| Levitation | ||||
|---|---|---|---|---|
| File:Hawkwind Levitation.jpg | ||||
| Studio album by Hawkwind | ||||
| Released | 27 October 1980 | |||
| Recorded | Roundhouse Studios, July and August 1980 | |||
| Genre | Space Rock | |||
| Length | Original album: 37:41 Disc 1: 77:54 Disc 2: 37:55 Disc 3: 40:29 |
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| Label | Bronze Records | |||
| Producer | Hawkwind and Ashley Howe | |||
| Hawkwind chronology | ||||
|
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| Professional ratings | |
|---|---|
| Review scores | |
| Source | Rating |
| Allmusic |   [1] |
| Mojo | [2] |
Levitation is the tenth studio album by English rock group Hawkwind, released in 1980. It peaked at #21 on the UK Albums Chart.
At the time of its release, band leader Dave Brock stated: "with Levitation we’ve come full circle back to the style of our debut album. And that was the record which totally expressed our ideals and what we stood for."[3] It is their first studio album after the departure of lead vocalist and lyricist Robert Calvert, and lyrics here tend to be cursory and the number of instrumentals is increased. It is also the only studio Hawkwind album to feature ex-Cream drummer Ginger Baker and first for ex-Gong keyboardist Tim Blake, who would later return to the band and play on 2010's Blood of the Earth.
Contents |
Recording [link]
The band, who consisted of the same personnel that had recorded the previous album Live Seventy Nine, entered The Roundhouse studios in July and August 1980 to record this album. The studio had been newly equipped with a 3M Digital Mastering System by Bronze Records, making this one of the earliest rock albums to be recorded with the burgeoning digital recording technology.
During the recording, Dave Brock became dissatisfied with drummer Simon King's inability to keep consistent time, claiming that "he couldn't play his drums properly 'cos he was taking bad drugs", although King stated "I simply wanted to get away. I was very heavily into drinking... and [after leaving I was] fixed on getting my family life together". They considered using a drum machine that was in the studio, but no one knew how to use it. Guitarist Huw Lloyd-Langton's wife Marion, who was press officer for Ginger Baker's manager Roy Ward's company, suggested approaching the drummer to contribute as a session player. He accepted the offer and completed his tracks in two days, surpassing expectations. Lloyd-Langton observed that "he breezed through ["Space Chase"] straight away. I don't think Simon could have played that... Ginger fitted the band like a glove. His style was just right for it."[4] The band asked the drummer to remain with them, and despite having previously declared to the press his intentions of joining the newly reformed Atomic Rooster, he "found the atmosphere during the sessions so fantastic that I immediately decided to stay with Hawkwind. For me it’s not just my umpteenth group, I’m determined to give it everything I’ve got. Hawkwind always have made timeless music, but you can definitely still hear the eighties in it."[3]
Promotion and tour [link]
The band undertook a 33 date tour of Britain and Ireland from 10 October through to 15 November to promote the album. Eight dates into the tour, Blake left after clashing with Brock over an incident leaving the hotel the morning after the Stoke concert. Blake's technician, Paul "Twink" Noble (who had previously played with Here and Now and would later join Gong), took Blake's place using Blake's equipment, until a road accident forced him to leave the tour after another 5 dates. Keith Hale, who had been in Blood Donor and was writing and producing for Toyah, then joined the band for the remainder of the tour.[5]
The band also undertook an additional eleven date tour of Britain between 12 and 22 December, the Lewisham Odeon concert on the 18 being professionally recorded. Brock pressed Bronze Records to release another live album from these tapes, but having just issued Live Seventy Nine, label head Gerry Bron declined stating of Hawkwind that "they were a bit lazy, they constantly wanted to do live albums, so they wouldn't have to write songs".[6] The recordings were later issued on the albums Zones (1983), This Is Hawkwind, Do Not Panic (1984) and Hawkwind Anthology. The 2009 deluxe re-issue of Levitation by Atomhenge Records includes a newly remixed version of the entire concert.
On 14 February 1981, the band appeared on the German television programme Musikladen performing "Motorway City" and "Who's Gonna Win the War".
