The Kyoto Prize (京都賞, Kyōto-shō) is Japan’s highest private award for global achievement. The Prize is given not only to those that are top representatives of their own respective field, but also to those that have contributed to humanity with their work. The Prize has been awarded annually since 1985 by the Inamori Foundation, founded by Kazuo Inamori. The honorary president of the Foundation is Princess Takamado.
The Kyoto Prize has been awarded annually indeed to "those who have contributed significantly to the scientific, cultural, and spiritual betterment of mankind". The Prizes are given in the fields of Advanced Technology, Basic Sciences and Arts and Philosophy. Within each broad category, the prize rotates among subfields, e.g. the Kyoto Prize in Advanced Technology rotates across electronics, biotechnology, materials science and engineering, and information science. The Prizes are regarded by many as the most prestigious award available in fields which are traditionally not honored with a Nobel Prize.
Kyoto (京都市, Kyōto-shi, pronounced [kʲjoːꜜto.ɕi]; UK /kɪˈoʊtoʊ/, US /kiˈoʊ-/, or /ˈkjoʊ-/) is a city located in the central part of the island of Honshu, Japan. It has a population close to 1.5 million. Formerly the Imperial capital of Japan for more than one thousand years, it is now the capital city of Kyoto Prefecture located in the Kansai region, as well as a major part of the Kyoto-Osaka-Kobe metropolitan area. Kyoto is also known as the thousand-year capital.
In Japanese, the city has been called Kyō (京), Miyako (都), or Kyō no Miyako (京の都). In the 11th century, the city was renamed Kyoto ("capital city"), after the Chinese word for capital city, jingdu (京都). After the city of Edo was renamed Tokyo (meaning "Eastern Capital") in 1868, and the seat of the Emperor was transferred there, Kyoto was known for a short time as Saikyō (西京, meaning "Western Capital").
Obsolete spellings for the city's name include Kioto and Meaco. Another term commonly used to refer to the city in the pre-modern period was Keishi (京師), meaning "metropolis" or "capital".
Kyoto is an album by Art Blakey's Jazz Messengers, recorded in 1964 and released on the Riverside label.
The Allmusic review by Scott Yanow awarded the album 3 stars stating "this is one of literally dozens of recommended Jazz Messengers recordings".
"Kyoto" is a song by American electronic music producer Skrillex featuring Sirah, taken from his fourth EP as Skrillex, Bangarang. Musically, the song has multiple influences of drum and bass,dubstep and electro house, while also having notable elements of hip hop music and metal music, using "heavy, distorted guitar rhythms" within its composition. The song received generally mixed reviews from music critics, with some criticizing its use of formula in comparison to his previous material. Due to strong digital downloads after the EP's release, the song charted in several countries worldwide, including Australia, Canada, the United Kingdom and United States.
The song received generally lukewarm reviews from music critics, with some criticizing its similarities to his previous material. Jon O'Brien from Allmusic said "Skrillex's lack of progression means there's a distinct sense of déjà vu among its seven tracks, particularly on the relentless, scattershot bleeps, chopped-up vocal hooks, and repetitive loops of opener "Right In" and the rap-metal fusion of "Kyoto"". Evan Rytlewski from The A.V. Club gave the song a mixed review, saying that it conveys "high drama without superfluous aggression", however, called it a "sub-Travis Barker stab at rap-rock". Kevin Vincenti from The Cavalier Daily gave the song a negative review, saying "The bland “Kyoto” is reminiscent of every other average electro-dance song, and it fails to show the genius of its creator".
So ghostly then the girl came in,
i never saw the turnstile twist,
down where the orchard trees begin,
lost in a reverie of mist
and in the windless hour between
the last of daylight and the night,
when fields give up their ebbing green,
and two bats interweave their flight.
i saw the turnstile glimmer pale
just where the orchard trees begin
but watching was of no avail,
invisibly the girl came in.
so ghostly then the girl came in,
i never saw the turnstile twist,
down where the orchard trees begin,
lost in a reverie of mist.
i took one deep breath of air
and lifted up my heavy heart,
it was not i who trembled there
but my immortal counterpart.
i knew that she had come again,
up from the orchard through the 'stile,
without a sigh to tell me when,