Bass (/ˈbeɪs/ BAYSS; Italian: basso, deep, low) describes tones of low frequency or range from 16-256 Hz (C0 to middle C4). In musical compositions, these are the lowest parts of the harmony. In choral music without instrumental accompaniment, the bass is supplied by adult male bass singers. In an orchestra, the bass lines are played by the double bass and cellos, bassoon and/or contrabassoon, low brass such as the tuba and bass trombone and the timpani (kettledrums). In many styles of traditional music such as Bluegrass, folk, and in styles such as Rockabilly and jazz, the bass role is filled by the upright bass. In most rock and pop bands and in jazz fusion groups, the bass role is filled by the electric bass. In some 20th and 21st century pop genres, such as 1980s pop and Electronic Dance Music, the bass role may be filled with a bass synthesizer.
Played in a musical ensemble such an orchestra, such notes are frequently used to provide a counterpoint or counter-melody, in a harmonic context either to outline or juxtapose the progression of the chords, or with percussion to underline the rhythm. In popular music the bass part most often provides harmonic and rhythmic support, usually playing the root or fifth of the chord and stressing the strong beats. "The bass differs from other voices because of the particular role it plays in supporting and defining harmonic motion. It does so at levels ranging from immediate, chord-by-chord events to the larger harmonic organization of a entire work."
Miami bass (booty music or booty bass) is a subgenre of hip hop music that became popular in the 1980s and 1990s. Its roots are directly linked to the electro-funk sound of the early 1980s.
The use of the Roland TR-808 sustained kick drum, raised dance tempos, and frequently sexually explicit lyrical content differentiate it from other hip hop subgenres. Music author Richie Unterberger has characterized Miami bass as using rhythms with a "stop start flavor" and "hissy" cymbals with lyrics that "reflected the language of the streets, particularly Miami's historically black neighborhoods such as Liberty City and Overtown".
Miami bass has never found consistent mainstream acceptance, though it has had a profound impact on the development of Baltimore club, West Coast hip hop, funk carioca, and other genres.
During the 1980s, the focus of Miami bass tended to be on DJs and record producers, rather than individual performers. Record labels such as Pandisc, HOT Records, 4-Sight Records and Skyywalker Records released much material of the genre. Unterberger has referred to James (Maggotron) McCauley (also known as DXJ, Maggozulu 2, Planet Detroit and Bass Master Khan) as the "father of Miami bass", a distinction McCauley himself denies, choosing rather to confer that status on producer Amos Larkins.
The following is a list of characters from the Dead or Alive video game series, created by Tecmo and Team Ninja.
^1 Playable in console version.
^2 Unlockable character.
^3 Playable boss.
^4 Unplayable in arcade version.
^5 Unplayable character.
^6 Unlockable in Dead or Alive 5.
^7 Added in Dead or Alive 5: Ultimate.
^8 DLC in Dead or Alive 5: Ultimate.
^9 Added in Dead or Alive 5: Last Round.
^10 Guest Character
Voiced by (English): Joe J. Thomas (Dimensions), Patrick Seitz (DOA5)
Voiced by (Japanese): Daisuke Gōri (DOA–DOA4), Kenta Miyake (Dimensions–present)
Live-action actor: Kevin Nash
Bass Armstrong (バース・アームストロング, Bāsu Āmusutorongu) is a retired professional wrestler and Tina's overprotective father. He is also the widower of Alicia Armstrong, who died of a disease when Tina was only six years old. He disapproves of Tina's aspirations of wanting to be a model (DOA2), a Hollywood actress (DOA3) and a rock star (DOA4). Consequently, he enters the DOA tournaments to put an end to her fame-seeking, only to fail at each attempt. In the fourth tournament, it is revealed that he intends to win so he would have enough money to enter the "Hyper Battle Grand Prix", which he then loses after seeing Tina's picture on a billboard and crashes into it after losing control of his bike. Like Tina in the English versions of the game, he, too, speaks with a Southern accent.
The Banu Abs (Arabic: بنو عبس, lit. "sons of ʿAbs") are an ancient Bedouin tribe from central Arabia. They form a branch of the Ghatafan tribes. They still inhabit the Arabian Peninsula and North Africa. Of the earliest stories concerning this tribe was the famous classical love and war story of Antar and Abla.
The Banu Abs are of the Northern Arabized Arabs, meaning they descend from Adnan. The Banu Abs descend from Abs ibn Bughaydh ibn Raith ibn Ghatafan ibn Sa'd ibn Qais Ailan ibn Mudar ibn Nizar ibn Ma'ad ibn Adnan. They are related to numerous other Arabian tribes, being distant cousins of the Quraysh, Banu Tamim, and Banu Kinanah. The Banu Thibyaan and Mutayr are also descended from Ghatafan. The large and prestigious Banu Rasheed is descended from the Banu Abs; the great-grandfather of the Banu Rasheed is Rasheed al Zaul of the Banu Abs tribe.
Let 3 (Flight 3) is a modern rock band from Rijeka, Croatia formed in 1987. The band frontmen are Damir "Mrle" Martinović and Zoran "Prlja" Prodanović. The band is popular in Croatia and other former Yugoslav republics due to their original approach to rock music and their obscene live performances. Sometimes provocative and vulgar lyrics and always shocking live performance with lots of nudity often polarise Croatian public.
