Let or LET may refer to:
A diminutive is a word which has been modified to convey a slighter degree of its root meaning, to convey the smallness of the object or quality named, or to convey a sense of intimacy or endearment. A diminutive form (abbreviated DIM) is a grammatical inflection used to express such meanings; in many languages, such inflections can be translated as "little" and diminutives can also be formed as multi-word constructions such as "Tiny Tim". Diminutives are used frequently when speaking to small children or when expressing extreme tenderness and intimacy to an adult. As such, they are often employed for nicknames and pet names. The opposite of the diminutive form is the augmentative.
In many languages, formation of diminutives by adding suffixes is a productive part of the language. A double diminutive is a diminutive form with two diminutive suffixes rather than one. While many languages apply a grammatical diminutive to nouns, a few—including Dutch, Latin, Macedonian and Russian—also use it for adjectives and even other parts of speech. In English the alteration of meaning is often conveyed through clipping, making the words shorter and more colloquial. Diminutives formed by adding affixes in other languages are often longer and not necessarily understood as colloquial.
In Greek mythology, Leto (/ˈliːtoʊ/; Greek: Λητώ Lētṓ; Λατώ, Lātṓ in Dorian Greek, etymology and meaning disputed) is a daughter of the Titans Coeus and Phoebe, the sister of Asteria. and mother of Apollo and Artemis.
The island of Kos is claimed as her birthplace. In the Olympian scheme, Zeus is the father of her twins, Apollo and Artemis, the Letoides, which Leto conceived after her hidden beauty accidentally caught the eyes of Zeus. Classical Greek myths record little about Leto other than her pregnancy and her search for a place where she could give birth to Apollo and Artemis, since Hera in her jealousy had caused all lands to shun her. Finally, she finds an island that is not attached to the ocean floor so it is not considered land and she can give birth. This is her one active mythic role: once Apollo and Artemis are grown, Leto withdraws, to remain a dim and benevolent matronly figure upon Olympus, her part already played. In Roman mythology, Leto's equivalent is Latona, a Latinization of her name, influenced by Etruscan Letun.
Ga-In (hangul: 가인) (born Son Ga-In (hangul: 손가인), September 20, 1987) is a South Korean singer, actress, and entertainer. She is best known as a member of the Korean pop music girl-group Brown Eyed Girls and for her appearances alongside Jo Kwon from 2AM for TV shows We Got Married and All My Love. As a solo artist she has released five EPs.
Son Ga-In was noticed by the existing members of Brown Eyed Girls after she was eliminated during auditions for the popular South Korean reality series Let's Coke Play! Battle Shinhwa! She was approached by composer Ahn Jung Hoon and invited to audition at Brown Eyed Girls' company, eventually joining the group. The four members performed several small shows before officially debuting as Brown Eyed Girls in 2006. In the same year, she performed a duet "Must Have Love" with SG Wannabe's leader Kim Yong Jun, which became her first number one hit during the Christmas season.
Despite having initial successes, it was not until 2009 that her home group made a breakthrough into Korean mainstream with their hit song "Abracadabra", which was notable for the group's shift of their image and their new direction. After the unexpected success of the song, the group went on to become one of the most mentioned names of K-Pop girl-groups.
In financial accounting, a gain is the increase in owner's equity resulting from something other than the day to day earnings from recurrent operations, and are not associated with investments or withdrawals. Typical gains refer to nontypical and nonrecurring transactions, for instance, gain on sale of land, change in a stock’s market price, a gift or a chance discovery.
Under US GAAP (US Generally Accepted Accounting Principles) a gain or loss is “realized” when the market value of an investment is designated to be held for trading, and such investment value increases or decreases: in this case the gain or the loss in question is reported in an income statement account.
The gain (loss) is instead called “unrealized” when the market value of an investment is designated to be held for sale, and such investment value changes: in this case it is reported in the Other Comprehensive Income of the income statement.
Gain is a property of a projection screen, and is one of the specifications quoted by projection screen manufacturers.
The number that is typically measured is called the peak gain at zero degrees viewing axis, and represents the gain value for a viewer seated along a line perpendicular to the screen's viewing surface. The gain value represent the ratio of brightness of the screen relative to a set standard (in this case, a sheet of magnesium carbonate). Screens with a higher brightness than this standard are rated with a gain higher than 1.0, while screens with lower brightness are rated from 0.0 to 1.0. Since a projection screen is designed to scatter the impinging light back to the viewers, the scattering can either be highly diffuse or highly concentrated. Highly concentrated scatter results in a higher screen gain (a brighter image) at the cost of a more limited viewing angle (as measured by the half-gain viewing angle), whereas highly diffuse scattering results in lower screen gain (a dimmer image) with the benefit of a wider viewing angle.
Hey, I'll move out of the way for you
Hey, I'll move out of the way for her too
I never thought we'd end up here in separate cages
It doesn't go like this, you've left out some pages
Hey, when was the last time you laughed
And did you mean it when you did?
I'm just wondering, the sound in your voice it's abounding
It's astounding how you live so close to your cure
I never know what to do with my love
I never know what to do with my hands
So I'll put them behind my back
I'll put them behind my back
Behind my back
Hey, don't you know what I mean when I say
Hey, see it in my face, I'm breaking
I've waited for so long just to know
That you'd wrap yourself around me if you couldn't let go
I never know what to do with my love
I never know what to do with my hands
So I'll put them behind my back
(Put them behind my back)
I'll put them behind my back
(Behind my back)
Behind my back
(Put them behind my back)
Can I move out of the way tomorrow?