Mecha may refer to a science fiction genre that centers on robots or machines controlled by people. These machines vary greatly in size and shape, but are distinguished from vehicles by their humanoid or biomorphic appearance. Different subgenres exist, with varying connotations of realism. The concept of Super Robot and Real Robot are two such examples found in Japanese anime. The term may also refer to real world piloted humanoid robots / non-humanoid robotic platforms, either currently in existence or still on the drawing board (i.e. at the planning or design stage). Alternatively, in the original Japanese context of the word (see Characteristics), 'mecha' may refer to mobile machinery/vehicles (including aircraft) in general, manned or otherwise.
The word "mecha" (メカ meka) is an abbreviation first used in Japanese of the word "mechanical". In Japanese, mecha encompasses all mechanical objects, including cars, guns, computers, and other devices, and the term "robot" (ロボット robotto) or "giant robot" to distinguish limbed vehicles from other mechanical devices. Outside of this usage, it has become associated with large robots with limbs or other biological characteristics.
Mecha is one of the woredas in the Amhara Region of Ethiopia. The name, Mecha, is taken from the name for a subdivision of the province of Gojjam. Part of the Mirab Gojjam Zone, Mecha is bordered on the south by Sekela, on the southwest by the Agew Awi Zone, on the west by the Lesser Abay River which separates it from Debub Achefer and Semien Achefer, on the northeast by Bahir Dar Zuria, and on the east by Yilmana Densa. Towns in Mecha include Merawi and Wetet Abay.
Bodies of water in this woreda include Tingiti, which is located in a volcanic crater near the Lesser Abay; R.E. Cheesman believed he was the first European to see this body of water when he was shown it in November 1932.
Based on the 2007 national census conducted by the Central Statistical Agency of Ethiopia (CSA), this woreda has a total population of 292,080, an increase of 36.55% over the 1994 census, of whom 147,611 are men and 144,469 women; 22,677 or 7.76% are urban inhabitants. With an area of 1,481.64 square kilometers, Mecha has a population density of 197.13, which is greater than the Zone average of 158.25 persons per square kilometer. A total of 66,107 households were counted in this woreda, resulting in an average of 4.42 persons to a household, and 64,206 housing units. The majority of the inhabitants practiced Ethiopian Orthodox Christianity, with 98.91% reporting that as their religion.
Mecha (derived from mechanism) is a term to describe a large robot or, in the original Japanese definition, machinery in general.
Mecha also may refer to:
Kalić is a village in Croatia. It is connected by the D8 highway.
Coordinates: 45°30′35″N 14°44′03″E / 45.5097536800°N 14.7340883100°E
"Kali" is a popular award winning poem by the eminent Indian writer, linguist and literary critic Rukmini Bhaya Nair. The poem won First Prize in the Second All India Poetry Competition conducted by The Poetry Society (India) in 1990. The poem has been widely cited and anthologised in reputed journals and scholalry volumes on contemporary Indian poetry.
The poem has received rave reviews since its first publication in 1990 in the anthology on Indian Poetry Emerging Voices. The poem has been frequently quoted in scholarly analysis of contemporary Indian English Poetry. The poem is regarded by critics as a jewel in contemporary Indian poetry.
Although outwardly the poem describes the Hindu Goddess Kali, her tantrums and her equation with her son Ganesha and consort Shiva, the poem has a clear existentialist message for the Indian woman and her many socio-psychological trappings. In her writings, Rukmini brings about this interplay between the esoteric and the mundane in systematic subjugation of Indian woman over the centuries. The poem has been widely discussed at various literary festivals.
Kali (Hanna Weynerowska, born Hanna Gordziałkowska; 18 December 1918 – 20 June 1998) was a Polish-born American painter known for her stylized portraits. She has been described as one of the most important Polish female painters. She was a World War II veteran of the Polish Resistance Movement after Nazi Germany occupied Poland, when she used the nom de guerre Kali. After emigrating and marrying, she used many variants of name, including "Hanna Kali Weynerowski", "Hanna Weynerowski-Kali", "Hanna Gordziałkowski-Weynerowski", "Hanka Weynerowska", and "Hanna Gordziałkowski", but she signed her paintings Kali.
The figures in her art resemble Old Masters in subject and positioning, but are painted in a simplified, flattened and more graphic manner. The paintings are brightly colored, often portraying the subject shown sitting at bust-length, with an elongated face, flattened body, a patterned element such as part of the clothing, and with the subject's hands positioned in a classical pose. Her work has been likened to a combination of Neo-mannerist and Surrealist.