Dickens' London

Charles Dickens' works are especially associated with London which is the setting for many of his novels. These works do not just use London as a backdrop but are about the city and its character.

Dickens described London as a Magic lantern, a popular entertainment of the Victorian era, which projected images from slides. Of all Dickens' characters 'none played as important a role in his work as that of London itself', it fired his imagination and made him write. In a letter to John Forster, in 1846, Dickens wrote 'a day in London sets me up and starts me', but outside of the city, 'the toil and labour of writing, day after day, without that magic lantern is IMMENSE!!'

However, of the identifiable London locations that Dickens used in his work, scholar Clare Pettitt notes that many no longer exist, and, while 'you can track Dickens' London, and see where things were, but they aren't necessarily still there'.

In addition to his later novels and short stories, Dickens' descriptions of London, published in various newspapers in the 1830s, were released as a collected edition Sketches by Boz in 1836.

London (Samuel Johnson poem)

London is a poem by Samuel Johnson, produced shortly after he moved to London. Written in 1738, it was his first major published work. The poem in 263 lines imitates Juvenal's Third Satire, expressed by the character of Thales as he decides to leave London for Wales. Johnson imitated Juvenal because of his fondness for the Roman poet and he was following a popular 18th-century trend of Augustan poets headed by Alexander Pope that favoured imitations of classical poets, especially for young poets in their first ventures into published verse.

London was published anonymously and in multiple editions during 1738. It quickly received critical praise, notably from Pope. This would be the second time that Pope praised one of Johnson's poems; the first being for Messiah, Johnson's Latin translation of Pope's poem. Part of that praise comes from the political basis of the poem. From a modern view, the poem is outshined by Johnson's later poem, The Vanity of Human Wishes as well as works like his A Dictionary of the English Language, his Lives of the Most Eminent English Poets, and his periodical essays for The Rambler, The Idler, and The Adventurer.

List of minor planets: 8001–9000

Liverpool (2012 film)

Liverpool is a 2012 Canadian comedy crime film. Written and directed by Manon Briand, the film stars Stéphanie Lapointe as Émilie, a coat check clerk at a Montreal nightclub who decides to return a coat left behind one night by a woman who took a drug overdose in the club, only to find herself embroiled in the city's criminal underground. Her only ally in the quest is Thomas (Charles-Alexandre Dubé), a regular customer of the club and a potential new love interest for Émilie.

Liverpool was Briand's first film since 2002's Chaos and Desire.

References

External links

Liverpool (We're Never Gonna...)

"Liverpool (We're Never Gonna...)" was a single released by the English football team Liverpool in 1983, as a double A-side with "Liverpool Anthem". It reached number 54 in the UK Singles Chart.

References

Liverpool 78

Liverpool 78 is a live album by The Fall, first released June 4, 2001. These tracks have subsequently been reissued as part of an expanded Live at the Witch Trials. The recording has historic interest, but the sound at this concert must have been extremely badly mixed, since only the bass and the vocals are clearly audible, the guitar is not as loud as the bass and the vocals (despite the fact that it can be heard alright) and the drums and keyboards are almost completely absent (meaning that it can not even be heard by most listeners).

Track listing