Songs [link]
"Levitation" had been played during the band's previous UK Winter 1979 tour and, although not included on the live album Live Seventy Nine, a bootleg version was later released on the Complete '79 album. A live version from the Levitation tour was released on the album This is Hawkwind, Do Not Panic. Terry Bickers named his band Levitation after this album.[7]
The band had wanted "Motorway City" to be released as the album's single, but the record company preferred "Who's Gonna Win the War?" instead. The track features lead guitarist Lloyd-Langton using an E-bow. It had been performed on the band's previous UK Winter 1979 tour and included on the Live Seventy Nine album. A live version of this song from the Levitation tour was later issued in 1983 as a single from the Zones album.
"Psychosis" is an instrumental synthesiser piece by Harvey Bainbridge. It was included on the Levitation tour, a version being included, but not listed, on the album This Is Hawkwind, Do Not Panic.
The title of "World of Tiers" is a reference to the World of Tiers series of science fiction novels by Philip José Farmer. An instrumental, it is reminiscent of Fleetwood Mac's "Oh Well".[8] It is another song that had been performed on the band's previous UK Winter 1979 tour, a bootleg version was later released on the Complete '79 album. A live version of this song from the Levitation tour was issued on the Hawkwind Anthology collection.
"Prelude" is an instrumental synthesiser piece by Tim Blake.
"Who's Gonna Win The War?" was released as a single from this album backed by the non-album track "Nuclear Toy". It too had been performed on the band's previous UK Winter 1979 tour, a bootleg version was later released on the Complete '79 album.
"Space Chase" is a fast paced instrumental. A live version from the Levitation tour was released on the album This is Hawkwind, Do Not Panic.
The title "The 5th Second of Forever" references Robert Calvert's 1972 Space Ritual poem "The Ten Seconds of Forever", and it was subtitled "from the film" on the album as a joke by the band, the song not having been used by any film. It features a nylon stringed acoustic guitar intro and outro by Lloyd-Langton. A live version of this song from the Levitation tour was issued on the This is Hawkwind, Do Not Panic album under the title "Circles". Its lyrics have also been used under the title "Circles", although with no musical similarity, overdubbed on Hawkwind at Watchfield Festival 1975 (Weird Tape 3) and on Dave Brock demos 1982 (Weird Tape 7).
"Dust of Time" was performed during the Levitation tour, and an edited instrumental version with an intro taken from the outro of "The 5th Second of Forever" was issued on the album Zones under the title "The Island".
Track listing [link]
Side 1 [link]
- "Levitation" (Dave Brock) – 5:48
- "Motorway City" (Brock) – 6:48
- "Psychosis" (Harvey Bainbridge) – 2:22
- "World of Tiers" (Bainbridge, Huw Lloyd-Langton) – 3:30
Side 2 [link]
- "Prelude" (Tim Blake) – 1:28
- "Who's Gonna Win The War?" (Brock) – 4:45
- "Space Chase" (Lloyd-Langton) – 3:11
- "The 5th Second of Forever" (Brock, Lloyd-Langton) – 3:27
- "Dust of Time" (Brock, Bainbridge, Lloyd-Langton) – 6:22
Griffin CD bonus track [link]
- "Nuclear Toy" (Brock, Lloyd-Langton) – 3:30
Atomhenge CD bonus tracks [link]
- "Valium 10" [full version] (Bainbridge, Brock, Mick Smith, Steve Swindells) – 7:53
- "Time of..." (Bainbridge, Brock, Simon King, Swindells) – 4:11
- "Who’s Gonna Win the War?" [Hawklords version] (Brock) – 4:52
- "Douglas in the Jungle" (Bainbridge, Brock, King, Swindells) – 6:53
