La Ley is Spanish for "The Law". It may refer to:
WWPL (96.9 FM, "Pulse FM") is a contemporary hits radio station licensed to Goldsboro, North Carolina, which is east of the Raleigh-Durham Triangle. The station is owned by Curtis Media Group. Its studios are located in Raleigh, and the transmitter tower is near Princeton, North Carolina.
Originally WGBR-FM at 99.7 FM and then 93.3 FM, this Goldsboro, NC station for most of its early history originally simulcast its AM counterpart. It switched its call letters to WEQR in 1950. During much of the late 1970s and into the '80s, the station, under the nickname "Q96", underwent several format changes over the years including soft rock (1978-1980), contemporary rock (1980-1984) and adult contemporary (to 1987) until evolving into a CHR station. In 1989, Curtis Media Group bought the station and moved the country music format and calls of Tarboro's WKTC from 104.3 to 96.9. The WEQR letters and hot adult contemporary format went to the former WOKN at 102.3 FM. "Katie Country" existed at 96.9 until January 9, 1998. The 96.9 frequency was then given the WKIX calls from what is now WBBB. This station also ran a country format, simulcasting with WKXU in Burlington as "Kix 96.9 and 101.1". This station simulcast WWMY from 2001 to 2003 as an 80s station until it changed its format and language.
La Ley (Spanish for "The Law") are a Grammy Award and two-time Latin Grammy Award-winning Chilean rock band formed by Andrés Bobe, Rodrigo Aboitiz, Luciano Rojas and Mauricio Claveria with Beto Cuevas.
After a failed first album, Desiertos (1990), they released Doble Opuesto (1991), which appears as the official first album of the band. Singles like "Desiertos," "Tejedores de Ilusión," and "Prisioneros de la Piel" made them stars in Chile, Argentina and Mexico, especially after the release of La Ley, their second recording (1993). After Bobe's death in 1994, La Ley continued with a new guitarist, Pedro Frugone, and released two more albums; in 1995, the band released Invisible, the album was their international breakout record and provided to the band their best-selling studio album to date, it included the number ones "Dia Cero" (in which, the rhythm and the video was inspired by the Duran Duran's smash hit "Come Undone") and "El Duelo".
Before the release of Vértigo, Rodrigo Aboitiz left the band. In the middle of the tour, bassist Luciano Rojas left the band as well, and together with the Aboitiz formed a new group named Saiko.
La Luna can refer to
La Luna (Italian and Spanish for "the moon") is the seventh album recorded by English soprano Sarah Brightman in 2000. It was released under license by Nemo Studios to Angel Records. The album combines pieces written by classical and modern composers. The classical pieces are "How Fair This Place" ("Здесь хорошо") by Rachmaninov; "Figlio Perduto", which is based on Ludwig van Beethoven's Symphony No. 7 Op. 92, 2nd movement in A minor "Allegretto"; Solo Con Te (Handel - Dank Sei Dir, Herr); Aria "La Luna" from Opera Rusalka. With La Luna, Brightman combined elements of her traditional operatic background with her newer style of pop music. "Hijo de la Luna" (translating to "Son of the Moon" in Spanish) is a cover originally performed by the Spanish synthpop band Mecano. Written by Ennio Morricone, "La Califfa" is the title track of the 1970 Italian film with the same name. The underlying concept of the album is the moon. It is the 17th top-selling classical album of the 2000s in the US, according to Nielsen SoundScan, and is Brightman's second highest seller in the country after her 1997 release Timeless/Time to Say Goodbye. Aside from the US, the album experienced its strongest sales in Asia, where it received a quintuple platinum certification in Taiwan, earned Brightman's first Gold award in Japan and currently remains as the best-selling classical album of all-time in China by a non-Asian artist. It was certified Diamond by the Chinese Administration of Radio, Film, and Television.
La Luna (or LaLuna) was a rock-'n'-roll nightclub in Portland, Oregon, United States from 1992 to 1999. It played a central role in Portland's prominence during the emergence of grunge in that era, helping to propel bands from Portland and the surrounding area like Sweaty Nipples, The Dharma Bums, Pond, Hitting Birth, Hazel, The Spinanes, Elliott Smith, Everclear, Sublime, The Dandy Warhols, Cherry Poppin Daddies and Quasi to national stardom. It was described as the "best medium-size venue in Portland. It's also an all-ages venue that somehow manages to stay cool."
Located at the corner of Southeast Ninth Avenue and Southeast Pine Street, La Luna was previously known as the Ninth Street Exit (in the 1970s) and the Pine Street Theater (1980–1991). It was called RKCNDY Portland (Rock Candy) for most of 1992. It was later known again as the Pine Street Theater (2000–02) and later as Solid State (2004–05).
Coordinates: 45°31′16.36″N 122°39′25.11″W / 45.5212111°N 122.6569750°W / 45.5212111; -122.6569750
Maldices lo pesado de esta hora
mas ya no sientes las ganes de estar
maldices lo peado de tu obra
mas ya no sientes delirio de ser
si te escondes das bostezos de abulia tambien
(Bis)
Desiertos de lados transparentes
Desiertos de lados transparentes
Maldices lo pesado de esta hora
mas ya no sientes las ganas de estar
Maldices lo pesado de tu obra
mas ya no sientes el deseo hacia ti
Desiertos
Desiertos de lados transparentes...
de lados transparentes...