Eluveitie

Eluveitie (/ɛlˈveɪti/ el-VAY-ti) is a Swiss folk metal band from Winterthur, Zurich, founded in 2002 by Chrigel Glanzmann. The project's first EP, Vên, was released in 2003. Vên was a studio project of Glanzmann's, but its success led to the recruitment of a full band. The band then released a full-length album, Spirit, in June 2006. In November 2007, Eluveitie was signed by Nuclear Blast. The group rose to fame following the release of their first major-label album, Slania, in February 2008. The album peaked at number 35 in the Swiss charts and number 72 in the German charts.

Eluveitie describe themselves as "The new wave of folk metal". The band's style incorporates characteristics of melodic death metal combined with the melodies of traditional Celtic music. They use traditional European instruments, including the hurdy-gurdy and bagpipes, amidst guitars and both clean and harsh vocals. Their lyrics include references to Celtic mythology, particularly the Celtic Gaul village. The lyrics are often in the extinct ancient language Gaulish. The name of the band comes from graffiti on a vessel from Mantua (ca. 300 BC). The inscription in Etruscan letters reads eluveitie, which has been interpreted as the Etruscan form of the Celtic (h)elvetios (“the Helvetian”), presumably referring to a man of Helvetian descent living in Mantua.

Lament

A lament or lamentation is a passionate expression of grief, often in music, poetry, or song form. The grief is most often born of regret, or mourning. Laments can also be expressed in a verbal manner, where the participant would lament about something they regret or someone they've lost, usually accompanied by wailing, moaning and/or crying.

History

Many of the oldest and most lasting poems in human history have been laments. Laments are present in both the Iliad and the Odyssey, and laments continued to be sung in elegiacs accompanied by the aulos in classical and Hellenistic Greece. Lament elements figure in Beowulf, in the Hindu Vedas, and in ancient Near Eastern religious texts, including the Mesopotamian city laments such as the Lament for Ur and the Jewish Tanakh, (which would later become the Christian Old Testament).

In many oral traditions, both early and modern, the lament has been a genre usually performed by women: Batya Weinbaum made a case for the spontaneous lament of women chanters in the creation of the oral tradition that resulted in the Iliad The material of lament, the "sound of trauma" is as much an element in the Book of Job as in the genre of pastoral elegy, such as Shelley's "Adonais" or Matthew Arnold's "Thyrsis".

Lament (Ultravox song)

"Lament" is the third single and title track from Ultravox's seventh studio album, released on 21 June 1984.

Lament is a melancholy ballad, the music video depicting the band members visiting their lovers on a remote Scottish island. The single didn't live up to its smash-hit predecessor, peaking at #22 in the UK music charts and #47 in the New Zealand charts.

Track listing

7" version

12" version

References

External links

Lament (Ultravox album)

Lament is the seventh studio album by British new wave band Ultravox, released in the UK on 6 April 1984. It was the last album featuring original drummer Warren Cann until the band's reunion album Brilliant in 2012. The album peaked at #8 on the UK album chart and was certified Gold by the BPI in June 1984 for 100,000 copies sold. It also reached #25 in Germany and #115 in the United States.

The album's sound saw the band continuing to move away from the synthpop style associated with their previous albums, heading into a more mainstream pop rock direction, not entirely dissimilar to contemporaries such as Simple Minds and U2 featuring greater use of guitar and 'stadium' reverb.

The album was re-released on CD in 1999 with seven bonus tracks consisting of various B-sides and remixes from the Lament period.

The album was once again re-released in 2009 as a double CD set. The first disc consisted of the original album remastered. The second disc contained remixes, B-sides and previously unreleased "work in progress" versions of songs.