Link-boy

A link-boy (or link boy or linkboy) was a boy who carried a flaming torch to light the way for pedestrians at night. Linkboys were common in London in the days before street lighting. The linkboy's fee was commonly one farthing, and the torch was often made from burning pitch and tow.

Link-boys and their torches also accompanied litter vehicles, known as sedan chairs, that were operated by chairmen. Where possible, the link boys escorted the fares to the chairmen, the passengers then being delivered to the door of their lodgings.

Several houses in Bath, UK, still have the link extinguishers on the exteriors, shaped like outsized candle snuffers (see image, right).

The term derives from "link", a term for the cotton tow that formed the wick of the torch. Links are mentioned in William Shakespeare's Henry IV, part 1, as Falstaff teases Bardolph about the shining redness of his face:

Sir Joshua Reynolds painted Cupid as a Link Boy, now held by the Albright-Knox Art Gallery in Buffalo, New York. In that painting, little Cupid as a London linkboy wears demonic bat wings and an immense phallic torch to "remind those in the know of the proclivities of a certain patron." Another appears in the first plate of William Hogarth's The Four Stages of Cruelty, putting out the eyes of a bird using a hot needle heated in the flame of his torch. Hogarth depicts a linkboy again, in plate four, Night, of his Four Times of the Day, this time huddled beneath a bench blowing on his torch.