Mush

Mush may refer to:

Mush, MUSH, or Mushing may also refer to:

Common meanings

Places

Music

Internet and technology

People

Nickname

Mush (album)

Mush is the third full-length album by the English punk band Leatherface. It is generally considered to be their best record, and a classic of the genre.

Track listing

All songs written by Frankie Stubbs, except where noted.

Bonus tracks on the CD re-release:

Mush Records

Mush Records is an American independent record label. It was founded by Robert Curcio and Cindy Roché in 1997.

History

Originally known as Dirty Loop Music, Mush Records started out as a recording studio in Cincinnati, Ohio, with the actual label formed as an outlet to release music that was being made in the studio. Since then, Mush Records has been located in San Francisco, Chicago, New York, and has now settled in Los Angeles. Primarily an electronic music label, Mush Records puts out a wide range of music within the genre, including "electronic instrumental, underground hip hop, downtempo, abstract hip-hop, experimental, indie rock, jazz-based grooves, turntablist compositions, electronic pop, and saturated folk." The label operates an online store to facilitate direct sales of Mush Records releases and merchandise.

Mush Records' first release was Boom Bip & DJ Osiris' Low End Sequence EP in 1998, with the first album release Boom Bip & Dose One's Circle in 2000. This was followed the same year by the Ropeladder 12 compilation, featuring contributions from many artists from the Anticon roster.

Leatherface

Leatherface is the main antagonist in The Texas Chainsaw Massacre horror-film series and its spin-offs. He wears masks made of human skin (hence his name) and engages in murder and cannibalism, alongside his inbred family. Leatherface appeared in the first film in the series (1974) and in its six subsequent continuations and remakes. Wisconsin killer Ed Gein, who wore a mask made of human skin, was reportedly the inspiration for elements in the original film. He is considered to be the main antagonist of the franchise because he drives most of the plots and appears in all of the films even though he takes orders from his older family members.

Original series

The original film never showed Leatherface without one of his human-hide faces on. Leatherface used to work as a butcher at the meat factory alongside his brother, presumably "The Cook" (referred to as "Drayton Sawyer" in further films), as "The Hitchhiker" (Nubbins in part 2, following his death in part 1) claims he didn't work at the slaughterhouse, but he states, "My BROTHER worked there. My grandfather, too! My family's ALWAYS been in meat." Gunnar Hansen, who portrayed Leatherface in the original 1974 film, sees Leatherface as "completely under the control of his family. He'll do whatever they tell him to do. He's a little bit afraid of them." In the documentary The Shocking Truth, Tobe Hooper portrays Leatherface as a "big baby" who kills in self-defense because he feels threatened. In the first film, Leatherface shows fear when new people enter his home.

Leatherface (disambiguation)

Leatherface is a fictional character from the Texas Chainsaw Massacre franchise.

Leatherface may also refer to:

See also

Leatherface (band)

Leatherface were a British punk rock band from Sunderland, fronted by Frankie Stubbs. Trouser Press have called them "England's finest, most exciting punk band of the 90s"

History and background

Formed in August 1988, Leatherface released four full-length albums before their initial split in 1993. Third album Mush was, according to Allmusic, "one of the most intense records of the 90s, with some of the fiercest playing and song dynamics.. considered one of the best albums of the decade."

The band split in late 1993, – releasing a posthumous mini album (The Last) the following year – but reformed in 1998, after the death of bass player Andy Crighton (also of Snuff). Four more albums followed between 1999 and 2012.

Leatherface's music has been described as a cross between Hüsker Dü and Motörhead, a notable element being Stubbs' rasping, "gravelly" vocals. The lyrics often feature far-fetched similes, metaphors, word play and obscure allusions. Though never attaining much more than a cult following outside their native country, the band have been cited as an influence by higher-profile punk acts such as Hot Water Music and Dillinger Four.