Lock may refer to:
Mutha's Day Out is an alternative metal band formed in November 1991 from the town of Batesville, Arkansas. The band consisted of: Mikal Moore (vocals), Brice Stephens (vocals), Chuck Schaaf (guitar), Jeff Morgan (bass), and Rodney Moffitt (drums). They released one album, My Soul is Wet, in 1993 for Chrysalis Records before breaking up.
In early 2012, it was announced on Mikal's Facebook account that a reunion is in the works. However, there have been no further updates since February 2012.
Mikal Moore (born Mikal Morehead) and Randy Cross conceived Mutha's Day Out through influence of the Beastie Boys, with three vocalists (Mikal, Brice Stephens, and Randy). The name was thought up by Brice and came from a daycare center in Batesville that kids could go to for pre-school in Methodist churches. Jeff Morgan had just been kicked out of a band he and Chuck Schaaf were in when Mikal asked him to be in a band that would sound like "Faith No More, Beastie Boys, and Ozzy Osbourne." The band was rounded out by Rodney Moffitt, who played drums, and Lance Branstetter, who played guitar, with Chuck serving as his guitar tech. When the band first came together, Lance was 21 years old, Mikal was 20 years old, Brice was 18 years old, Chuck was 17 years old, Rodney was 17 years old, and Jeff was 15 years old.
The following is a list of Hypertext Transfer Protocol (HTTP) response status codes. This includes codes from IETF internet standards as well as other IETF RFCs, other specifications and some additional commonly used codes. The first digit of the status code specifies one of five classes of response; the bare minimum for an HTTP client is that it recognises these five classes. The phrases used are the standard examples, but any human-readable alternative can be provided. Unless otherwise stated, the status code is part of the HTTP/1.1 standard (RFC 7231).
The Internet Assigned Numbers Authority (IANA) maintains the official registry of HTTP status codes.
Microsoft IIS sometimes uses additional decimal sub-codes to provide more specific information, but these are not listed here.
Request received, continuing process.
This class of status code indicates a provisional response, consisting only of the Status-Line and optional headers, and is terminated by an empty line. Since HTTP/1.0 did not define any 1xx status codes, servers must not send a 1xx response to an HTTP/1.0 client except under experimental conditions.
A railroad slug is an accessory to a diesel-electric locomotive. It has trucks with traction motors but, unlike a B unit, is unable to move about under its own power, as it does not contain a prime mover to produce electricity, nor is there a cab for an operator. Instead, it is connected to a locomotive, called the mother, which provides the needed electrical power to operate the traction motors, and the motor controls.
A slug is used to increase adhesive weight, allowing full power to be applied at a lower speed, thus allowing a higher maximum tractive effort. They are often used in low-speed operations such as switching operations in yards. At low speeds, a diesel-electric locomotive prime mover is capable of producing more electricity than its traction motors can use effectively. Extra power would simply cause the wheels to slip and possibly overheat the traction motors. A slug increases the number of traction motors available to the locomotive, increasing both the pulling and braking power. In addition the load on each traction motor is reduced, which helps prevent overheating from excess current. Slugs typically carry ballast to increase their weight and improve traction. Large blocks of concrete are frequently used for this purpose, substituting for the weight of the now-absent prime mover.
Slug was a noise rock group that formed in Los Angeles in 1988 by DJs from Loyola Marymount University campus radio station KXLU. Originally formed as an experimental noise collage trio utilizing metal percussion, feedback and primitive sound loops created via gouged children's and sound effect records, they subsequently added traditional instrumentation (2 basses, 2 guitars, drums, vocals) to the mix.
Slug self-released their first single on their own label Magnatone Recordings. After the release of their first album Swingers, guitarist Rich Alvarez left to pursue his own band Jackknife, and was replaced by Collin Rae, formerly of 4AD artist Ultra Vivid Scene.
Before the recording of their third album The 3 Man Themes, bassist Michael B.© left to be replaced by David Scott Stone.
Slug disbanded in 1996. Stone would go on to work with The Melvins, LCD Soundsystem and other groups. Bassist Damian Romero continued his side noise/ambient project under the name Speculum Fight. Guitarist Todd Williams relocated to New York City to work as a film editor. Drummer Tomás Palermo moved to the San Francisco Bay area as a freelance writer on reggae for URB magazine and other publications. Guitarist Collin Rae moved to the Bay Area as well, performing in other groups as well as continuing his work as a professional photographer.