- "British Tribal Music" (Bainbridge, Brock, King, Swindells) – 3:56
- "Nuclear Toy" [single B-side] (Brock, Lloyd-Langton) – 3:00
- "Who’s Gonna Win the War?" [single A-side] (Brock) – 3:39
- "Brainstorm" [live 1980] (Nik Turner) – 5:47
Atomhenge bonus CD2 [link]
- "Technicians of Spaceship Earth"
"Levitation" (Brock) – 7:28 [A] - "Motorway City" (Brock) – 7:36 [B]
- "Death Trap" (Robert Calvert, Brock) – 4:44 [A]
- "Angels of Death" (Brock) – 6:06 [A]
- "Psychosis" [unlisted] (Bainbridge) – 1:17 [A]
"The 5th Second of Forever" (Brock, Lloyd-Langton) – 4:13 [A]
"Dust of Time" (Bainbridge, Brock, Lloyd-Langton) – 6:32 [B]
Atomhenge bonus CD3 [link]
- "Running Through the Back Brain (Messages)" (Michael Moorcock, Hawkwind) – 6:23 [B]
- "Dangerous Vision" (Keith Hale) – 5:06 [B]
- "Who’s Gonna Win the War?" (Brock) – 7:26
- "PSI Power" (Calvert, Brock) – 4:50 [A]
- "Shot Down in the Night" (Swindells) – 7:15 [A]
- "World of Tiers" (Bainbridge, Lloyd-Langton) – 5:18 [C]
- "Space Chase" (Lloyd-Langton) – 4:11 [A]
Personnel [link]
- Dave Brock – vocals, electric guitar, keyboards
- Huw Lloyd-Langton – electric guitar, acoustic guitar, backing vocals
- Harvey Bainbridge – bass guitar, keyboards, backing vocals
- Tim Blake – keyboards, backing vocals
- Ginger Baker – drums
- bonus tracks
- Steve Swindells – keyboards (on Hawklords at Rockfield Studios 1979 tracks)
- Mick Smith – drums (on Hawklords at Rockfield Studios 1979 "Valium 10")
- Simon King – drums (on Hawklords at Rockfield Studios 1979 tracks, except "Valium 10")
- Keith Hale – keyboards (on Hawkwind live at Lewisham Odeon 1980 tracks), vocals ("Dangerous Vision")
- Michael Moorcock – vocals (on Hawkwind live at Lewisham Odeon 1980 "Running Through the Back Brain")
Credits [link]
- Recorded on 3M Digital Mastering System at The Roundhouse Studios London, July and August 1980. Produced with Ashely Howe, engineered by Jools Cooper and Nick Rodgers.
- Sleeve by Linda Curry (front cover) and Phil Tonkyn (back cover).
- CD1 tracks 10-14: Recorded by Hawklords at Rockfield Studios 1979.
- CD1 track 17, CD2 and CD3: recorded by Hawkwind live at Lewisham Odeon 18 December 1980. Previously issued on [A] This Is Hawkwind, Do Not Panic; [B] Zones; [C] Hawkwind Anthology.
Release history [link]
- November 1980: Bronze Records, BRON530, UK vinyl initial copies pressed on blue vinyl
- June 1987: Castle Communications, CLA129, UK CD and vinyl
- December 1988: Castle Communications, TFO17, UK 2CD and vinyl with Live Seventy Nine
- February 1992: Castle Communications, CLABX911, 3CD with Live Seventy Nine and Space Bandits
- September 1994: Griffin Music, GCD 230-2, USA CD
- July 1999: Essential Records, ESMCD736, UK CD digipak
- September 2009: Atomhenge (Cherry Red) Records, UK CD
- September 2009: Atomhenge (Cherry Red) Records, UK 3CD limited to 3000 copies
References [link]
- ^ Allmusic review
- ^ Phil Alexander Mojo, January 2010, Issue 194.
- ^ a b "With Ginger Baker aboard, Hawkwind is now a totally legendary band". Joopie. 28 December 1980. https://www.starfarer.net/dutchhw.html.
- ^ Clerk, Carol (2006). Saga of Hawkwind. Omnibus Press. pp. 216–9. ISBN 1-84449-832-8.
- ^ Clerk, Carol (2006). Saga of Hawkwind. Omnibus Press. pp. 225–8. ISBN 1-84449-832-8.
- ^ "Hawkwind Quotations". starfarer.net. https://www.starfarer.net/quotation.html. Retrieved 2009-07-28.
- ^ "Glasgow Barrowlands gig review". NME. 20 July 1991.
- ^ "Interview With Huw Lloyd Langton from 2002". Music Street Journal. https://www.musicstreetjournal.com/interviews_display.cfm?id=100096. Retrieved 2009-07-28.
