Pankow (German pronunciation: [ˈpaŋkoː]) is the most populous and the second-largest borough of Berlin. In Berlin's 2001 administrative reform it was merged with the former boroughs of Prenzlauer Berg and Weißensee; the resulting borough retained the name Pankow.
The borough named after the Panke river covers the northeast of the city region, including the inner city locality of Prenzlauer Berg. It borders Mitte and Reinickendorf in the west, Friedrichshain-Kreuzberg in the south, and Lichtenberg in the east. Pankow is Berlin's largest borough by population and the second largest by area (after Treptow-Köpenick).
Between 1945 and 1960, Schönhausen Palace and the nearby Majakowskiring street in the Niederschönhausen locality of Pankow was the home to many members of the East German government. Western writers therefore often referred to Pankow as a metonym for the East German regime—as reflected by Udo Lindenberg's song Sonderzug nach Pankow.
The Rykestrasse Synagogue, Germany's largest synagogue, is located in the Prenzlauer Berg locality. The Weißensee Cemetery is one of the largest Jewish cemeteries in Europe. In northern Prenzlauer Berg, the Wohnstadt ("residential town") Carl Legien is part of the Berlin Modernist Housing Estates UNESCO World Heritage Site. The Weißer See is the borough's largest natural body of water.
Pankow or Pankov (Russian: Панков) is a surname of Slavic origin, used mostly in Russia. In Slavic countries it is reserved for males, while the feminine counterpart is Pankowa or Pankova. It is also a habitational name from a Slavic place name derived from the Slavic element pank, penk "swamp" and -ow "place" (German: -au). Notable people with the surname include:
Pankow are a German rock band, founded in East Berlin in 1981. Their name came from the Berlin district of Pankow, which was once home to most of the officials of the East German government. The band's original lineup consisted of Jürgen Ehle, André Herzberg, Rainer Kirchmann, Jäcki Reznicek and Frank Hille. Other members were Stefan Dohanetz, Ingo York and Jens Jensen.
As their lyrics often contained criticism of the East German regime, they frequently encountered problems releasing their music. "Like many writers, they were among the established sizes of aesthetic subversion", the journalist Christoph Dieckmann wrote in an 1999 article published in Rolling Stone.
With the fall of the Iron Curtain and the associated open access to media outside Germany Pankow also moved briefly into the focus of the Anglo-American journalism. The U.S. American historian Timothy W. Ryback, known for his 1990 published book Rock around the bloc: a history of rock music in Eastern Europe and the Soviet Union characterized Pankow as one of two most prestigious and most professional groups of East Berlin's rock music scene, "originally showed the influence of the Rolling Stones, but has developed into a dynamic band that combines the energy of the Clash with the innovation of the Talking Heads'.
Kyrie, a transliteration of Greek Κύριε (Kyrie), vocative case of Κύριος (Kyrios), on whose meaning see Kyrios (biblical term), is a common name of an important prayer of Christian liturgy, also called the Kyrie eleison /ˈkɪəri.eɪ ᵻˈleɪ.ᵻsɒn/ (Greek: Κύριε, ἐλέησον, Kýrie eléison).
Τhe phrase Kýrie, eléison (Greek: Κύριε, ἐλέησον) or one of its equivalents in other languages is one of the most oft-repeated phrases in Eastern Orthodox and Byzantine-Rite Eastern Christianity.
The various litanies, frequent in that rite, generally have Lord, have mercy as their response, either singly or triply. Some petitions in these litanies will have twelve or even forty repetitions of the phrase as a response.
The phrase is the origin of the Jesus Prayer, beloved by Christians of that rite and increasingly popular amongst Western Christians.
The biblical roots of this prayer first appear in 1 Chronicles 16:34
The prayer is simultaneously a petition and a prayer of thanksgiving; an acknowledgment of what God has done, what God is doing, and what God will continue to do. It is refined in the Parable of The Publican (Luke 18:9-14), "God, have mercy on me, a sinner", which shows more clearly its connection with the Jesus Prayer.
The Kyrie in G minor (RV 587) by Antonio Vivaldi is a setting of the Kyrie for two cori (two orchestras, each with respective four-part chorus). This is the only extant setting of the Kyrie the composer wrote.
RV 587 is divided into three movements. The first movement begins with an orchestral interlude based on a modified version of the first movement of the composer's Magnificat. The chorus is adorned with descending quavers in the orchestra. The second movement is a duet between cori and for two soprani in each cori. The final movement unites the two cori with a brief grave and enters a fugue. The fugue would later be reworked for the composer's Concerto Madrigalesco (RV 129).
Heroscape (stylized as "heroScape" or "HeroScape") is an expandable turn-based miniature wargaming system originally manufactured by Milton Bradley Company, and later by Wizards of the Coast, both subsidiaries of Hasbro, Inc., and discontinued by Hasbro in November 2010. The game is played using pre-painted miniature figures on a board made from interlocking hexagonal tiles that allow for construction of a large variety of 3D playing boards. The game is often noted and lauded by fans for the relatively high production quality of the game materials, in particular the pre-painted miniature figures as well as its interchangeable and variable landscape system.
Heroscape was released in 2004. The game designers are Craig Van Ness, Rob Daviau, and Stephen Baker at Hasbro Games. Hasbro's subsidiary, Milton Bradley, also developed HeroQuest and Battle Masters. Heroscape is designed for 2 or more players ages 8 and older, although it can easily be adapted to more players, particularly if more than one master set and expansion sets are used. There are additional expansion sets that can be purchased (see: Master Sets and Expansion Sets, below).
Estrofa 1
No puedo creer que me hagas pensar
Que soy culpable como siempre tu
Nada que ver
Quiero respirar, quiero meditar
y que mi corazón otra vez vuelva a soñar
Necesito reir, necesito un Amor
que tiemble con mirarme que sienta la pasión
Y que llore mi ausencia y que sufra por mi
Que todos los momentos de como los doy yo
Coro
Ni como amiga ni como amante
Ya me cansé, ya no puedo darte
ni siquiera las gracias y en parte
se que perdi dando todo por Amarte
Ni como amiga ni como amante
Exceso de Confianza hoy temo y huyo
Que suerte que aún me queda orgullo
y tiempo suficiente para encontrar lo suyo
estrofa 2
No puedo creer que me hagas pensar
Que soy culpable como siempre tu
Nada que ver
Prefiero un café, tal vez caminar
y que mis ojos lloren si merecen llorar
Ahora si quiero decir que necesito vivir
que si mucho doy tambien he de recibir
y si lo nuestro acabó me duele pensar
que en un recuerdo mas terminaras
Coro
Ni como amiga ni como amante
Un paso en falso y sigo adelante
Ahora ya se que no debi mirarte
un sueño roto asi cueste tengo que olvidarte
Ni como amiga ni como amante
Exceso de Confianza hoy temo y huyo
Que suerte que aún me queda orgullo
y tiempo suficiente para encontrar lo suyo
Ni como amiga ni como amante
Que necio fui al pensar que siempre me adoraste
y no pude adivinar ummm cuando de mi te cansaste
Ni como amiga ni como amante
Conmigo pierdes porque sabes que yo soy diferente
y no me podras apartar de tu mente
Ni como amiga ni como amante
y no puedo creer que me hagas pensar
que de este final yo soy culpable.
agua pa ti.
Ni como amiga ni como amante
Algo me dice que debo olvidarte
y yo no quiero no puedo no puedo no quiero no puedo dejarte
Ni como amiga ni como amante
Quisiera darte caricias nuevas
Mi cuerpo ardiendo y tu mintiendo