A lighter is a portable device used to create a flame, and to ignite a variety of combustible materials, such as a cigar, gas stove, fireworks, candle, or cigarette. It consists of metal or plastic container filled with a flammable fluid or pressurized liquid gas, a means of ignition to produce the flame, and some provision for extinguishing the flame. Alternatively, a lighter can be powered by electricity, using an electric arc or heating element to ignite the target.
The first lighters were converted flintlock pistols that used gunpowder. One of the first lighters was invented by the German chemist named Johann Wolfgang Döbereiner in 1823 and was often called Döbereiner's lamp. This lighter worked by passing flammable hydrogen gas, produced within the lighter by a chemical reaction, over a platinum metal catalyst which in turn caused it to ignite and give off a great amount of heat and light. The device was very large and highly dangerous and fell out of production by the end of the 19th century.
"Lighters" is a song by the American hip hop duo Bad Meets Evil, a group composed of Royce da 5'9" and Eminem and the second single from their first EP, Hell: The Sequel. Shady Records serviced the song for mainstream radio airplay in the United States on July 5, 2011. Written and produced by Eminem, Battle Roy and The Smeezingtons, the song features vocals by the American singer Bruno Mars, who was added after the original cut.
"Lighters" is an alternative hip hop song with elements of soul music and synthpop. Critics noted it for being different in style from other tracks on the EP. The song features bass, cymbals and keyboards. "Lighters" received mixed reviews; some critics praised the change in style, as a break from more hardcore and aggressive themes of the other tracks found in Hell: The Sequel, while others criticized it for the same reason. The song reached the top ten in New Zealand, Switzerland, the United Kingdom and the United States. "Lighters" was performed at the 2011 Bonnaroo Music & Arts Festival and the Lollapalooza music festival.
Kalić is a village in Croatia. It is connected by the D8 highway.
Coordinates: 45°30′35″N 14°44′03″E / 45.5097536800°N 14.7340883100°E / 45.5097536800; 14.7340883100
"Kali" is a popular award winning poem by the eminent Indian writer, linguist and literary critic Rukmini Bhaya Nair. The poem won First Prize in the Second All India Poetry Competition conducted by The Poetry Society (India) in 1990. The poem has been widely cited and anthologised in reputed journals and scholalry volumes on contemporary Indian poetry.
The poem has received rave reviews since its first publication in 1990 in the anthology on Indian Poetry Emerging Voices. The poem has been frequently quoted in scholarly analysis of contemporary Indian English Poetry. The poem is regarded by critics as a jewel in contemporary Indian poetry.
Although outwardly the poem describes the Hindu Goddess Kali, her tantrums and her equation with her son Ganesha and consort Shiva, the poem has a clear existentialist message for the Indian woman and her many socio-psychological trappings. In her writings, Rukmini brings about this interplay between the esoteric and the mundane in systematic subjugation of Indian woman over the centuries. The poem has been widely discussed at various literary festivals.
Kali (Hanna Weynerowska, born Hanna Gordziałkowska; 18 December 1918 – 20 June 1998) was a Polish-born American painter known for her stylized portraits. She has been described as one of the most important Polish female painters. She was a World War II veteran of the Polish Resistance Movement after Nazi Germany occupied Poland, when she used the nom de guerre Kali. After emigrating and marrying, she used many variants of name, including "Hanna Kali Weynerowski", "Hanna Weynerowski-Kali", "Hanna Gordziałkowski-Weynerowski", "Hanka Weynerowska", and "Hanna Gordziałkowski", but she signed her paintings Kali.
The figures in her art resemble Old Masters in subject and positioning, but are painted in a simplified, flattened and more graphic manner. The paintings are brightly colored, often portraying the subject shown sitting at bust-length, with an elongated face, flattened body, a patterned element such as part of the clothing, and with the subject's hands positioned in a classical pose. Her work has been likened to a combination of Neo-mannerist and Surrealist.