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The word aeon ( /ˈiːɒn/), also spelled eon or æon, originally means "life", and/or "being", though it then tended to mean "age", "forever" or "for eternity". It is a Latin transliteration from the koine Greek word ὁ αἰών (ho aion), from the archaic αἰϝών (aiwon). In Homer it typically refers to life or lifespan. Its latest meaning is more or less similar to the Sanskrit word kalpa and Hebrew word olam. A cognate Latin word aevum or aeuum (cf. αἰϝών) for "age" is present in words such as longevity and mediæval.[1]
Although the term aeon may be used in reference to a period of a billion years (especially in geology, cosmology or astronomy), its more common usage is for any long, indefinite, period. Aeon can also refer to the four aeons on the Geologic Time Scale that make up the Earth's history, the Hadean, Archean, Proterozoic, and the current aeon Phanerozoic.
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Roger Penrose uses the word aeon to describe the period between successive and cyclic big bangs within the context of conformal cyclic cosmology. In this theory, the remote future of the previous aeons becomes the Big Bang of subsequent aeons.
The Bible translation is a treatment of the Hebrew word olam and the Greek word aion. Both these words have similar meaning, and Young's Literal Translation renders them and their derivatives as “age” or “age-during”. Other English versions most often translate them to indicate eternity, being translated as eternal, everlasting, forever, etc. However, there are notable exceptions to this in all major translations, such as Matthew 28:20: “…I am with you always, to the end of the age” (NRSV), the word “age” being a translation of aion. Rendering aion to indicate eternality in this verse would result in the contradictory phrase “end of eternity”, so the question arises whether it should ever be so.[2] Proponents of Universal Reconciliation point out that this has significant implications for the problem of hell.[3] Contrast Matthew 25:46 in well-known English translations with its rendering in Young's Literal Translation:
And these shall go away to punishment age-during, but the righteous to life age-during. (YLT)[4]
Then they will go away to eternal punishment, but the righteous to eternal life. (NIV)[5]
These will go away into eternal punishment, but the righteous into eternal life. (NASB)[6]
And these shall go away into everlasting punishment, but the righteous into life eternal. (KJV)[7]
And these will depart into everlasting cutting-off, but the righteous ones into everlasting life. (NWT)[8]
Plato used the word aeon to denote the eternal world of ideas, which he conceived was "behind" the perceived world, as demonstrated in his famous allegory of the cave.
Christianity's idea of "eternal life" comes from the word for life, zoe, and a form of aeon,[9] which could mean life in the next aeon, the Kingdom of God, or Heaven, just as much as immortality, as in John 3:16.
According to the Christian doctrine of Universal Reconciliation, the Greek New Testament scriptures use the word "eon" to mean a long period (perhaps 1000 years) and the word "eonian" to mean "during a long period"; Thus there was a time before the eons, and the eonian period is finite. After each man's mortal life ends, he is judged worthy of eonian life or eonian punishment. That is, after the period of the eons, all punishment will cease and death is overcome and then God becomes the all in each one. This contrasts with the conventional Christian belief in eternal life and eternal punishment.
Occultists of the Thelema and O.T.O. traditions sometimes speak of a "magical Aeon" that may last for far less time, perhaps as little as 2,000 years.[citation needed]
In many Gnostic systems, the various emanations of God, who is also known by such names as the One, the Monad, Aion teleos (αἰών τέλεος "The Broadest Aeon"), Bythos ("depth or profundity", Greek βυθός), Proarkhe ("before the beginning", Greek προαρχή), the Arkhe ("the beginning", Greek ἀρχή), are called Aeons. In the different systems these emanations are differently named, classified, and described, but the emanation theory itself is common to all forms of Gnosticism. In the Basilidian Gnosis they are called sonships (υἱότητες huiotetes; sing.: υἱότης huiotes); according to Marcus, they are numbers and sounds; in Valentinianism they form male/female pairs called "syzygies" (Greek συζυγίαι, from σύζυγοι syzygoi).
