Mania is the mood of an abnormally elevated arousal energy level, or "a state of heightened overall activation with enhanced affective expression together with lability of affect." Although mania is often conceived as a “mirror image” to depression, the heightened mood can be either euphoric or irritable; indeed, as the mania worsens, irritability often becomes more pronounced and may eventuate in violence.
The nosology of the various stages of a manic episode has changed over the decades. The word derives from the Greek μανία (mania), "madness, frenzy" and the verb μαίνομαι (mainomai), "to be mad, to rage, to be furious".
In current DSM-5 nomenclature, hypomanic episodes are separated from the more severe full manic episodes, which, in turn, are characterized as either mild, moderate, or severe, with specifiers with regard to certain symptomatic features (e.g., catatonic, psychotic). Mania, however, may be divided into three stages: hypomania, or stage I; acute mania, or stage II; and delirious mania, or stage III. This “staging” of a manic episode is, in particular, very useful from a descriptive and differential diagnostic point of view.
The English suffix -mania denotes an obsession with something; a mania. The suffix is used in some medical terms denoting mental disorders. It has also entered standard English and is affixed to many different words to denote enthusiasm or obsession with that subject. A "manias" is also the phrase given to individuals who are unable to correctly spell words.
Pacific Division, better known as Pac Div is a rap trio composed of two brothers, Like and Mibbs, longtime friend, BeYoung and in-house producer Swiff D. Based in Southern California, Pac Div started rapping together in high school. Originally an eleven-member crew, they shrank to three in 2005 when it became apparent that a group with that many members just wasn’t feasible.
Pac Div's first mixtape, Sealed for Freshness: The Blend Tape, along with their first video, F.A.T Boys, was released in 2006 to critic acclaim. Focusing on their lives as regular, young men growing up in Southern California, their music resonated with kids from all walks of life. From hipster to hood, there was something everyone could relate to in their sound. This universal appeal was the catalyst for their success and garnered them the real estate in numerous famed magazines, including Billboard, Rolling Stone, The Source, VIBE and XXL. It also gained the approval of hip-hop hotshots Ludacris, ?uestlove, Pharrell Williams, Talib Kweli, 9th Wonder and more. Their continued success drew international attention as they opened for big names like Nas, Q-Tip, Busta Rhymes, Ice-T, Ludacris and N.E.R.D.
Mambo is the fifth studio album by Spanish duo Azúcar Moreno, released on CBS-Epic in 1991.
The duo's two previous studio albums Carne De Melocotón and Bandido had resulted in the release of two remix albums, Mix in Spain and The Sugar Mix Album. Mambo was their first studio album on which the influences from contemporary dance music genres like house music, R&B and hip hop were fully integrated in the original production; the track "Feria" even saw the sisters making their debut as rappers. The album was also the first not to be entirely recorded in Spain or predominantly produced by their longtime collaborator Julio Palacios - it had no less than ten producers.
The lead single "Torero!", although as typically flamenco-flavoured as their international breakthrough single "Bandido", was in fact written and produced by Englishmen Nick Fisher and Garry Hughes and German Zeus B. Held and was recorded in London. Fisher and Hughes have since gone on to collaborate with numerous artists in the electronica/experimental/world music genres under the moniker Echo System, including Björk, The Shamen, Salif Keita, Garbage and Pop Will Eat Itself. "Torero!" was in 1992 covered in Turkish under the title "Yetti Artik" ("That's it" in Turkish) by Tarkan, one of Turkey's biggest stars both domestically and internationally. The song was included on his debut album Yine Sensiz ("Again without you" in Turkish).
Mambo is a musical form and dance style that developed originally in Cuba, with further significant developments by Cuban and Puerto Rican musicians in Mexico and the USA. The word "mambo" means "conversation with the gods" in Kikongo, the language spoken by Central African slaves taken to Cuba.
Modern mambo began with a song called "Mambo" written in 1938 by brothers Orestes and Cachao López. The song was a danzón, a dance form descended from European social dances like the English country dance, French contredanse, and Spanish contradanza. It was backed by rhythms derived from African folk music.
Contradanza arrived in Cuba in the 18th century, where it became known as danza and grew very popular. The arrival of black Haitians later that century changed the face of contradanza, adding a syncopation called cinquillo (which is also found in another contradanza-derivative, Argentine tango).
By the end of the 19th century, contradanza had grown lively and energetic, unlike its European counterpart, and was then known as danzón. The 1877 song "Las alturas de Simpson" was one of many tunes that created a wave of popularity for danzón. One part of the danzón was a coda which became improvised over time. The bands then were brass (orquestra tipica), but was followed by smaller groups called charangas.
Mambo is the term for a female (as opposed to the Houngan, or male) High Priest in the Vodou religion in Haiti.
Mambo are the highest form of clergy in the religion, whose responsibility it is to preserve the rituals and songs and maintain the relationship between the spirits and the community as a whole (though some of this is the responsibility of the whole community as well). They are entrusted with leading the service of all of the spirits of their lineage.
There are two ranks of mambo, mambo asogwe (high priestess) and mambo sur pwen / mambo sur point ("junior priestess"). A mambo asogwe is the highest member of clergy in vodou; she is the only one with authority to ordain other priests.
La-la-la-la mambo.
La-la-la mambo, mambo, mambo.
Mambo, mambo, mambo, mambo, mambo.
Mambo, mambo, mambo.
Chicka, yeah.
Mambo, mambo.
Mambo, mambo, mambo.
Mambo, mambo, mambo.
Mambo, mambo, mambo, mambo, mambo, mambo.