"Let Me Know" is a single by American recording artist Tamar Braxton featuring American rapper Future. The song was released on October 7, 2014. Three months after the release, the song reached number 5 on the Urban AC Radio chart and number 10 on R&B/Hip Hop Airplay chart. The song samples "(At Your Best) You Are Love" by the late singer Aaliyah, which is an Isley Brothers cover.
Tamar released a video for the single on her VEVO account.
In the opening of the video Tamar is laying in the bed with a blond wig on, and she then stand up holding spy classes while looking out the window. In the second scene she is wearing a glitter painted on outfit while laying in a black room with a light shining on her. In third scene she is in a room grinding on a wall. The final scene she is at big dinner table eating chocolate strawberries.
Future does not appear in the video.
Billboard.com gave the song 4 out of 5 stars in its review of "The Best and Worst Singles of the Week" for the second week of October.
"Let Me Know" is a song by Irish recording artist Róisín Murphy from her second solo studio album, Overpowered. Written and produced by Murphy and Andy Cato of Groove Armada, the song was released as the album's second single on 8 October 2007. "Let Me Know" reached number twenty-eight in the United Kingdom, becoming Murphy's highest-peaking solo hit to date. The track is based on Tracy Weber's 1981 song "Sure Shot" and D. Train's 1982 song "Keep On".
The art director of the single was British graphic designer Scott King and the photographer was Jonathan de Villiers. Murphy is depicted wearing a design by English fashion designer Gareth Pugh on the cover.
"Let Me Know" received positive reviews from music critics. While reviewing Overpowered, Mark Edwards of The Sunday Times commented that the song's hook is "strong enough to compensate for the album's duller moments." Nick Levine of Digital Spy gave the song four out of five stars, stating that it "melds propulsive synths, a nineties house piano riff and Murphy's crystalline vocals to create a groove that's harder to resist that a night of passion with Brad or Angelina (or both of them—whatever floats your boat, eh?)." Gemma Hampson wrote for musicOMH that it "retains a bit of that Moloko odd-ness that set the band aside from all the other disco, funk, dance groups around at the same time. Murphy's soft and feminine voice sits well above the '80s bouncy bass and funky electro percussion. It's got a good, retro beat, ruined slightly by the dated fake piano heard all too much in dance in the past 25 years."
Let Me Know is a song by Japanese electronic musician Towa Tei, featuring singer Chara on vocals. It was released as the fourth single from his album Last Century Modern on June 23, 1999 , a month before the album's release. It debuted at #34 on the Japanese Oricon album charts, and charted for four weeks. It did substantially better on the J-Wave airplay charts, charting in the top 30 for eight weeks.
Tei had produced Chara's songs Shimashima no Bambi (しましまのバンビ Striped Bambi) (from her 1997 album Junior Sweet) and Atashi wa Koko yo (あたしはここよ I'm Here) (from her 1999 album Strange Fruits, released three months before this single).
Let Me Know was used as the ending theme song for the variety show Hey! Hey! Hey! Music Champ.
The song also appears on the 1999 remix album Lost Control Mix with the remix Let Me Know (Mighty Bop Remix) (remixed by Bob Sinclar), as well as the original version appearing on Tei's 2001 best-of album, Towa Tei Best.
"Let Me" is a song written by Marc Beeson and Danny Orton, and recorded by American country music singer Pat Green. It was released in June 2008 as the lead-off single from his album What I'm For, which was released on January 27, 2009. The song peaked at #12 on the Billboard Hot Country Songs chart, becoming his second highest-charting single, behind 2003's "Wave on Wave", which peaked at #3.
"Let Me" is a mid-tempo ballad in which the narrator promises to offer emotional support to the one that he loves.
Describing the song in a cut-by-cut synopsis of the album on Sony BMG Nashville's website, Green said that he liked the melody of the chorus (which contains multiple repetitions of the same note). He also said that the song drew his attention because it was a love song that did not explicitly use the word "love".
