Bossanova

Bossanova is the third studio album by the American rock band Pixies. It was released in August 13, 1990 on the English independent record label 4AD in the United Kingdom and by Elektra Records in the United States. All of Bossanova's original material was written by the band's frontman Black Francis; this was a first for a Pixies album, but he has written all of their songs since. The album's sound, inspired by surf rock and space rock, complements its lyrical focus on outer space, which references subjects such as aliens and unidentified flying objects.

Because of 4AD's independent status, major label Elektra Records handled distribution in the United States; Bossanova reached number 70 on the Billboard 200. The album peaked at number three in the UK Albums Chart. Two singles were released from Bossanova, "Velouria" and "Dig for Fire"; both charted on the US Modern Rock Tracks chart, at #4 and #11, respectively.

Background and recording

After Pixies finished touring obligations for their second album Doolittle (1989) in January 1990, band members Black Francis, Joey Santiago, and David Lovering moved from Boston to Los Angeles. Bassist Kim Deal meanwhile stayed in the UK to record the first Breeders album during January with producer Steve Albini. Deal ultimately decided to travel out to Los Angeles with the rest of the group. Lovering stated that he, Santiago, and Black Francis moved to Los Angeles because that's where they intended to record. The three band members lived in the Oakwood apartments, along with comic Garrett Morris and members of the band White Lion. Producer Gil Norton also moved into the apartment complex.

Bossanova (band)

Bossanova is a Canadian musical group formed in Vancouver in 1997. The principal member is guitarist/vocalist Chris Storrow. The group currently has released one 7 inch, one EP, one LP, and has contributed to several compilations.

Their most recent release is Hey, Sugar on Teenbeat Records. Members past and present include: Mike Boegh, Tony Koelwyn, Kurt Dahle, Shawn Mrazek, Megan Bradfield, Gregory Macdonald, Elaine Fung, Heather Campbell, Brian Weiser. The eclectic band blends soul, disco, pop, new wave, folk, and psychedelia

Discography

References

Largo

Largo may refer to:

Music

Places

Megatokyo

Megatokyo (メガトーキョー) (also stylized as MegaTokyo) is an English-language webcomic created by Fred Gallagher and Rodney Caston. Megatokyo debuted on August 14, 2000, and has been written and illustrated solely by Gallagher since July 17, 2002. Gallagher's style of writing and illustration is heavily influenced by Japanese manga. Megatokyo is freely available on its official website. The stated schedule for updates is Tuesday and Friday, but they typically are posted just once or twice a month on non-specific days (in the beginning a three-per-week schedule of Monday, Wednesday, and Friday was the goal). Recently, this schedule has slipped further, due to the health issues of Sarah Gallagher (Seraphim), Fred's wife. Megatokyo was also published in book-format by CMX, although the first three volumes were published by Dark Horse. For February 2005, sales of the comic's third printed volume were ranked third on BookScan's list of graphic novels sold in bookstores, then the best showing for an original English-language manga.

Tempo

In musical terminology, tempo [ˈtɛmpo] ("time" in Italian; plural: tempi [ˈtɛmpi]) is the speed or pace of a given piece or subsection thereof.

Measuring tempo

A piece of music's tempo is typically written at the start of the score, and in modern Western music is usually indicated in beats per minute (BPM). This means that a particular note value (for example, a quarter note, or crotchet) is specified as the beat, and that the amount of time between successive beats is a specified fraction of a minute. The greater the number of beats per minute, the smaller the amount of time between successive beats, and thus faster a piece must be played. For example, a tempo of 60 beats per minute signifies one beat per second, while a tempo of 120 beats per minute is twice as rapid, signifying one beat every 0.5 seconds. Mathematical tempo markings of this kind became increasingly popular during the first half of the 19th century, after the metronome had been invented by Johann Nepomuk Maelzel, although early metronomes were somewhat inconsistent. Beethoven was one of the first composers to use the metronome; in the 1810s he published metronomic indications for the eight symphonies he had composed up to that time. for example a minum has a 2 seconds