Rhythm and blues, often abbreviated as R&B or RnB, is a genre of popular African-American music that originated in the 1940s. The term was originally used by record companies to describe recordings marketed predominantly to urban African Americans, at a time when "urbane, rocking, jazz based music with a heavy, insistent beat" was becoming more popular. In the commercial rhythm and blues music typical of the 1950s through the 1970s, the bands usually consisted of piano, one or two guitars, bass, drums, saxophone, and sometimes background vocalists. R&B lyrical themes often encapsulate the African-American experience of pain and the quest for freedom and joy. Lyrics focus heavily on the themes of triumphs and failures in terms of relationships, freedom, economics, aspirations, and sex.
The term rhythm and blues has undergone a number of shifts in meaning. In the early 1950s it was frequently applied to blues records. Starting in the mid-1950s, after this style of music contributed to the development of rock and roll, the term "R&B" became used to refer to music styles that developed from and incorporated electric blues, as well as gospel and soul music. In the 1960s, several British rock bands such as the Rolling Stones, The Who and The Animals were referred to and promoted as being RnB bands; posters for The Who's residency at the Marquee Club in 1964 contained the slogan "The Who - Maximum RnB". This tangent of RnB is now known as "British rhythm and blues". By the 1970s, the term rhythm and blues changed again and was used as a blanket term for soul and funk. In the 1980s, a newer style of R&B developed, becoming known as "Contemporary R&B". It combines elements of rhythm and blues, soul, funk, pop, hip hop and dance. Popular R&B vocalists at the end of the 20th century included Michael Jackson, R. Kelly, Stevie Wonder,Whitney Houston, and Mariah Carey.
RNB may refer to:
Lazy may refer to:
Lazy (レイジー, Reijī, stylized as LAZY) is a Japanese rock band originally founded in 1977 by young classmates Hironobu Kageyama, Hiroyuki Tanaka and Akira Takasaki.
The three founders soon recruited, from their own school, drummer Munetaka Higuchi and keyboard player Shunji Inoue to complete the line-up. The name Lazy was taken from Deep Purple's song of the same name and the music the new band wanted to play was orientated towards hard rock. Managers and producers instead envisioned the young musicians as ideal prototypes for pop icons and created, through the use of monikers, costumes and well-balanced singles, a successful "boy band" for the Japanese teenage market. In contrast with these decisions, the band members started writing and recording their own music, slowly changing the sound of the band from easy-listening pop rock to hard rock. A growing dissatisfaction for the direction the band had taken, and the need to express their musical ability, caused Lazy to split-up in 1981.
"Lazy" is the fourth single from the album Coming Up by Suede, released on April 7, 1997, on Nude Records. It was also the fourth single from the album to reach the top ten, peaking at number nine.
The video for the title song was directed by Pedro Romhanyi, who previously made the video for the band's songs, "Animal Nitrate", "Beautiful Ones" and "Saturday Night", making this his third video from the album. "Lazy" was produced by Ed Buller, other tracks by Bruce Lampcov.
The song "Digging a Hole" on CD2 features keyboard player Neil Codling on lead vocals.