The Head on the Door

The Head on the Door is the sixth studio album by British band The Cure, released in 1985 on Polydor. It was preceded by the single "In Between Days" which had reached No. 15 in the UK singles chart.The Head on the Door was depicted by the Melody Maker as "a collection of pop songs". With its variety of styles, it allowed the group to reach a wider audience in both Europe and North America. In the UK, it quickly became their most successful album to date, climbing at N°7 in the albums chart.

The album is the first to feature drummer Boris Williams. Bassist Simon Gallup, who had previously worked on three major Cure albums of the early 80's, was called back before the recording. In 1985, the band became a quintet with instrumentalist Porl Thompson as fifth official member. The Head on the Door is the first Cure album where all the songs are composed by singer and guitarist Robert Smith only.

History and music

This album marks the return of Simon Gallup in the group, he had performed and composed with Robert Smith and Lol Tolhurst on the dark trilogy Seventeen Seconds, Faith and Pornography. Guitarist Porl Thompson, who had also played keyboards and saxophone during The Top tour, became an official member. Drummer Boris Williams, who had previously worked with Thompson Twins, finally joined the formation after playing with the band during the US leg of the 1984's tour.

Kyoto

Kyoto (京都市, Kyōto-shi, pronounced [kʲjoːꜜto.ɕi]; UK /kɪˈoʊtoʊ/, US /kiˈoʊ-/, or /ˈkjoʊ-/) is a city located in the central part of the island of Honshu, Japan. It has a population close to 1.5 million. Formerly the Imperial capital of Japan for more than one thousand years, it is now the capital city of Kyoto Prefecture located in the Kansai region, as well as a major part of the Kyoto-Osaka-Kobe metropolitan area. Kyoto is also known as the thousand-year capital.

Name

In Japanese, the city has been called Kyō (京), Miyako (都), or Kyō no Miyako (京の都). In the 11th century, the city was renamed Kyoto ("capital city"), after the Chinese word for capital city, jingdu (京都). After the city of Edo was renamed Tokyo (meaning "Eastern Capital") in 1868, and the seat of the Emperor was transferred there, Kyoto was known for a short time as Saikyō (西京, meaning "Western Capital").

Obsolete spellings for the city's name include Kioto and Meaco. Another term commonly used to refer to the city in the pre-modern period was Keishi (京師), meaning "metropolis" or "capital".

Kyoto (album)

Kyoto is an album by Art Blakey's Jazz Messengers, recorded in 1964 and released on the Riverside label.

Reception

The Allmusic review by Scott Yanow awarded the album 3 stars stating "this is one of literally dozens of recommended Jazz Messengers recordings".

Track listing

Personnel

References

Kyoto (Skrillex song)

"Kyoto" is a song by American electronic music producer Skrillex featuring Sirah, taken from his fourth EP as Skrillex, Bangarang. Musically, the song has multiple influences of drum and bass,dubstep and electro house, while also having notable elements of hip hop music and metal music, using "heavy, distorted guitar rhythms" within its composition. The song received generally mixed reviews from music critics, with some criticizing its use of formula in comparison to his previous material. Due to strong digital downloads after the EP's release, the song charted in several countries worldwide, including Australia, Canada, the United Kingdom and United States.

Critical reception

The song received generally lukewarm reviews from music critics, with some criticizing its similarities to his previous material. Jon O'Brien from Allmusic said "Skrillex's lack of progression means there's a distinct sense of déjà vu among its seven tracks, particularly on the relentless, scattershot bleeps, chopped-up vocal hooks, and repetitive loops of opener "Right In" and the rap-metal fusion of "Kyoto"". Evan Rytlewski from The A.V. Club gave the song a mixed review, saying that it conveys "high drama without superfluous aggression", however, called it a "sub-Travis Barker stab at rap-rock". Kevin Vincenti from The Cavalier Daily gave the song a negative review, saying "The bland “Kyoto” is reminiscent of every other average electro-dance song, and it fails to show the genius of its creator".