Life of Crime may refer to:
Life of Crime is a 2013 American crime comedy film written and directed by Daniel Schechter, based on Elmore Leonard's novel The Switch (1978), which includes characters later revisited in his novel Rum Punch (1992), which was adapted into the Quentin Tarantino film Jackie Brown (1997). Life of Crime was screened on the closing night 2013 Toronto International Film Festival, on the opening day of the Abu Dhabi Film Festival, at the 2014 Traverse City Film Festival and released in theaters on August 29, 2014.
Stoic socialite Mickey Dawson becomes the target of an ill-planned kidnapping plot by a pair of fumbling ex-cons, Ordell Robbie and Louis Gara, looking for a get-rich-quick scheme. However, things quickly become complicated for the duo when they discover her wealthy husband, Frank, refuses to pay the ransom, as he is on the cusp of filing for divorce to make way for his younger mistress, Melanie Ralston. The two kidnappers have to figure out how to quickly turn the tables on their predicament before their time runs out.
Life of Crime is the second studio album by American noise rock band Laughing Hyenas, released in September 1990 by Touch and Go Records. It was reissued in 1992 accompanied with You Can't Pray a Lie.
All songs written and composed by Laughing Hyenas, except "Life of Crime" by Cliff Roman.
Adapted from the Life of Crime liner notes.
The Producers may refer to:
The Producers is a musical adapted by Mel Brooks and Thomas Meehan from Brooks' 1968 film of the same name, with lyrics written by Brooks and music composed by Brooks and arranged by Glen Kelly and Doug Besterman. As in the film, the story concerns two theatrical producers who scheme to get rich by overselling interests in a Broadway flop. Complications arise when the show unexpectedly turns out to be successful. The humor of the show draws on ridiculous accents, caricatures of homosexuals and Nazis, and many show business in-jokes.
After 33 previews, the original Broadway production opened at the St. James Theatre on April 19, 2001, starring Nathan Lane and Matthew Broderick, and ran for 2,502 performances, winning a record-breaking 12 Tony Awards. It spawned a successful London production running for just over two years, national tours in the US and UK, many productions worldwide and a 2005 film version.
David Geffen persuaded Mel Brooks to turn his movie into a stage musical. When Brooks met with Jerry Herman to discuss their working together, Herman declined, telling Brooks that he should do the job himself, as he was a good songwriter. Brooks then asked Thomas Meehan to join him in writing the book for the stage. Brooks persuaded Mike Ockrent and his wife Susan Stroman to join the creative team as director and choreographer. After Ockrent's death in 1999, Stroman agreed to continue as both director and choreographer.
The Producers is a 1968 American satirical comedy film written and directed by Mel Brooks. The film is set in the late 1960s and tells the story of a theatrical producer and an accountant who want to produce a sure-fire Broadway flop. They take more money from investors than they can repay (the shares they sell total more than 100% of any profits) and plan to abscond to Brazil as soon as the play closes, only to see the plan go awry when the show turns out to be a hit.
The film stars Zero Mostel as Max Bialystock, the producer, and Gene Wilder as Leo Bloom, the accountant. It features Dick Shawn as L.S.D., the actor who ends up playing the lead in the musical within the movie, and Kenneth Mars as a playwright and former Nazi soldier, Franz Liebkind.
The Producers was the first film directed by Brooks. He won an Academy Award for Best Original Screenplay. Decades later, the film was selected for preservation in the National Film Registry and placed 11th on the AFI's 100 Years...100 Laughs list. It was later remade successfully by Brooks as an acclaimed Broadway stage musical, which itself was adapted as a film.
Hey man
Don't you know what you are saying
Hey man
Don't you hear the words running out of your mouth
Hey man
You tell me I ain't got to expertise
Expertise, what do you know about expertise
Who do you think you are
Who do you think you really are
Hey man
I'm aware of your position
Hey man
Luck has made you the man in charge
Hey man
You shake your finger and you give the word
Give the word
What gives you the right to give the word
Hey man
Your glory days are fading
Hey man
Your faithful troops have deserted you
Hey man
There's nobody left to listen anymore
Anymore
You've lost them all and you've just lost me