Lateralus (/ˌlætəˈræləs/) is the third full-length studio album by American rock band Tool. It was released on May 15, 2001 through Volcano Entertainment. The album was recorded at Cello Studios in Hollywood and The Hook, Big Empty Space, and The Lodge, in North Hollywood, between October 2000 and January 2001. David Bottrill, who had produced the band's two previous releases Ænima and Salival, produced the album along with the band. On August 23, 2005, Lateralus was released as a limited edition two-picture-disc vinyl LP in a holographic gatefold package.
The album debuted at No. 1 on the Billboard 200 chart, and was certified double platinum by the RIAA on August 5, 2003. On August 30, 2004, the album was certified silver by the BPI. It was also certified platinum in Australia, and double platinum in Canada. The band won the Grammy Award for Best Metal Performance for the song "Schism" in 2002.Lateralus was ranked No. 123 on the Rock and Roll Hall of Fame's "Definitive 200" list.
"Lateralus" is a song by American progressive rock band Tool. The song is the second single and title track of their third studio album Lateralus.
The song is known for its distinct time signatures and corresponding lyrical patterns. The time signatures of the chorus of the song change from 9/8 to 8/8 to 7/8; as drummer Danny Carey says, "It was originally titled 9-8-7. For the time signatures. Then it turned out that 987 was the 16th number of the Fibonacci sequence. So that was cool."
In a 2001 interview, singer Maynard James Keenan commented on the lyric mentioning black, white, red and yellow: "I use the archetype stories of North American aboriginals and the themes or colours which appear over and over again in the oral stories handed down through generations. Black, white, red, and yellow play very heavily in aboriginal stories of creation."
The song could also be about the order of colors seen while under the influence of LSD. Alex Grey (the visionary artist who did the album artwork for Lateralus) stated that when he closed his eyes on an LSD trip, he saw a black and white spiral, and when he tried it a few more times it became a red and yellow spiral.
Black then white are all I see in my infancy.
red and yellow then came to be, reaching out to me.
lets me see.
As below, so above and beyond, I imagine
drawn beyond the lines of reason.
Push the envelope. Watch it bend.
Over thinking, over analyzing separates the body from the mind.
Withering my intuition, missing opportunities and I must
Feed my will to feel my moment drawing way outside the lines.
Black then white are all I see in my infancy.
red and yellow then came to be, reaching out to me.
lets me see there is so much more
and beckons me to look through to these infinite possibilities.
As below, so above and beyond, I imagine
drawn outside the lines of reason.
Push the envelope. Watch it bend.
Over thinking, over analyzing separates the body from the mind.
Withering my intuition leaving all these opportunities behind.
Feed my will to feel this moment urging me to cross the line.
Reaching out to embrace the random.
Reaching out to embrace whatever may come.
I embrace my desire to
feel the rhythm, to feel connected
enough to step aside and weep like a widow
to feel inspired, to fathom the power,
to witness the beauty, to bathe in the fountain,
to swing on the spiral
of our divinity and still be a human.
With my feet upon the ground I lose myself
between the sounds and open wide to suck it in.
I feel it move across my skin.
I'm reaching up and reaching out.
I'm reaching for the random or what ever will bewilder me.
And following our will and wind we may just go where no one's been.
We'll ride the spiral to the end and may just go where no one's been.