Legion (1998 film)

Legion is a 1998 television film directed by John Hess (aka Jon Daniel Hess) with screenplay by Patrick Highsmith and Evan Spiliotopoulos. It was produced by Avi Nesher for Mahagonny Pictures and Conquistador Entertainment Inc. and aired first on April 18, 1998.

The film stars Terry Farrell (best known for her performances in the television series Star Trek: Deep Space Nine and Becker), Corey Feldman and Trevor Goddard.

Nesher is also known for his screenplay Doppelganger (1993) and as director of the HBO films Savage and Mercenary (both 1996)

Plot

The story is set in the year 2036 and revolves around a special forces team led by Major Agatha Doyle (Farrell) formed from death-row prisoners and their ensuing mission.

Captain Aldrich is a former war hero convicted and on death row who is offered the chance at a pardon if he will join the team and undertake their mission to infiltrate an enemy facility. Once they have gained access to the base they are confused by the apparent lack of resistance and upon further inspection they find their enemies bodies piled up in a storeroom. Their state of mind is weakened when they are attacked and some of them are killed without seeing the perpetrator. After finding a computer disk holding information they listen to the account given by the enemy team commander about how events unfolded leading to their enemies demise. Finally it dawns on them that the unknown killer that picked their enemies off one by one is now stalking them. The surviving members of Doyle's team have to try to destroy the demon enemy before it destroys them.

Legion

Legion may refer to:

In the military

Veterans' organizations

World of Warcraft: Legion

World of Warcraft: Legion is the sixth expansion set to the massively multiplayer online role-playing game (MMORPG) World of Warcraft, following Warlords of Draenor. It was announced on August 6, 2015 at Gamescom 2015. At Blizzcon 2015, the release date was announced to be on or before September 21, 2016.

The expansion raises the existing level cap from 100 to 110, features artifact weapons for each classes' specialization, includes a new area on Azeroth called the Broken Isles and introduces the demon hunter hero class that starts at level 98. It will initially include nine 5-man dungeons and two raids.

Gameplay

The expansion allows players to level up to 110, an increase from the cap of 100 in the previous expansion Warlords of Draenor.

The development team made a number of changes to the player versus player (PvP) aspects of the game. There is a PvP honor system that unlocks PvP honor talents and there are separate abilities for use only in PvP that are not available in player versus environment gameplay. Honor talents are abilities earned through increased levels in PvP and are activated while players engage in PvP. Once players hit maximum honor level, they can choose to earn a prestige level that resets the honor talents earned and gives cosmetic bonuses. In PvP combat, gear will be nullified and all bonuses related to gear will be deactivated, with the exception of Artifact weapons and its related powers. Instead, Legion will predetermine a set of stats configured to a player's specialization. However, a player's average item level will still factor in PvP; for every one point increase in average item level it results in a 0.1% increase to PvP stats.

Gamera 2: Attack of Legion

Gamera 2: Attack of Legion (ガメラ2 レギオン襲来, Gamera Tsū: Region Shūrai, lit. "Gamera 2: Legion Invasion", also known as Gamera 2: Advent of Legion) is a 1996 Kaiju film directed by Shusuke Kaneko. It is a sequel to Gamera: Guardian of the Universe and the tenth Gamera film in the series. The film introduces the Legion, a race of insectoid extraterrestrials that invade the Earth, prompting Gamera to come to the planet's defense. It was followed by the sequel, Gamera 3: Awakening of Irys.

Plot

A year has passed since the battle between Gamera and the Gyaos, and Japan has struggled to rebuild its cities in the meantime. The military has kept a cautious vigil on the nation's coast, but so far Gamera has yet to return. Suddenly, a series of bizarre incidents reveal a new threat to the land of the rising sun. On a moonlit stroll, science instructor Midori Honami watches as a huge meteor plunges into the mountain snow. The next night, two security guards are horrified as they see large insect-like creatures stealing glass bottles from a nearby warehouse. Soon after, the entire city of Sapporo is covered with strange plants and the link between these events soon becomes clear.

Film (film)

Film is a 1965 film written by Samuel Beckett, his only screenplay. It was commissioned by Barney Rosset of Grove Press. Writing began on 5 April 1963 with a first draft completed within four days. A second draft was produced by 22 May and a forty-leaf shooting script followed thereafter. It was filmed in New York in July 1964.

Beckett’s original choice for the lead – referred to only as “O” – was Charlie Chaplin, but his script never reached him. Both Beckett and the director Alan Schneider were interested in Zero Mostel and Jack MacGowran. However, the former was unavailable and the latter, who accepted at first, became unavailable due to his role in a "Hollywood epic." Beckett then suggested Buster Keaton. Schneider promptly flew to Los Angeles and persuaded Keaton to accept the role along with "a handsome fee for less than three weeks' work."James Karen, who was to have a small part in the film, also encouraged Schneider to contact Keaton.

The filmed version differs from Beckett's original script but with his approval since he was on set all the time, this being his only visit to the United States. The script printed in Collected Shorter Plays of Samuel Beckett (Faber and Faber, 1984) states:

Lubrication theory

In fluid dynamics, lubrication theory describes the flow of fluids (liquids or gases) in a geometry in which one dimension is significantly smaller than the others. An example is the flow above air hockey tables, where the thickness of the air layer beneath the puck is much smaller than the dimensions of the puck itself.

Internal flows are those where the fluid is fully bounded. Internal flow lubrication theory has many industrial applications because of its role in the design of fluid bearings. Here a key goal of lubrication theory is to determine the pressure distribution in the fluid volume, and hence the forces on the bearing components. The working fluid in this case is often termed a lubricant.

Free film lubrication theory is concerned with the case in which one of the surfaces containing the fluid is a free surface. In that case the position of the free surface is itself unknown, and one goal of lubrication theory is then to determine this. Surface tension may then be significant, or even dominant. Issues of wetting and dewetting then arise. For very thin films (thickness less than one micrometre), additional intermolecular forces, such as Van der Waals forces or disjoining forces, may become significant.

Television film

A television film (also known as a TV film; television movie; TV movie; telefilm; telemovie; made-for-television film; direct-to-TV film; movie of the week (MOTW or MOW); feature-length drama; single drama and original movie) is a feature-length motion picture that is produced for, and originally distributed by or to, a television network, in contrast to theatrical films, which are made explicitly for initial showing in movie theaters.

Origins and history

Though not exactly labelled as such, there were early precedents for "television movies", such as Talk Faster, Mister, which aired on WABD (now WNYW) in New York City on December 18, 1944, and was produced by RKO Pictures, or the 1957 The Pied Piper of Hamelin, based on the poem by Robert Browning, and starring Van Johnson, one of the first filmed "family musicals" made directly for television. That film was made in Technicolor, a first for television, which ordinarily used color processes originated by specific networks (most "family musicals" of the time, such as Peter Pan, were not filmed but broadcast live and preserved on kinescope, a recording of a television program made by filming the picture from a video monitor – and the only method of recording a television program until the invention of videotape).