A bumps race is a form of rowing race in which a number of boats chase each other in single file, each crew attempting to catch and "bump" the boat in front without being caught by the boat behind.
The form is mainly used intramurally at the University of Cambridge, since 1827, and at the University of Oxford since 1815. Bumps racing in fours is also the format of intramural rowing at Eton College and at Shrewsbury School. It is particularly suitable where the stretch of water available is long but narrow, precluding side-by-side racing. Bumps racing gives a sharper feel of immediate competition than a head race, where boats are simply timed over a fixed course. Few rowers worldwide use rivers as narrow as the Cam or the Isis, but bumps races are also contested elsewhere (see below).
Bumps races are typically raced in a series over several days. The starting order of each day's race is based on the previous day's results; the first day's starting order each year is determined by the results on the last day of the previous year. Each day the boats line up bow-to-stern, usually along the bank of the river, with a set distance between each boat and the next (usually about one and a half boat-lengths of clear water). The starting positions are usually marked by a rope or chain attached to the bank, the other end of which is held by each boat's cox. Boats wait along the bank, and may be poled out just in time for the start, to avoid drifting. At the start signal the cox lets go of the rope and the crew starts to row, attempting to catch and bump the boat in front while simultaneously being chased by the one behind.
A bump is a reassignment of jobs on the basis of seniority in unionised organisations in the private or public sector.
For example, if a job becomes vacant, more than one person may be reassigned to different tasks or ranks on the basis of who has worked for the organisation longer. As the next person assumes the duties of the person who has vacated, now the job of the replacement person likewise becomes vacant and must thus be filled by the next person with the appropriate seniority level. An exception to this may be unionised organisations that occasionally employ summer students, whereby the students do not officially accumulate any seniority and cannot thus "bump" another person.
The bump was a primarily 1970s fad dance introduced by Johnny Spruce in which the main move is to lightly "bump" hips on every other beat of the music. As the dance (and the evening) progressed, the bumping could become more intimate, bumping hip to backside, low bending, etc. There were several songs that were inspired by the bump, such as "The Bump" by Kenny and "Lady Bump" by Penny McLean, but the song that is most remembered is "Give Up the Funk (Tear the Roof off the Sucker)" by George Clinton and Parliament, which was released in 1976. The lyric in the song is "we want the funk", but has been mistaken for "we want the bump". In the UK, possibly the most popular and evocative song used for this dance was "Nutbush City Limits" by "Ike & Tina Turner".
"Lady" is a song co-written, co-produced and performed by American neo soul singer D'Angelo, issued as the third single from his debut studio album Brown Sugar. A remixed version of the song (titled the Clean Street Version) was also released, featuring vocals from American hip hop musician AZ. Separate music videos were created for both versions of the song.
"Lady" is D'Angelo's biggest hit single to date in the United States, peaking at #10 on the Billboard Hot 100 in 1996. It was certified gold by the RIAA on June 4, 1996. The song was also nominated for a Grammy Award for Best Male R&B Vocal Performance in 1997, but lost to "Your Secret Love" by Luther Vandross.
The Game's 2013 single "All That (Lady)" uses a clear vocal sample of "Lady".
The official music video for the original version of the song was directed by Hype Williams. The video for the remix version was directed by Brett Ratner. In addition to AZ, the remix video features appearances from singers Faith Evans and Joi; as well as Erykah Badu in her first music video appearance.
"Lady" is a song written by Lionel Richie and first recorded by American country artist Kenny Rogers. It was released in September 1980 on the album Kenny Rogers' Greatest Hits.
It is listed at #47 on Billboard's All Time Top 100.
The song was written and produced by Lionel Richie, recorded in 1980, and ranks among Kenny Rogers's biggest hits. Rogers once told an interviewer, "The idea was that Lionel would come from R&B and I'd come from country, and we'd meet somewhere in pop." Lionel wrote the second sentence of the song while he was at the bathroom.
The success of "Lady" also boosted Richie's career. The production work on the song was his first outside the Commodores and foreshadowed his success as a solo act during the 1980s. Rogers was also a featured vocalist on "We Are the World", co-written by Richie. Richie performed the song himself on his 1998 album, Time, and he and Rogers performed the song as a duet on Richie's 2012 release "Tuskegee".
"Lady" is the final single from the 2004 album Baptism by American rock musician Lenny Kravitz. It was released on November 23, 2004. The song is believed to be written about Kravitz's then-girlfriend, Nicole Kidman. The track was used heavily in the GAP ads. The commercials featured Kravitz dancing and singing the song with his guitar to Sarah Jessica Parker.
"Lady" was the most successful song from Baptism on the Billboard Hot 100, where it peaked at #27.
The video was directed by Philip Andelman. It consists of Kravitz playing guitar and singing in a circular stage, while women are dancing around him. There are lights that change depending on the intensity of the sound of the song.
ABC made use of the song to promote its hit television series Alias in commercials that appeared in full length in movie theaters and in edited form on the network.
The Cataracs was an American hip hop indie-pop production project (formerly duo) formed in Berkeley, California consisting of songwriter, vocalist, and producer Niles "Cyranizzy" Hollowell-Dhar (born 6 October 1988), and formerly songwriter and vocalist David "Campa" Benjamin Singer-Vine (born 1987). The duo started out as an independent group, during their years at Berkeley High School. The two were first signed to the label Indie-Pop. Singer-Vine left the group in August 2012 with Hollowell-Dhar continuing on with the name The Cataracs despite David's departure. Hollowell-Dhar also released materials starting 2014, under the name of KSHMR.
The duo met in their sophomore year while attending Berkeley High School. Singer-Vine was featured in a rap CD that was being passed around campus. When Dhar eventually heard the CD, he subsequently created a response. However, the “diss” response brought the two together and they soon became friends. In 2003, the two joined together to create what is now The Cataracs (named after the phrase “Who smoke ‘til your eyes get cataracts” from Snoop Dogg's song “What's my name Pt. 2”). In the summer of 2006, they released their first album, Technohop Vol. 1. In August 2006, the group joined with The Pack to make the single “Blueberry Afghani”. The song soon became a hit and was chosen as a “Download of the Week” by 106 KMEL and many music sites such as The Fader, UK’s Hip Hop Connection and XLR8R praised it.
Hey, I'm glad you came in here tonight
I'm so itchin' to dance I can't stand it
And I was countin' on dancin' with you
It's a Saturday night and I feel alright
So come on, let's dance (look at me)
All I wanna do is to bump with you
So come on, let's dance (look at me) - tonight
When we hear the music play - you might
Learn from me in every way...
They call me lady bump, lady bump, it's no lie (ahh...)
Lady bump, lady bump, just the music takes me high
They call me lady bump, lady bump, my oh my (ahh...)
Lady bump, lady bump, look at me if you know why
No, I don't need a break 'cause my hips got to shake
So come on, let's dance (look at me)
When I feel your touch, baby it's to much
Oh come on, let's dance (look at me) - tonight
When we hear the music play - you might
Learn from me in every way...
They call me lady bump, lady bump, it's no lie (ahh...)
Lady bump, lady bump, just the music takes me high
They call me lady bump, lady bump, my oh my (ahh...)
Lady bump, lady bump, look at me if you know why
Look at me
They call me lady bump, lady bump, it's no lie (ahh...)
Lady bump, lady bump, just the music takes me high
They call me lady bump, lady bump, my oh my (ahh...)
Lady bump, lady bump
Lady bump, lady bump, hooh-hooh-hooh (ahh...)
Lady bump, lady bump, just the music takes me high
They call me lady bump, lady bump, hooh-hooh-hooh (ahh...)