Lala Meredith-Vula (born 1966) is a Kosovan artist and photographer. In 1988 she was included in the Damien Hirst-led Freeze exhibition.
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Lala Meredith-Vula was born in Sarajevo and moved to England in 1970. She attended Trent University, Nottingham (1984-85) and Goldsmiths College (1985–88), then the University of Priština, Kosovo, for postgraduate studies.
In 1988, she was one of the exhibitors in the seminal YBA show Freeze show, organised by Damien Hirst. Since then she has exhibited widely internationally.
From 1989, she has lectured at various colleges in the United Kingdom, United States and Kosovo. In 1995, she set up the first photography department at the University of Tirana, Albania, and in 2000 a photography department at Priština University.
A particularly significant experience for Meredith-Vula was a series of photographs in Kosovo showing haystacks built by Albanian farmers. The juxtaposition of her cosmopolitan art experience with her provincial origin, asking the question "What is art?", provided a resolution of the two:
“ | Having studied art for many years and visited many galleries throughout the world I soon found that the context of a work of art played a major part on where it is placed. For all my research, it took my returning home to discover the real significance of my search, it was in the fields of my former home town that I witnessed a way of life as old as the land itself where farmers went about their business, everything had its place. Within all this, I saw that somehow the farmers were unconsciously creating strange, sculptures that had the presence of modern sculptural pieces. Here part of my search was over. I had found the meeting place between my new world of art, being an artist, and my past, in the landscape of Kosova.[1] | ” |
She has also photographed women in Turkish baths over a two year period (6 months of which was gaining permission), and a series showing women standing and moving beneath the surface of water. She has explained this:
Her work can be found in a range of major art collections including, but not limited to: Arts Council of Britain, Arthur Andersen Collection, Centre of Photography in Geneva, Collezione La Gaia, Doria Pamphilj Gallery Collection, Doria Pamphilj Palace Museum, The Teseco Foundation, The British Council Collection.
Lala now lectures at De Montfort University in Leicester
Lala VC (20 April 1876 – 23 March 1927) was an Indian recipient of the Victoria Cross, the highest and most prestigious award for gallantry in the face of the enemy that can be awarded to British and Commonwealth soldiers.
Lala was born at Parol, Hamirpur district, Himachal Pradesh, India in 1876. He entered the Indian Army in February 1901. He was 38 years old, and a Lance-Naik in the 41st Dogras, Indian Army, when he was awarded the VC during World War I for most conspicuous bravery.
The citation reads:
Finding a British officer of another regiment lying close to the enemy, he dragged him into a temporary shelter, which he himself had made, and in which he had already bandaged four wounded men. After bandaging his wounds he heard calls from the Adjutant of his own regiment who was lying in the open severely wounded. The enemy were not more than one hundred yards distant, and it seemed certain death to go out in that direction, but Lance Naik Lala insisted on going out to his Adjutant, and offered to crawl back with him on his back at once. When this was not permitted, he stripped off his own clothing to keep the wounded officer warmer, and stayed with him till just before dark, when he returned to the shelter.
Lala is the given name of:
LaLa is a monthly Japanese shōjo manga magazine published by Hakusensha. The magazine is published on the 24th of each month. The magazine's bonus content are usually calendars for New Year issues, drama CDs and so on. The magazine was ranked fifth together with Shogakukan's Shōjo Comic and Kodansha's Weekly Shōnen Magazine by Japanese girls as their favorite manga anthology in a survey conducted by Oricon in 2006.
LaLa is the second shōjo manga magazine that Hakusensha published. Series' that are serialized in LaLa is collected into tankōbon under the label, Hana to Yume Comics (花とゆめコミックス), together with other Hana to Yume serialized manga. Fanbooks, illustration books for the serialized series’ are published under the Hana to Yume Comics Special (花とゆめコミックススペシャル).
Readers of the magazine are 97% female while the other 3% are male readers. Its age demographic consists of 4% percent for under-13 readers, 23.4% for readers aged 13–17, 20% for readers aged 18–20, 13% for readers aged 21–23 while the remaining 29.7% of the readers are aged 24 years old and up. Readers aged 24 and up are the demographic of the highest percentage.