Mud house in Amran, Yemen

Mud is a mixture of water and some combination of soil, silt, and clay. Ancient mud deposits harden over geological time to form sedimentary rock such as shale or mudstone (generally called lutites). When geological deposits of mud are formed in estuaries the resultant layers are termed bay muds. Mud is closely related to slurry and sediment.

Mud, in the construction industry, refers to a fluid material used to coat or adhere together items that dries hard such as plaster, stucco, concrete or other similar substances.

Mud that is mostly clay, or a mixture of clay and sand may be used for ceramics, of which one form is the common fired brick, or dried with the inclusion of straw reinforcing to form an unfired adobe brick. Adobe walls are frequently finished with a mud plaster, seen at right. Such buildings must be protected from groundwater, usually by building upon a masonry, fired brick, rock or rubble foundation, and also from wind-driven rain in damp climates, usually by deep roof overhangs. In extremely dry climates a well drained flat roof may be protected with a well-prepared and properly maintained dried mud coating, viable as the mud will expand when moistened and so become more water resistant.

In ceramics, the making of liquid mud (called Slip) is a stage in the process of refinement of the materials, since larger particles will settle from the liquid.

Mud is similar to muck, but lacking significant quantities of humus, and often containing higher proportions of sand.

Contents

As habitat [link]

Mud plastered home in Pakistan
Dried mud with wind-blown stones
A truck stuck in mud

Mud can provide a home for numerous types of animals, including varieties of worms, frogs, snails, clams, and crayfish. Also microorganism can make a home in mud. Other animals, such as pigs and elephants, bathe in mud in order to cool off and protect themselves from the sun. Humans have also used mud as a building material, or a sealant material.

Problems [link]

Clay soil can pose problems for traffic when moisture is present. A road built upon such soil may become stable over time as the packing of the soil will make it more water-resistant. However, any attempt to grade it can be disastrous, since excess water can then enter the surface and will be worked in by traffic, transforming portions of the road into a mud bog that can trap vehicles. The typical solution in road building is to add layers of crushed stone. The stone particles will interlock and distribute the weight of a vehicle over a larger surface area. Proper drainage is also essential when low spots are encountered by the road, usually requiring the addition of culverts to pass water underneath the elevation of the street.

Buildings constructed upon clay soil must also be properly drained around their perimeter, particularly where a perimeter foundation (rather than a monolithic slab) is used. As clay will expand and soften when moisture is added, the resultant mud will squeeze out from underneath the foundation, however, in the next dry cycle it will contract, but the clay squeezed out will not return. Over a number of such cycles the foundation can sink in the moisture-cycled locations, possibly causing both wall and foundation cracks. Maintaining a constant moisture level in firm soil is important and can be effected by appropriate landscaping and landscaping maintenance. Where drainage is toward a building a French drain may be installed to route water around the building.

As food [link]

Haitians consume a large variety of different non-traditional foods in an attempt to quelch hunger pains. Mud cakes are traditionally fashioned and consumed, but items such as clay and chalk can also be eaten. Due to recent increases in food prices and growing starvation in Haiti, this habit has been extended and received much media attention.[1]

Outside of hunger, mud and dirt can be consumed accidentally during sports and other outdoor activities. This has led to dysphemisms for poor-tasting food such as "tastes like dirt", based on the experience of getting mud, dirt, etc. in one's teeth.

There also exist children's recipes for "mud", which is generally a chocolate or cornstarch-based sludge used more for visual appeal than actual taste. Never does this confectionery mud actually contain real mud.[2]

Recreation [link]

Poet, Polly Chase Boyden wrote a short poem describing the delights and joy of being barefoot in mud with mud oozing between your toes.

Mud is used in mud wrestling as a form of entertainment.

A mud bath is an alternative-medicine treatment.

It can also be used in a dunk tank.

Mud is also used in mud bogging in which customized vehicles are raced through mud trenches.