Semantic URLs, also sometimes referred to as clean URLs, RESTful URLs, user-friendly URLs, or search engine-friendly URLs, are Uniform Resource Locators (URLs) intended to improve the usability and accessibility of a website or web service by being immediately and intuitively meaningful to non-expert users. Such URL schemes tend to reflect the conceptual structure of a collection of information and decouple the user interface from a server's internal representation of information. Other reasons for using clean URLs include search engine optimization (SEO), conforming to the representational state transfer (REST) style of software architecture, and ensuring that individual web resources remain consistently at the same URL. This makes the World Wide Web a more stable and useful system, and allows more durable and reliable bookmarking of web resources.
Semantic URLs also do not contain implementation details of the underlying web application. This carries the benefit of reducing the difficulty of changing the implementation of the resource at a later date. For example, many non-semantic URLs include the filename of a server-side script, such as example.php, example.asp or cgi-bin. If the underlying implementation of a resource is changed, such URLs would need to change along with it. Likewise, when URLs are non-semantic, if the site database is moved or restructured it has the potential to cause broken links, both internally and from external sites, the latter of which can lead to removal from search engine listings. The use of semantic URLs presents a consistent location for resources to user-agents regardless of internal structure. A further potential benefit to the use of semantic URLs is that the concealment of internal server or application information can improve the security of a system.
[Verse 1:]
In the city of Angels gotta watch what you doing watch your back
When your dealing with em boys in blue
South West holding back Rampart division the worst
Pico shift gang unit leavin' you ride on a hearse
Part times in the street but against all odds
187 on a jura you don't want to get caught
3 strikes in da county false charges in bulk
The strict attorney is all crook it evidence over look
Gang in hands when they sentence young homies to life
25 with an L defendenced don't fight racist cops
Pulls up over violent their own law
Trigger happy officers another name in the wall
Da little homies bound to loose it
Cause the system they face make one mistake
In the city & they cealed your faith
Fucken pigs always trippen got me packin' a gun
On the one two striking dats your life on the sun
[Verse 2:]
Sounds of sirens in the night dodging the black and whites
The ghetto birds up in the sky with them big spot lights
Still the crime rate increases
And da shit never ceases
Broken lifes county lifes living families in pieces
To many prisons in the state of California to make one times on the proud
Got us fighting these cases penitentiary bounds
Cause they ain't no love in the streets
Got lil homies locked homies rest in peace
Don't get these shit twisted homie cause da shit don't stop
Dats why 187 on a muthafucken cop
Till the day dat we die
Gonna always come and try
To look us up in the pen they don't need no reason why
Dats the reason why they got us organized in the hood
California just a system just ain't no good
FUCK THE PIGS in my city they can burn in Hell
I kill ah hundred fucken juras before they take me to jail
UHH!
[Verse 3:]
Locked up in jail handcuff to da rail
Ain't no money for bail
They wanna give me a deal got me stuck
Like a truck straight shit of luck
I know I'm heading for da pen nobody gives ah fuck
What can I do keep it true got me singing the blues
Walk a mile on my shoes
And let me see your attitude
I ain't heard 4rm none of my homies yet
Strollin' to the fucken yard puffin' on a cigarette
Got feelin' so trap number 1 stay strap
The other day they struck ah rat
30 times in the back
Fuck that I kickback
I ain't tryin'' to snap going against da fucking grain
You about to get tax I play cool around my program as smoothest I can
Tryin' na stay about da mix and respect the next man
Ain't no gangbangin' here only tattoo tears
We might be enemies in da streets
But we all homies in here
[Verse 4:]
All I hear all day is the sounds of these gates
I hear em slamming all around can't wait
Till the date that they led me out
So I could get back on the grind
Got me stuck in my cell thinking of all the good times
In my mind I see sunshine
The worlds mine
Until I open my eyes
And realized I'm doin' time
HUH!
[talkin': Stomper]
Hell Yeah homeboy this is for da muthafucken homies
Dats locked up no muthafucken way out homeboy day dreamin'
How the shit could be it would be should be full of muthafucken
Regrets cause they got caught with all dis bullshit
Fuck dat they says it's all about the muthafucken respect