Similarly, in the Greek Magical Papyri, the term "Aion" is often used to denote the All, or the supreme aspect of God [10]
This article incorporates text from a publication now in the public domain: Herbermann, Charles, ed. (1913). "Æons". Catholic Encyclopedia. Robert Appleton Company.
ONS may stand for:
ONS (formerly NostalgieNet) is a Dutch commercial television channel of Just Media Group, which is dedicated to viewers aged 49 years or older. ONS's main target is the older audience. ONS airs footage from the forties to the eighties. Each month a specific theme is on the channel. Topics such as the Dutch East Indies, Netherlands Waterland, railroads, mills, work, food and household are broadcast. The channel launched as NostalgieNet on 1 January 2006 and changed its name into ONS on 13 September 2015.
ONS can be received through Ziggo, KPN, CAIW, KBG, CanalDigitaal, CAI, Glashart Media and HSO in the Netherlands, and through TV Vlaanderen in Flanders.
ONS broadcasts include the following programs:
Additionally ONS's television broadcasts including De Dageraad, Sil de Strandjutter and Portret van een Passie. On Wednesdays Dutch films, like Het meisje met den blauwen hoed, De dijk is dicht and Kort Amerikaans.
Laat (Sindhi لاٽ) is a children's magazine in Sindhi published by Mehran Publication Hyderabad, Sindh. It started in 1988 and got immediate attention of Sindhi children. It was founded by Altaf Malkani and Zulfiqar Ali Bhatti. It contains short stories, poems, articles and many more things of interest to the children.
The following is a list of fictional Star Wars ground vehicles, including tanks, landspeeders, and assault units.
The AAT is a Trade Federation vehicle that appears in Star Wars Episode I: The Phantom Menace, Star Wars Episode III: Revenge of the Sith, the Star Wars expanded universe, and The Clone Wars. Early drafts of The Phantom Menace described the Trade Federation's invasion of Naboo being led by "armored attack craft" that resembled helicopters. The final version's forward curve is based on the curve of a shovel, and parts of it are intended to suggest animalistic traits.LEGO released an AAT model in 2001.
The BARC speeder appears in Revenge of the Sith and is a playable vehicle in Star Wars: Battlefront, Battlefront II and Star Wars Galaxies. They perform cavalry, scouting and mounted infantry roles and are armed with a single, or sometimes two, blasters. Inexpensive, lightweight, easy to maintain and able to fill various functions, they are a widespread mainstay of many armed organisations, governments and major armed forces.
Wesley, a shortened version of "Wesleydale", is a name with an Anglo-Norman etymology. The "wes" portion of the name refers to the Western cardinal direction, while the word "lea" refers to a field, pasture, or other clearing in a forest. Thus, the name's origin refers to a "western lea," or a field to the west.
The name was predominantly used as a surname until John Wesley, founder of the Methodist church, inspired some parents to name their sons after him while also retaining the parents' own surname.
Wesley is a 2009 biopic about John Wesley and Charles Wesley, the founders of the Methodist movement. The movie is based largely on the Wesley brothers' own journals, including John's private journal which was kept in a shorthand-like code that was not translated until the 1980s by Dr. Richard Heitzenrater at Duke Divinity School.
The movie covers the critical period of John Wesley's life as he struggles with his own doubts and insecurities, leading up to his life-changing Aldersgate experience and the early development of the Methodist movement.
The movie was filmed in a number of authentic 18th century locations in and around Winston-Salem,NC., including St. Paul's Episcopal Church.
Unusual for a lower-budget independent film, the movie features an original orchestral score recorded by a full orchestra. The score, composed by Bruce Kiesling, uses snippets of Wesley hymns and portions composed to echo authentic 18th century style. Kiesling, who has composed scores for a number of other films, is currently conductor of the Tulare County Orchestra in California.