of writing, day after day, without that magic lantern is IMMENSE!!'
However, of the identifiable London locations that Dickens used in his work, scholar Clare Pettitt notes that many no longer exist, and, while 'you can track Dickens' London, and see where things were, but they aren't necessarily still there'.
In addition to his later novels and short stories, Dickens' descriptions of London, published in various newspapers in the 1830s, were released as a collected edition Sketches by Boz in 1836.
London is a poem by Samuel Johnson, produced shortly after he moved to London. Written in 1738, it was his first major published work. The poem in 263 lines imitates Juvenal's Third Satire, expressed by the character of Thales as he decides to leave London for Wales. Johnson imitated Juvenal because of his fondness for the Roman poet and he was following a popular 18th-century trend of Augustan poets headed by Alexander Pope that favoured imitations of classical poets, especially for young poets in their first ventures into published verse.
London was published anonymously and in multiple editions during 1738. It quickly received critical praise, notably from Pope. This would be the second time that Pope praised one of Johnson's poems; the first being for Messiah, Johnson's Latin translation of Pope's poem. Part of that praise comes from the political basis of the poem. From a modern view, the poem is outshined by Johnson's later poem, The Vanity of Human Wishes as well as works like his A Dictionary of the English Language, his Lives of the Most Eminent English Poets, and his periodical essays for The Rambler, The Idler, and The Adventurer.