Barbara Hendricks

Barbara Hendricks (born November 20, 1948) is an African-American operatic soprano and concert singer. Hendricks has lived in Europe since 1977, and in Switzerland in Basel since 1985. She is a citizen of Sweden following her marriage to a Swedish citizen.

Early life and education

Hendricks was born in Stephens, Arkansas. She graduated from the University of Nebraska–Lincoln with a bachelor's degree in mathematics and chemistry at the age of 20. She attended the Aspen Music Festival and School and then attended Juilliard School of Music in New York, where she studied with mezzo-soprano Jennie Tourel and participated in master classes led by soprano Maria Callas. She graduated with a bachelor's degree in music.

Musical career

In 1974, Hendricks made her professional operatic debut in Europe at the Glyndebourne Festival and in America at the San Francisco Opera. During her career, she has appeared at major opera houses throughout the world, including the Opéra National de Paris, the Metropolitan Opera, the Royal Opera House, Covent Garden, and La Scala. In 1998 she sang Liu in the historical performance of Turandot at the Forbidden City in Beijing. Hendricks has performed more than twenty roles, twelve of which she has recorded.

Barbara Hendricks (politician)

Barbara Anne Hendricks (born 29 April 1952) is a German politician and member of the SPD.

Since 17 December 2013 she has been Federal Minister for the Environment, Nature Conservation and Nuclear Safety. From 2007 to 2013, she was Federal Treasurer of the SPD, and from 1998 to 2007 she was Parliamentary Secretary of State at the Federal Ministry of Finance.

Early life and career

Barbara Hendricks was born in Kleve.

After obtaining her Abitur in 1970 at the Johanna Sebus Gymnasium in Kleve, Barbara Hendricks studied History and Social Sciences in Bonn, passing the Staatsexamen examination for high school teachers in 1976. She then worked for the Association for Student Affairs until 1978. After that, until 1981, she was a deputy press secretary at the press office of the Bundestag parliamentary party of the SPD. In 1980 she was awarded a doctorate based on a thesis entitled Die Entwicklung der Margarineindustrie am unteren Niederrhein [The development of the margarine industry on the lower Rhine]. She was then press secretary of the minister of finance of the state of North Rhine-Westfalia until 1990. In 1991 she was appointed Permanent Secretary at the Ministry of the Environment, Spatial Planning and Agriculture of the State of North Rhine-Westfalia.

La bohème

La bohème (French pronunciation: ​[la bɔ.ɛm], Italian: [la boˈɛm]) is an opera in four acts, composed by Giacomo Puccini to an Italian libretto by Luigi Illica and Giuseppe Giacosa, based on Scènes de la vie de bohème by Henri Murger. The world premiere performance of La bohème was in Turin on 1 February 1896 at the Teatro Regio, conducted by the young Arturo Toscanini; its U.S. premiere took place the next year, 1897, in Los Angeles. Since then, La bohème has become part of the standard Italian opera repertory and is one of the most frequently performed operas worldwide.

In 1946, fifty years after the opera's premiere, Toscanini conducted a performance of it on radio with the NBC Symphony Orchestra. This performance was eventually released on records and on Compact Disc. It is the only recording of a Puccini opera by its original conductor (see Recordings below).

Origin of the story

According to its title page, the libretto of La bohème is based on Henri Murger's novel, Scènes de la vie de bohème, a collection of vignettes portraying young bohemians living in the Latin Quarter of Paris in the 1840s. Although usually called a novel, it has no unified plot. Like the 1849 play by Murger and Théodore Barrière, the opera's libretto focuses on the relationship between Rodolfo and Mimì, and ends with Mimì's death. Also like the play, the libretto combines two characters from the novel, Mimì and Francine, into a single Mimì character. Early in the composition stage Puccini was in dispute with the composer Leoncavallo, who said that he had offered Puccini a completed libretto and felt that Puccini should defer to him. Puccini responded that he had had no idea of Leoncavallo's interest and that having been working on his own version for some time, he felt that he could not oblige him by discontinuing with the opera. Leoncavallo completed his own version in which Marcello was sung by a tenor and Rodolfo by a baritone. It was unsuccessful and is now rarely performed.

La Bohème (2009 film)

La Bohème is a 2009 short film from directed by Werner Herzog. The four-minute film features images of harsh life in Ethiopia set to "O Soave Fanciulla" from the opera La Bohème. It was part of a series of short films commissioned by Sky Arts and English National Opera.

References

External links

La bohème (Leoncavallo)

La bohème is an Italian opera in four acts, with music and libretto by Ruggero Leoncavallo, based on Scènes de la vie de bohème by Henri Murger. The opera received a successful premiere at the Teatro la Fenice, Venice on 6 May 1897.

Leoncavallo wrote his opera La bohème contemporaneously with Giacomo Puccini's own treatment of the same story. Leoncavallo later revised the work, titling it Mimi Pinson, but despite initial respect, it did not survive. Puccini's version has become a standard in the operatic repertoire, whereas Leoncavallo's opera is rarely performed. Leoncavallo's version did not receive its UK premiere until May 1970.

Allan Atlas has analysed in detail the different treatments of the death of the Mimi character in both Leoncavallo's and Puccini's versions of La bohème, contrasting the historical success of Puccini's opera and the relative failure of Leoncavallo's.

Roles

Synopsis

Act 1

Café Momus

The innkeeper Gaudenzio tries in vain to eject the Bohemians, who never pay and are continually up to no good. During the conversation another piece of horseplay on their part is discovered. They sit down to dine, while Musetta gaily sings. (Canzonette: "Mimi is the name of my sweet blonde.") Naturally when they are asked to pay the bill, they have no money. A comic fight ensues between them and the innkeeper, who has called his servants to assist him. It is ended by Barbemuche, who offers to pay the bill.