La Bamba

La Bamba may refer to:

La Bamba (song)

"La Bamba" (pronounced: [la ˈβamba]) is a Mexican folk song, originally from the state of Veracruz, best known from a 1958 adaptation by Ritchie Valens, a top 40 hit in the U.S. charts and one of early rock and roll's best-known songs. Valens' version of "La Bamba" is ranked number 354 on Rolling Stone magazine′s list of the 500 Greatest Songs of All Time. It is the only song on the list sung in a language other than English.

"La Bamba" has been covered by numerous artists, most notably by Los Lobos, whose version was the title track of the 1987 film La Bamba and reached No. 1 in the U.S. and UK singles charts in the same year. The Los Lobos version remained No. 1 for three weeks in the summer of 1987. The music video for Los Lobos' version, directed by Sherman Halsey, won the 1988 MTV Video Music Award for Best Video from a Film.

Traditional versions

"La Bamba" is a classic example of the Son Jarocho musical style, which originated in the Mexican state of Veracruz and combines Spanish, indigenous, and African musical elements. The song is typically played on one or two arpas jarochas (harps) along with guitar relatives the jarana jarocha and the requinto jarocho. Lyrics to the song vary greatly, as performers often improvise verses while performing. However, versions such as those by musical groups Mariachi Vargas de Tecalitlan and Los Pregoneros del Puerto have survived because of the artists' popularity. The traditional aspect of "La Bamba" lies in the tune, which remains almost the same through most versions. The name of the dance, which has no direct English translation, is presumably connected with the Spanish verb bambolear, meaning "to shake" or perhaps "to stomp".

La Bamba (film)

La Bamba is a 1987 American biographical film written and directed by Luis Valdez that follows the life and career of Chicano rock 'n' roll star Ritchie Valens. The film stars Lou Diamond Phillips as Valens, Esai Morales, Rosanna DeSoto, Elizabeth Peña, Danielle von Zerneck, and Joe Pantoliano. The film also covers the effect that Valens' career had on the lives of his half-brother Bob Morales, his girlfriend Donna Ludwig and the rest of his family.

Plot

Richard Steven Valenzuela (Phillips) is a normal teenage boy who becomes a rock 'n' roll superstar under the stage name Ritchie Valens. He meets and falls in love with fellow high school student Donna Ludwig (von Zerneck), for whom he wrote a song that became a number two hit ("Donna"). However, Donna's father is shown as having issues with his daughter dating a Mexican-American, which causes friction between Ritchie and Donna. The movie also has several subplots, such as his relationship with his mother Connie Valenzuela (DeSoto) and half-brother Bob Morales (Esai Morales), and the jealousy Bob felt toward Ritchie because of Ritchie's success.

DP

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Entertainment

Pokémon Diamond and Pearl

Pokémon Diamond Version and Pearl Version (ポケットモンスター ダイヤモンド&パール, Poketto Monsutā Daiyamondo & Pāru, "Pocket Monsters: Diamond & Pearl") are role-playing games (RPGs) developed by Game Freak and published by Nintendo for the Nintendo DS. With the enhanced remake Pokémon Platinum, the games comprise the fifth installment and fourth generation of the Pokémon series of RPGs. First released in Japan on September 28, 2006, the games were later released to North America, Australia, and Europe over the course of 2007.

Like previous Pokémon games, Diamond and Pearl chronicle the adventures of a young Pokémon trainer as he/she trains and battles Pokémon while also thwarting the schemes of a criminal organization. The games add many new features, such as Internet play over the Nintendo Wi-Fi Connection and changes to battle mechanics and Pokémon Contests, along with addition of 107 new Pokémon. The games are independent of each other but feature largely the same plot and while both can be played separately, it is necessary to trade between them in order to complete the games' Pokédexes.

DP 7

D.P. 7 was a comic book series published by Marvel Comics as part of its New Universe imprint. It ran for 32 issues and an annual, which were published from 1986 to 1989.

The title stands for Displaced Paranormals and refers to the seven main characters of the series (who never refer to themselves as displaced). All of them received superhuman powers as a result of the stellar phenomenon known as the White Event.

D.P. 7 was the only New Universe series to maintain a stable creative team during its first year: its entire run was written by Mark Gruenwald, penciled by Paul Ryan, and colored by Paul Becton. Inker Danny Bulanadi (who began work on the title with issue #10) and letterer Janice Chiang (who began with issue #16) also stayed with D.P. 7 through to the final issue.

Publication history

Eager for the chance to work on "a virgin universe", writer Mark Gruenwald signed on to the New Universe staff and developed D.P. 7, shocking many readers (and even editor-in-chief Jim Shooter) who saw Gruenwald as strictly associated with the Marvel Universe. In an effort to set the series apart from other team books, Gruenwald wrote an analysis of 14 superhero groups in categories such as age makeup, origin, purpose, and budget, and deliberately constructed the group to differ from these 14 established groups in every category. He originally wanted the series to be called "Missing Persons", with a lineup consisting of Antibody, the Blur, Man Power, Quicksand, Twilight, and Vice Versa. Of these six, only the Blur and Twilight were included in the finalized lineup, though the name "Antibody" was used for a completely different character and the character Vice Versa served as a minor villain of the series. Gruenwald also changed the name to "M.P. 7 (Missing Paranormals)", before Jack Morelli suggested D.P. 7. Gruenwald explained, "I wanted the book to have a real punk - new wave - name."