Wasteland is a science fiction role-playing video game developed by Interplay for the Apple II and published by Electronic Arts in 1988. It was ported to the Commodore 64 and MS-DOS. The game is set in a futuristic, post-apocalyptic America that was destroyed by nuclear holocaust generations before. It was re-released for Microsoft Windows, OS X, and Linux in 2013 via Steam and in 2014 via Desura.
Critically acclaimed and commercially successful, Wasteland was intended to be followed by two separate sequels, but Electronic Arts' Fountain of Dreams was turned into an unrelated game and Interplay's Meantime was cancelled. The game's general setting and concept, however, became the basis for Interplay's 1997 role-playing video game Fallout, which itself would extend into a successful series. A sequel, Wasteland 2 by inXile Entertainment, was released in 2014.
The game mechanics were based directly on those used in the tabletop role-playing games Tunnels and Trolls and Mercenaries, Spies and Private Eyes created by Wasteland designers Ken St. Andre and Michael Stackpole. Characters in Wasteland consequently have various statistics (strength, intelligence, and luck among others) that allow them to use different skills and weapons. Experience is gained through battle and through use of skills. The game would generally let players advance with a variety of tactics: to get through a locked gate, the characters could use their picklock skill, their climb skill, or their strength attribute; or they could force the gate with a crowbar – or a LAW rocket.
Wasteland (French: Terrain vague) is a 1960 French Drama film directed by Marcel Carné and starring Danielle Gaubert and Maurice Caffarelli. The story is loosely based on the novel Tomboy by Hal Ellson.
Around a newly built HLM stretch wasteland and brownfield providing refuge to young people fleeing the unfathomable tedium of family life in the Paris suburbs. They share their secrets, the products of their thefts, submit to strict rituals. The sanctity of their revolt is highlighted by the initiation by jumping blindfolded and blood rite of passage. Dan, a beautiful young tomboyn rules the clan.
But the gang threatens increasingly sliding into serious crime, which is condemned by Dan and Lucky, a big brawler boy but who begins to consider an orderly life. Now they are ostracized along with the young Babar, accused of being a stool pigeon. Lucky, on the run, and Dan discover a mutual romantic inclination, while Babar, cruelly mistreated and humiliated, commits suicide.
Wasteland is a compilation by The Jam which was released in 1992. It is a collection of their earlier songs. Essentially, it was budget-priced but despite the key of release, it sold well.
All songs written by Paul Weller except as noted.
Live is an album by The Dubliners recorded live at the Fiesta Club,Sheffield and released on the Polydor label in 1974. This was to be Ronnie Drew's last recording with The Dubliners for five years as he left to pursue a solo career. Also following this album, Ciarán Bourke ceased to be a full-time member of the group when he suffered a brain hemorrhage. He sings "All for Me Grog" here. The reels that open this album (and which first were released on the group's 1967 studio album A Drop of the Hard Stuff) have become the opening instrumental medley at most of their concerts since.
Side One:
Side Two:
Live is an album by Elkie Brooks. Recorded live on tour in 1999 and 2000, it was released on CD in 2000 through JAM Records.
Since the album was only available on tour, it was not chart eligible.
Live is Jake Shimabukuro's 2009 solo album. It was released in April 2009, and consists of live in-concert performances from various venues around the world, including New York, Chicago, Japan, and Hawaii.
Live peaked at number 5 in Billboard's Top World Music Albums in 2009 and 2010. The album won the 2010 Na Hoku Hanohano Award for Instrumental Album of the Year, and also garnered Shimabukuro the award for Favorite Entertainer of the Year. In addition, it won the 2010 Hawaii Music Award for Best Ukulele Album.
AllMusic noted that, "Shimabukuro is a monster musician and boldly takes the ukulele where no ukulele has ever gone before, dazzling listeners with his blinding speed, melodic invention, and open-ended improvisations of remarkable virtuosity. Before Shimabukuro, the idea of spending an evening listing to a solo ukulele player was probably most people's idea of hell, but the 17 solo efforts here never bore. They show Shimabukuro's range and his humor as well."