Baseball Rubbing Mud is used to remove the sheen from new baseballs.

Children like to make mud pies as well as throw mud at each other and play barefoot in mud.

Albuquerque and other towns across the country such as Gillette, Wyoming hold a yearly event in which participants play volleyball in a giant mud pit.

Well-known idioms [link]

'Clear as mud' - obscure

'Stuck in the mud' - held up, bogged down (especially of proposals and initiatives)

'Stick-in-the-mud' - conservative person, unwilling to accept change

'Muddy the waters' - make obscure or confusing, deliberately or unnecessarily

See also [link]

References [link]


https://wn.com/Mud

Mudá

Mudá is a municipality located in the province of Palencia, Castile and León, Spain. According to the 2004 census (INE), the municipality has a population of 105 inhabitants.

Mudá is first recorded in 1059, under the name Mudave.

Coordinates: 42°53′N 4°24′W / 42.883°N 4.400°W / 42.883; -4.400


Żmudź

Żmudź may refer to:

  • Polish name for Samogitia, a region of Lithuania
  • Żmudź, Lublin Voivodeship, a village in east Poland

  • Madi

    Madi may refer to:

  • Madi people
  • Madi language (disambiguation)
  • Madi, Estonia, a village in Estonia
  • Madi River, a tributary of the Gandaki River, Nepal
  • Madi Khola, a tributary of the West Rapti River, Nepal
  • Madi (canal), old canals in Isfahan, diverted from the Zayande River
  • MADI, a digital audio interface
  • Madí, an international abstract art movement, begun in Argentina ("Movimiento Abstracción Dimensión Invención")
  • Madi, the central character in Gardening for Kids with Madi
  • Madi, a nickname for a person called Maddison or Marialena.
  • MADI

    Multichannel Audio Digital Interface, MADI or AES10 is an Audio Engineering Society (AES) standard electronic communications protocol that defines the data format and electrical characteristics of an interface that carries multiple channels of digital audio. The AES first documented the MADI standard in AES10-1991, and updated it in AES10-2003 and AES10-2008. The MADI standard includes a bit-level description and has features in common with the two-channel format of AES3. It supports serial digital transmission over coaxial cable or fibre-optic lines of 28, 56, or 64 channels; and sampling rates of up to 96 kHz with resolution of up to 24 bits per channel. Like AES3 or ADAT it is a Uni-directional interface (one sender and one receiver).

    Transmission format

    MADI links use a transmission format similar to Fiber Distributed Data Interface (FDDI) networking (ISO 9314), which was popular in the mid-'90s for backbone links between LAN segments. Since MADI is most often transmitted on copper links via 75 ohm coaxial cables, it more closely compares to the FDDI specification for copper-based links, called CDDI.

    Madí

    Madí (or MADI) is an international abstract art movement initiated in Buenos Aires in 1946 by the Hungarian-Argentinian artist and poet Gyula Kosice, and the Uruguayans Carmelo Arden Quin and Rhod Rothfuss.

    Concrete art

    The movement encompasses all branches of art (the plastic and pictorial arts, music, literature, theater, architecture, dance, etc.) and promotes concrete art (i.e., non-representational geometric abstraction). The artists in the Madí movement typically focus on the concrete, physical reality of the medium and play with the traditional conventions of Western art (for instance, by creating works on irregularly-shaped canvases). Representatives of the movement, in addition to Kosice, Quin and Rothfuss, are Martín Blaszko, Waldo Longo, Juan Bay, Esteban Eitler, Diyi Laañ, Valdo Wellington, among others.

    Origin of the name

    Gyula Kosice has explained that the name for the movement is derived from the Republican motto in the Spanish Civil War, "Madrí, Madrí, no pasarán" ("Madrid, Madrid, they will not make it in", i.e., the Francoist forces will not invade Madrid). The name is most typically understood as an acronym for Movimiento, Abstracción, Dimensión, Invención (Movement, Abstraction, Dimension, Invention).

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