LDC may refer to:
Section may refer to:
A section is a military sub-subunit in some armies. In many armies, it might be a squad of 2-3 fireteams (i.e. seven to twelve soldiers). However, in France and armies based on the French model, it is the sub-division of a company (equivalent to a platoon).
Under the new structure of the infantry platoon, sections are made up of eight men divided into two four-man fireteams. Each fireteam consists of a team leader (corporal/lance-corporal), a marksman with enhanced optics, a grenadier with an M203 and an LSW operator with an F89 Minimi light support weapon.
Typical fire team structure:
At the start of World War I, the Australian Army used a section that consisted of 27 men including the section commander, who was a non-commissioned officer holding the rank of sergeant.
During World War II, a rifle section comprised ten soldiers with a corporal in command with a lance-corporal as his second-in-command. The corporal used an M1928 Thompson submachine gun, while one of the privates used a Bren gun. The other eight soldiers all used No.1 Mk.3 Lee–Enfield rifles with a bayonet and scabbard. They all carried two or three No.36 Mills bomb grenades.
The Health Center Consolidation Act of 1996 in the United States is commonly also called Section 330. The Act brings together various funding mechanisms for the country's community health facilities, such as migrant/seasonal farmworker health centers, healthcare for the homeless, health centers and health centers for residents of public housing. Previously, each of these organizations were provided grants under numerous other mechanisms.
Est! Est!! Est!!! di Montefiascone (also known as just Est! Est!! Est!!!) is an Italian wine region centered on the commune of Montefiascone in province of Viterbo in Latium. Since 1966, the white Trebbiano- and Malvasia bianca-based wines produced within the 1,000 acres (400 ha) of the region can qualify for Denominazione di origine controllata (DOC) designation under Italian wine laws.
The unusual name of the wine region dates back to a 12th-century tale of a German Bishop traveling to the Vatican for a meeting with the Pope. The Bishop sent a prelate ahead of him to survey the villages along the route for the best wines. The 'wine scout' had instructions to write 'Est' (Latin for 'It is') on the door or on the wall of the inns he visited when he was particularly impressed with the quality of the wine they served so the Bishop following on his trail would have known in advance where to make a stop. At a Montefiascone inn, the prelate was reportedly so overwhelmed with the local wine that he wrote Est! Est!! Est!!! on the door. While this tale has been widely repeated, with some variations (such as the event taking place in the 10th century and/or involving a Flemish bishop, attending the coronation of Henry V, Holy Roman Emperor instead of meeting the Pope, etc.), the story is considered by many wine experts, such as Master of Wine Mary Ewing-Mulligan, to be apocryphal.
The Valar [ˈvalar] (singular Vala) are characters in J. R. R. Tolkien's legendarium. They are first mentioned in The Lord of the Rings, but The Silmarillion (published posthumously but assembled mostly from material written before The Lord of the Rings) develops them into the Powers of Arda or the Powers of the World. They are angelic powers, the Ainur that chose to go into the World (Arda) and complete its material development after its form was determined by the Music of the Ainur (Ainulindalë).
Eru Ilúvatar first revealed to the Ainur his great vision of The World through musical themes.
This World, fashioned from his ideas and expressed as the Music of Ilúvatar, was refined by thoughtful interpretations by the Ainur, who then created their own themes based on each unique comprehension. No one Ainu understood all of the themes that sprang from Ilúvatar. Instead, each elaborated individual themes, singing of mountains and subterranean regions, say, from themes for metals and stones. The themes of Ilúvatar's music were elaborated, and the Ainur added creative touches to blend with the themes of other Ainur. Melkor, however, added discordant themes: he strove against the Music; his themes became evil because they sprang from selfishness and vanity, not from the enlightenment of Ilúvatar.
3:47 EST is the first album by the Canadian progressive rock group Klaatu, released in August 1976. The album was renamed Klaatu when released in the United States by Capitol Records. It is regarded as one of the band's greatest albums (along with Hope), using the same kind of Beatlesque psychedelic rock (in the style of Sgt. Pepper's Lonely Hearts Club Band and Magical Mystery Tour), with a few new additions; most notably vocal distortion, more backwards instruments, and some obscure musical instruments such as electric sitars. The Juno-nominated album cover was painted by a friend of Klaatu's members, the Canadian graphic artist, Ted Jones.
For a variety of reasons, rumours spread in the wake of the album's release that Klaatu were, in fact, a secretly reunited Beatles. The album was moderately successful in the United States, largely as a result of the Beatles rumours.
A high-quality newly remastered version of the album was released on Klaatu's indie record label "Klaatunes" in 2011. To accompany this release, a music video was made for the remastered version of "Calling Occupants".