L-pop (an abbreviation for Lao popular music) is a musical genre consisting of pop, rock, hip hop, electronic, and R&B music.
Lao pop music started forming itself in the late 1980s, when Laos started benefiting from an economic growth that has lasted till nowadays. Before the reforms implemented by the government, the entertainment industry was completely limited due to the tight censorship and the widespread poverty, which prevented the music scene from flourishing. From the 1970s to the late 1980s, the strictly patriotic songs, sponsored by the communist government, and the traditional Mor Lam genere were the only generes available to listen. At the start of the 1990s decade, the Lao music scene started transformating. The first private music labels started emerging in Vientiane, the capital city, and some live music pubs appeared. However, these labels, at first, were financially weak and had a very limited capacity to promote their artists. Although at first the traditional Lao music, was still the most popular genere, the foreign influence of Korean K-Pop music, Japanese J-Pop music, and the pop music made in the neighbouring Thailand started being felt, not only in the fashion trends, but also in the local musical scene. From the start of the 2000s, L-pop saw a dramatic increase of popularity due to the growing strength of the mainly Vientiane based music labels such as Lao-Pride Records, KPY Entertainment, Indee Records and Muanson Media. Lao pop gained local and international spotlight through Alexandra Bounxouei, who is considered to be the first Lao pop princess. Other Lao artists popular with the younger generation include Cells, L.O.G, Overdance, Princess, Caramel, Pull-T Club, Super One, Genii, Xtreme, Dozo, Tik Keoprasert, MAY, Annita, and Aluna.