Şarkı

A şarkı is an art song in Ottoman classical music which forms one of the movements of a fasıl (suite). It is performed with an usul (metric structure). This kind of song is rarely performed today. In modern Turkish, şarkı is the common word for any song, Turkish or foreign.

ARC (file format)

ARC is a lossless data compression and archival format by System Enhancement Associates (SEA). It was very popular during the early days of networked dial-up BBS. The file format and the program were both called ARC. The ARC program made obsolete the previous use of a combination of the SQ program to compress files and the LU program to create .LBR archives, by combining both compression and archiving functions into a single program. Unlike ZIP, ARC is incapable of compressing entire directory trees. The format was subject to controversy in the 1980s—an important event in debates over what would later be known as open formats.

The .arc file extension is often used for several file archive-like file types. For example, the Internet Archive uses its own ARC format to store multiple web resources into a single file. The FreeArc archiver also uses .arc extension, but uses a completely different file format.

Nintendo uses an unrelated 'ARC' format for resources, such as MIDI, voice samples, or text, in GameCube and Wii games. Several unofficial extractors exist for this type of ARC file.

Torah ark

The Torah ark or ark in a synagogue is known in Hebrew as the Aron Kodesh by the Ashkenazim and as the Hekhál among most Sefardim. It is generally a receptacle, or ornamental closet, which contains each synagogue's Torah scrolls (Sifrei Torah in Hebrew). Most arks feature a parokhet (curtain) placed either outside the doors of the ark (Ashkenazi and Mizrachi custom) or inside the doors of the ark (Spanish and Portuguese and Moroccan Sephardi custom).

Origin of the names

Aron Kodesh comes from Hebrew אָרוֹן קׄדֶש ʼārōn qōdeš (i.e. aron kodesh), Holy Ark. This name is a reference to the ’ārōn haqqōdeš, the Hebrew name for the Ark of the Covenant which was stored in the Holy of Holies in the inner sanctuary of both the ancient Tabernacle and the Temple in Jerusalem. Similarly, Hekhál, also written hechal, echal or heichal — and sometimes also Echal Kodesh (mainly among Balkan Sephardim) comes from Hebrew הֵיכָל [hēkhāl] ‘palace’, was used in the same time period to refer to the inner sanctuary. The hekhal contained the Menorah, Altar of Incense, and Table of the Showbread.

Loco (Apache)

Loco (1823–1905 or 1909) was a Copper Mines Mimbreño Apache chief.

Name

It is unknown whence Loco received his name. One theory suggests that he was named for the fact that he was "'crazy' enough to trust the white men." Another theory says that he got his name from his actions at a battle against the Mexicans, where he supposedly braved gunfire in order to save an injured warrior.

Time as chief

Unlike the militant Geronimo and the proud but aware Victorio, Loco was an advocate for peace. After the death of Cuchillo Negro, chief of the Warm Springs Tchihende, (1857) and Mangas Coloradas, chief of the Copper Mines Tchihende, (1863), the Copper Mines Mimbreños and the Warm Springs Mimbreños, under Pindah's pressure, were forced to leave the Pinos Altos area, near Santa Rita del Cobre, and try to concentrate in the Ojo Caliente area both of the tribe's bands; after Delgadito's death (1864) the Copper Mines Tchihende Loco, along with the Warm Springs Tchihende Victorio (who, already chosen as his son-in-law by Mangas Coloradas, was preferred to the older Nana), became the chiefs. The Mimbreños accepted to settle in a reservation, before at Ojo Caliente and later at Cañada Alamosa, but the Mimbreño reservation was abolished, and Victorio's and Loco's people was sent to the Mescalero reservation at Tularosa. When the Government stated to deport the Mimbreños to San Carlos, in 1877 Victorio and Loco led back their people to Ojo Caliente, but, in 1878, 9th Cavalry was sent to bring them back to San Carlos. Victorio took again the warpath, but Loco was arrested. Loco didn't join Victorio in his last war in 1879-1880, remaining in the San Carlos reservation. In 1882, when a party of Apaches including Geronimo forced Loco to leave for Mexico, Loco instead waged guerilla warfare against the Chiricahuas. In 1886, Loco went to Washington, D.C. to negotiate; however, like Geronimo, he was made prisoner and sent to Florida.

Loco (loa)

In the Voodoo religion, Loco (also spelled Loko) is a loa, patron of healers and plants, especially trees. He is a racine (root), and a Rada Loa. Among several other Loa he is linked with the poteau mitan or centrepost in a Vodou peristyle.

He is the husband of loa Ayizan, and just as she is the archetypal Mambo (priestess), so her husband Loco is considered the first Houngan (priest). As the spiritual parents of the priesthood he and his wife are two of the Loa involved in the kanzo initiation rites in which the Priest/ess to be is given the asson (sacred rattle and tool of the priesthood), and are both powerful guardians of "reglemen," or the correct and appropriate form of Vodoun service.

This Deity was inherited from the Haitians Arawak ancestors. He is derived from the Arawak Deity Louquo, a founding ancestor of the Arawak people.

Template:Arawak-stub Template:Arawak-myth-stub

Loco (video game)

Loco is a 1984 computer game developed by Antony Crowther and released by Alligata for the Commodore 64. In 1986 it was converted for the ZX Spectrum and Atari 8-bit family.

The ZX Spectrum version was developed by Richard Stevenson, David Wright and Nigel Speight.

The music for the game is a C64 remake of Jean Michel Jarre's Equinoxe 5 by Ben Daglish.

Comparing screen shots and game descriptions, Loco appears to be a clone of the arcade game Super Locomotive, produced by Sega in 1982.

Crowther's subsequent work Suicide Express was considered an unofficial sequel.

References

External links