LMO may refer to:
A genetically modified organism (GMO) is any organism whose genetic material has been altered using genetic engineering techniques (i.e. genetically engineered organism). GMOs are the source of medicines and genetically modified foods and are also widely used in scientific research and to produce other goods.The term GMO is very close to the technical legal term, 'living modified organism', defined in the Cartagena Protocol on Biosafety, which regulates international trade in living GMOs (specifically, "any living organism that possesses a novel combination of genetic material obtained through the use of modern biotechnology").
A more specifically defined type of GMO is a "Transgenic Organism". This is an organism whose genetic makeup has been altered by the addition of genetic material from another, unrelated organism. This should not be confused with the more general way in which "GMO" is used to classify genetically altered organisms, as typically GMOs are organisms whose genetic makeup has been altered without the addition of genetic material from an unrelated organism.
LMO is the debut album by Lingua Mortis Orchestra and the 21st studio album by German heavy metal band Rage released on August 2, 2013 through Nuclear Blast Records. The production was helmed by Charlie Bauerfeind.
The entire album was composed by Victor Smolski, who cooperated with two orchestras from Spain and Belarus, enlarging the number of this project's participants to more than 100. Together with longtime co-producer Charlie Bauerfeind, Smolski produced and mixed the record in Twilight Hall Studio in Krefeld, Germany. LMO follows the concept of the burning of witches in Gelnhausen in 1599 and was written by vocalist Peter Wagner based on a true story. The cover artwork was created by Felipe Machado Franco who had also been responsible for the latest Rage artwork, 21. The band photos were shot by Pia Kintrup.
All lyrics written by Peter "Peavy" Wagner, all music composed by Victor Smolski, except where noted.
I sleep and dream that life is
All beauty
I wake and find that life is
All just duty
But in the days before the dilution
Music Pollution
Oh we positively sparkled on TV
Yeah from Full Frontal Fridays
To Flashback Ruby Tuesdays
Same old picture in a brand new frame
But the song remains the same
The first time was better
Playing by new rules
Age-old-game - double the pressure
Half the pleasure
City full of windows and design
Towering towers of lies
To climb and climb and climb
Dreams of the view
View from the top
Pushing for the pressure to drop
Don't want to end where the mistery stops
I wanne be where the
Sun never sets on a city
That never skips a beat
Sun always shines
On a set that never sleeps
Sound bites
Set betting our hedges
Trapped in the meshes
Stuck in the marshes
And only time, time, time marches on
From Full Frontal Fridays
To Flashback Ruby Tuesdays
Same old picture in a brand new frame
But the song remains the same
The first time was better
Playing by new rules
Age-old-game - double the pressure
Half the pleasure
From Full Frontal Fridays
To Flashback Ruby Tuesdays
Glossing over where you placed the blame
(I hear) remember my name
You'll be screaming it later
Scream my name
You'll remember it better when it hits
In the shiny glow
Of 90210
Before Jerry Springer
The thongs, thongs
And the video-ho
Back before we were
Tangled in drama
Douching for dollars
Bimbo to scholar
Oh we positively sparkled on TV
From Full Frontal Fridays
To Flashback Ruby Tuesdays
Lazy Sunday Bloody Mary Sundays
Switch on make-believe
Mondays always look better
Gleaming in my reverie
So much better sparkling on TV
Sun never sets on a city
That never skips a beat
Sun always shines
On a set that never sleeps
Sound bites
Set betting our hedges
Trapped in the meshes
Stuck in the marshes