Beware (EP)

Beware was the fifth release from the Lodi, New Jersey horror punk band The Misfits. Since it was originally intended to be available for the group's 1979 UK tour, it combined two earlier, out of print releases, with the substitution of one new track.

Album information

This 12" EP was co-released in the UK in January 1980 by Armageddon/Spartan Records and in the US by Glenn Danzig's Plan 9 Records as number PLP9. A pressing run of 3000 was ordered with 3120 actually being delivered by the pressing plant. A limited number of copies were sold within the US through the Misfits Fiend Club, which included an 8"x10" photo of the album cover as an insert.

The first four songs were the same mixes used on the Bullet EP, but with the tracks in reverse order. The other side was essentially the Horror Business EP. However, the song "Children In Heat" was replaced by the only previously unreleased track, "Last Caress."

The entire EP was recorded at C.I. Recording in New York City, but on two separate occasions, one year apart. Bullet had been recorded in January 1978. Horror Business was recorded one year later. "Last Caress" was also recorded at the first session, but was remixed, with reverb added to the vocals and a guitar overdub recorded in September 1979 by Glenn Danzig and Bobby Steele. It was the only track ever to be released from that particular mixing session.

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Rhythm and blues

Rhythm and blues, often abbreviated as R&B or RnB, is a genre of popular African-American music that originated in the 1940s. The term was originally used by record companies to describe recordings marketed predominantly to urban African Americans, at a time when "urbane, rocking, jazz based music with a heavy, insistent beat" was becoming more popular. In the commercial rhythm and blues music typical of the 1950s through the 1970s, the bands usually consisted of piano, one or two guitars, bass, drums, saxophone, and sometimes background vocalists. R&B lyrical themes often encapsulate the African-American experience of pain and the quest for freedom and joy. Lyrics focus heavily on the themes of triumphs and failures in terms of relationships, freedom, economics, aspirations, and sex.

The term rhythm and blues has undergone a number of shifts in meaning. In the early 1950s it was frequently applied to blues records. Starting in the mid-1950s, after this style of music contributed to the development of rock and roll, the term "R&B" became used to refer to music styles that developed from and incorporated electric blues, as well as gospel and soul music. In the 1960s, several British rock bands such as the Rolling Stones, The Who and The Animals were referred to and promoted as being RnB bands; posters for The Who's residency at the Marquee Club in 1964 contained the slogan "The Who - Maximum RnB". This tangent of RnB is now known as "British rhythm and blues". By the 1970s, the term rhythm and blues changed again and was used as a blanket term for soul and funk. In the 1980s, a newer style of R&B developed, becoming known as "Contemporary R&B". It combines elements of rhythm and blues, soul, funk, pop, hip hop and dance. Popular R&B vocalists at the end of the 20th century included Michael Jackson, R. Kelly, Stevie Wonder,Whitney Houston, and Mariah Carey.

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