The song received a "thumbs down" review from the country music site Engine 145. Reviewer Brady Vercher criticized the song for being overproduced and trying to "garner radio success than pushing both [Green's and the producer's] boundaries to create something worthwhile." He also thought that vocally, Green got "lost" in the song and was unable to add any personality to the delivery.Washington Post critic Chris Richards said that Green's vocal delivery did not "sit right" in the "slow-burn" of the song, and Joey Guerra of the Houston Chronicle called it "stock country loverboy stuff."
Let Me is a song by Elvis Presley. The song is credited to Elvis Presley and Vera Matson, the wife of Ken Darby, the principal writer, published by Elvis Presley Music. The song was featured in the movie Love Me Tender and was released as an RCA Victor EP in 1956.
"Let Me" was recorded on September 4, 1956.
"Let Me" appeared in the 1956 movie Love Me Tender. The song was released on an RCA Victor EP from the movie, EPA-4006, which also included the title track, "Poor Boy", and "We're Gonna Move".
Instead of a full long-playing album soundtrack, for Love Me Tender the four songs appearing in the film were released as an extended-play, seven-inch 45 RPM record on RCA Records, Love Me Tender, catalog EPA 4006, during November 1956. The EP was certified Platinum by the RIAA. The EP reached #10 on the Billboard EP chart, and #22 on the Billboard 200 album chart. It peaked at #9 on the Top Pop Albums chart with sales of over 600,000, as well as making it to #35 on the singles chart. The four EP soundtrack songs were recorded at Fox's Stage One in Hollywood, at three sessions on August 24, September 4, and October 1, 1956.
Music of the Sun is the debut studio album by Barbadian recording artist Rihanna. It was released by Def Jam Recordings on August 30, 2005. Prior to signing with Def Jam, Rihanna was discovered by record producer Evan Rogers in Barbados, who helped Rihanna record demo tapes to send out to several record labels. Jay-Z, the former chief executive officer (CEO) and president of Def Jam, was given Rihanna's demo by Jay Brown, his A&R at Def Jam, and invited her to audition for the label after hearing what turned out to be her first single, "Pon de Replay". She auditioned for Jay-Z and L.A. Reid, the former CEO and president of record label group The Island Def Jam Music Group, and was signed on the spot to prevent her from signing with another record label.
After Rihanna was signed by Jay-Z, she continued to work with Rogers and his production partner Carl Sturken, as well as other music producers such as, Poke & Tone, D. "Supa Dups" Chin-quee, and StarGate. Music of the Sun features vocals from Canadian rapper Kardinal Offishall, music group J-Status, and Jamaican singer Vybz Kartel. Its music incorporates Caribbean music such as dancehall and reggae, as well as dance-pop and R&B ballads.
[Verse 1:]
You got your own list of problems and really I can't do shit to solve em wanna hit a nigga up like why you dissin well this time I ain't got time so girl dismiss it, ki kissin on your neck you be givin that di disrespect until I give you this dick up in your chest and you hit me like damn bay damn bay that shit feel so damn great start confessin you so weak that you can't even stand straight, start again arguin talkin bout you can't stand me like I don't understand you and you don't undertand me damn girl my head hurt need to stop that for your mans sake and you walk up out that door and slap me like a hand shake damn
[Hook:]
Girl I've been thinking bout you thinking bout you thinking bout you hoping that you thinking bout me thinking bout me thinking bout me just let me know jist let me know just let me know just let me know
[Verse 2:]
Yea you be coming around with all that cussing we can have a conversation but damn what's with all that fussing what's worse you used to call a nigga your husband guess I ain't that man no more I guess I relly ain't in your plans no more but damn you cold and damn you kno and damn you so and now u kno make me wanna take my hands and ohhh but I ain't gunna do that cus I ain't gunna do that say you gotta man well I already knew that well I'll be in the new back cus I ain't takin you back already been through that and I aont tryin to do that and I ain't tryin to do that uh huh, places I be racing though with laces I won't lace you though amazing how a relationship can go from a yes to a blatent noo, well it's amazing what the brain can know cus the dumb mothafucker thatll stick around any longer is the same mothafucker you mistake me for.
[Hook:]
Girl I've been thinking bout you thinking bout you thinking bout you hoping that you thinking bout me thinking bout me thinking bout me just let me know jist let me know just let me know just let me know ohh let me know let me kno ohh let me know ohh let me kno let me know ohh let me know... Continued