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| Live! | ||||
|---|---|---|---|---|
| File:Catch22live.jpg | ||||
| Live album by Catch 22 | ||||
| Released | November 2, 2004 | |||
| Recorded | August 30, 2004, The Downtown Farmingdale, New York |
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| Genre | Third-wave Ska | |||
| Length | 53:18 | |||
| Label | Victory | |||
| Producer | Pat Kays and Catch 22 | |||
| Catch 22 chronology | ||||
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Live! is Catch 22's first full-length live release, although fan-recorded live tracks were bonus features on several previous albums. Roughly a third of the album is devoted to Keasbey Nights, another third to Alone in a Crowd, and the remainder to Dinosaur Sounds. A bonus DVD includes footage from the concert, as well as a variety of extras. However, former frontman Tomas Kalnoky is conspicuously absent from the footage of the band's early days.
Track listing [link]
| No. | Title | Length | |
|---|---|---|---|
| 1. | "Welcome" | 0:26 | |
| 2. | "Lamont's Lament" (Catch 22, Ryan Eldred) | 1:46 | |
| 3. | "Rocky" (Catch 22, Ryan Eldred) | 3:24 | |
| 4. | "It Takes Some Time" (Jeff Davidson, Ryan Eldred) | 3:09 | |
| 5. | "On and On and On" (Tomas Kalnoky) | 2:58 | |
| 6. | "Motown Cinderella" (Catch 22, Ryan Eldred) | 2:13 | |
| 7. | "Riding the Fourth Wave" (Tomas Kalnoky) | 1:25 | |
| 8. | "Sounds Good, But I Don't Know" (Jeff Davidson, Ryan Eldred) | 1:49 | |
| 9. | "Sick and Sad" (Tomas Kalnoky) | 2:23 | |
| 10. | "Chin Up" (Pat Calpin, Catch 22, Ryan Eldred) | 2:59 | |
| 11. | "9mm and a 3 Piece Suit" (Tomas Kalnoky) | 1:52 | |
| 12. | "Good Times" (Catch 22, Pat Kays, Ian McKenzie) | 3:15 | |
| 13. | "Dear Sergio" (Tomas Kalnoky) | 2:31 | |
| 14. | "Intro/Point the Blame" (Jeff Davidson, Ryan Eldred) | 2:23 | |
| 15. | "Sincerely Yours" (Catch 22) | 1:54 | |
| 16. | "Dreams of Venus" (Catch 22, Ryan Eldred) | 3:11 | |
| 17. | "What Goes Around Comes Around" (Jeff Davidson, Ryan Eldred) | 3:27 | |
| 18. | "Arm to Arm" (Jeff Davidson, Ryan Eldred) | 2:19 | |
| 19. | "Keasbey Nights" (Tomas Kalnoky) | 3:55 | |
| 20. | "Chasing the Moon" (Catch 22, Ryan Eldred) | 1:14 | |
| 21. | "1234 1234" (Tomas Kalnoky) | 4:45 |
DVD Features [link]
- Footage of August 30, 2004 concert.
- Embarrassing Photos (Photos of band members acting foolish)
- On the Road (Home video footage from the band's tour bus)
- At the Show (Footage from earlier concerts filmed by fans)
- Humble Beginnings (Home videos and old photographs of band members)
- Music Videos: Wine Stained Lips, Point the Blame, Hard to Impress
Personnel [link]
- Pat Kays - bass guitar
- Ian McKenzie - trombone, vocals
- Ryan Eldred - saxophone, vocals
- Chris Greer - drum kit
- Kevin Gunther - trumpet, vocals
- Pat Calpin - guitar, vocals
https://wn.com/Live_(Catch_22_album)
Live (The Dubliners album)
Live is an album by The Dubliners recorded live at the Fiesta Club,Sheffield and released on the Polydor label in 1974. This was to be Ronnie Drew's last recording with The Dubliners for five years as he left to pursue a solo career. Also following this album, Ciarán Bourke ceased to be a full-time member of the group when he suffered a brain hemorrhage. He sings "All for Me Grog" here. The reels that open this album (and which first were released on the group's 1967 studio album A Drop of the Hard Stuff) have become the opening instrumental medley at most of their concerts since.
Track listing
Side One:
Side Two:
Live (Jake Shimabukuro album)
Live is Jake Shimabukuro's 2009 solo album. It was released in April 2009, and consists of live in-concert performances from various venues around the world, including New York, Chicago, Japan, and Hawaii.
Live peaked at number 5 in Billboard's Top World Music Albums in 2009 and 2010. The album won the 2010 Na Hoku Hanohano Award for Instrumental Album of the Year, and also garnered Shimabukuro the award for Favorite Entertainer of the Year. In addition, it won the 2010 Hawaii Music Award for Best Ukulele Album.
AllMusic noted that, "Shimabukuro is a monster musician and boldly takes the ukulele where no ukulele has ever gone before, dazzling listeners with his blinding speed, melodic invention, and open-ended improvisations of remarkable virtuosity. Before Shimabukuro, the idea of spending an evening listing to a solo ukulele player was probably most people's idea of hell, but the 17 solo efforts here never bore. They show Shimabukuro's range and his humor as well."
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