Let 3 often change their lineup. Current lineup is:
Former band members are:
A kick is a physical strike using the foot, leg, or knee (the latter is also known as a knee strike). This type of attack is used frequently by hooved animals as well as humans in the context of stand-up fighting. Kicks play a significant role in many forms of martial arts, such as savate, Combat Hopak, taekwondo, sikaran, karate, Pankration, Kung fu, Vovinam, kickboxing, Muay Thai, capoeira, silat, and kalaripayattu.
Kicking is also prominent from its use in many sports, especially those called football. The best known of these sports is association football, also known as soccer.
The English verb to kick appears only in the late 14th century, apparently as a loan from Old Norse, originally in the sense of a hooved animal delivering strikes with his hind legs; the oldest use is Biblical.
Kicks as an act of human aggression have likely existed worldwide since prehistory. However, high kicks, aiming above the waist or to the head appear to have originated from Asian martial arts. Such kicks were introduced to the west in the 19th century with early hybrid martial arts inspired by Asian styles such as Bartitsu and Savate. Practice of high kicks became more universal in the second half of the 20th century with the more widespread development of hybrid styles such as kickboxing and eventually mixed martial arts.
Kick is a 2014 Indian action film produced and directed by Sajid Nadiadwala under his Nadiadwala Grandson Entertainment banner. It is an official remake of a Telugu movie Kick which was released in 2009. The film features Salman Khan, Jacqueline Fernandez and Randeep Hooda in the lead roles and Nawazuddin Siddiqui , portraying the main antagonist of the film. The screenplay is adapted by Sajid Nadiadwala and Chetan Bhagat. The film released on 25 July 2014 in about 5,000 screens worldwide.
Dr. Shaina Mehra (Jacqueline Fernandez) is a psychiatrist living in Warsaw, Poland. One day, her father, Mr. Brijesh Mehra (Saurabh Shukla) brings a marriage proposal and asks her to meet Himanshu Tyagi (Randeep Hooda). Himanshu and Shaina meet in a train, where Shaina reveals that she had an ex-boyfriend, Devi, (Salman Khan) and talks about her experiences with him.
Devi Lal Singh is a highly intelligent but adventurous who is always looking for a 'kick' in his life. Due to his daredevil attitude, he never stays in one job for long. He has resigned from 32 companies as he feels that he is suffering from a lack of kick. When Shaina first meets Devi, she is trying to help her friend Vidhi (Sumona Chakravarti) elope with her lover who turns out to be Devi's friend (Kavin Dave). Devi gets them married in a temple but also helps her mother follow them and reach the temple for 'kick'. Shaina starts to like Devi after seeing a video of him beating the goons. Later Shaina meets Devi's caring but easy going parents including his father Lal Singh (Mithun Chakraborty) and his mother (Archana Puran Singh). Devi and Shaina start dating, and fall in love and get married. On Shaina's suggestion, Devi accepts a job in a chemical lab, but resigns in a few days suffering from the lack of "kick". Upon hearing this, Shaina scolds him. Upset, Devi breaks up with her and moves away.
[XV - Verse 1]
Countin' my blessing watching Inception
But I'm living one of those scenes
Where everyone knows it aint real except him
They can't convince him to believe
I know this life with all the lights and how it aint true
But f-ck it, I don't wanna leave
Cause you can never have deja vu
If you don't ever dream
Uh, successful stories never told to us
Tryna make ends cause we never got what was owed to us
School never grown on us, Pops never shown on us
Open sesame, see the street never closed on us
Moved white, and didn't see much green like a ski slope
Now I see so much green that I could be Hulk
And people think I relocated on the East Coast
But I still hold it down in the town I speak for
Towing my city behind me like it was repoed
In a game full of sharks but there aint no cheat codes
XV can take a hike, I'm Tim Tebow
Matrix Reload, face it, he cold
Rep the 316 I'm 7 30 in the mind
I'm that dude hands down, 6 30 when I rhyme
I'm a 235, always in my prime
And it's 4.15, meaning it's my time
Was I a nerd cause niggas acted like dim wits
Or was I truly just gifted in academics
To get that with these lyrics that I was rapping like christmas?
I could number 2 on all of the doubters up on my shitlist
Pissed my little brother has to miss this
Told my momma she'll never watch from the sofa
Tell my haters, hit record on they remote controllers
Until til my totem falls over
[Hook]
This is the life that I never will forget
I'm inside a dream that I never wanna quit
So I'm just sittin back, waiting for the kick
I'm just sittin back, waiting for the kick
This is the life that I never will forget
I'm inside a dream that I never wanna quit
So I'm just sittin back, waiting for the kick
I'm just sittin back, waiting for the kick
Wait for it...
[Verse 2]
Lord can I change my life with these sentences
When I got boys doing life cause of sentencing
I'm dealing with it every night, that's what penance is
Barred like Bruce Willis but Die Hard With A Vengeance kid
And I'm in this party where all these women is
Tryna find where niggas with dollar bills and Benzes is
Finally left what I wanted for what I needed
Can't be the girl of my dreams if you don't close your eyes to see it
The road less travelled, where both of us were headed
Said it would kill us, I told you I wont let it
When my life was plain, most bitches jetted
You said boy I've been down like toe touch stretches
I even set expectations and you never ever met it
But I gave you my heart you aint even call a medic
Now she telling me to leave her alone
But I can't like she got bad credit
I guess it's deaded with me and you both have left it
In eternal sunshine but my spotless mind wont forget it
So I accept it and pray no-one intercept it
Given the globe my soul and hope everybody accept it
Making it is never what you expected
I told my girl she'll never watch from the sofa
Tell my haters hit record on they remote controllers
Until my totem falls over.