External links [link]
- Atomhenge Records
- The Everlasting Trip, Ian Pye, Melody Maker, 15 September 1980
- Warriors into Extra Time, Dave Brown, Sounds, 7 November 1980
https://wn.com/Levitation_(album)
! (album)
! is an album by The Dismemberment Plan. It was released on October 2, 1995, on DeSoto Records. The band's original drummer, Steve Cummings, played on this album but left shortly after its release.
Track listing
Personnel
The following people were involved in the making of !:
References
Album
Albums of recorded music were developed in the early 20th century, first as books of individual 78rpm records, then from 1948 as vinyl LP records played at 33 1⁄3 rpm. Vinyl LPs are still issued, though in the 21st century albums sales have mostly focused on compact disc (CD) and MP3 formats. The audio cassette was a format used in the late 1970s through to the 1990s alongside vinyl.
An album may be recorded in a recording studio (fixed or mobile), in a concert venue, at home, in the field, or a mix of places. Recording may take a few hours to several years to complete, usually in several takes with different parts recorded separately, and then brought or "mixed" together. Recordings that are done in one take without overdubbing are termed "live", even when done in a studio. Studios are built to absorb sound, eliminating reverberation, so as to assist in mixing different takes; other locations, such as concert venues and some "live rooms", allow for reverberation, which creates a "live" sound. The majority of studio recordings contain an abundance of editing, sound effects, voice adjustments, etc. With modern recording technology, musicians can be recorded in separate rooms or at separate times while listening to the other parts using headphones; with each part recorded as a separate track.
+ (disambiguation)
+ (the plus sign) is a binary operator that indicates addition, with 43 in ASCII.
+ may also refer to:
See also
Levitation
Levitation (from Latin levitas "lightness") is the process by which an object is held aloft, without mechanical support, in a stable position.
Levitation is accomplished by providing an upward force that counteracts the pull of gravity (in relation to gravity on earth), plus a smaller stabilizing force that pushes the object toward a home position whenever it is a small distance away from that home position. The force can be a fundamental force such as magnetic or electrostatic, or it can be a reactive force such as optical, buoyant, aerodynamic, or hydrodynamic.
Levitation excludes floating at the surface of a liquid because the liquid provides direct mechanical support. Levitation excludes hovering flight by insects, hummingbirds, helicopters, rockets, and balloons because the object provides its own counter-gravity force.
Physics
Levitation (on Earth or any planetoid) requires an upward force that cancels out the weight of the object, so that the object does not fall (accelerate downward) or rise (accelerate upward). For positional stability, any small displacement of the levitating object must result in a small change in force in the opposite direction. The small changes in force can be accomplished by gradient field(s) or by active regulation. If the object is disturbed, it might oscillate around its final position, but its motion eventually decreases to zero due to damping effects. (In a turbulent flow, the object might oscillate indefinitely.)
Levitation (festival)
Levitation (formerly Austin Psych Fest) is an annual 3-day music festival developed and produced by The Reverberation Appreciation Society. Since its first year in 2008 it has been held at Carson Creek in Austin, Texas. Inspired by the creative explosion of the 1960s, as well as by festivals such as ATP and Primavera Sound, they set out to create their vision of a music festival.
Over the years, this independent festival has grown to an internationally acclaimed, full weekend event that attracts attendees from all over the world. In 2015 Austin Psych Fest was renamed LEVITATION in honor of Austin’s legendary psychedelic rock godfathers The 13th Floor Elevators.
The Reverberation Appreciation Society is a creative collective composed of Rob Fitzpatrick, Oswald James, and Christian Bland and Alex Maas of The Black Angels. In addition to the festival in Austin, the group has branched out into other cities beginning in 2013 with Levitation France and in 2015 with Levitation Vancouver and Levitation Chicago. The group also runs a record label and presents events at Austin’s SXSW, The Netherlands’ Le Guess Who, NYC’s CMJ and NRMAL in Mexico City.
Levitation (disambiguation)
Levitation is the process by which an object is suspended against gravity, in a stable position without any solid physical contact.
Levitation or Levitate may also refer to:
- Party levitation, aka 'Light as a feather, stiff as a board'
