Kura (藏) is a 1995 Japanese film directed by Yasuo Furuhata.
19th Japan Academy Prize
Film (Persian:فیلم) is an Iranian film review magazine published for more than 30 years. The head-editor is Massoud Mehrabi.
Film is a 1965 film written by Samuel Beckett, his only screenplay. It was commissioned by Barney Rosset of Grove Press. Writing began on 5 April 1963 with a first draft completed within four days. A second draft was produced by 22 May and a forty-leaf shooting script followed thereafter. It was filmed in New York in July 1964.
Beckett’s original choice for the lead – referred to only as “O” – was Charlie Chaplin, but his script never reached him. Both Beckett and the director Alan Schneider were interested in Zero Mostel and Jack MacGowran. However, the former was unavailable and the latter, who accepted at first, became unavailable due to his role in a "Hollywood epic." Beckett then suggested Buster Keaton. Schneider promptly flew to Los Angeles and persuaded Keaton to accept the role along with "a handsome fee for less than three weeks' work."James Karen, who was to have a small part in the film, also encouraged Schneider to contact Keaton.
The filmed version differs from Beckett's original script but with his approval since he was on set all the time, this being his only visit to the United States. The script printed in Collected Shorter Plays of Samuel Beckett (Faber and Faber, 1984) states:
In fluid dynamics, lubrication theory describes the flow of fluids (liquids or gases) in a geometry in which one dimension is significantly smaller than the others. An example is the flow above air hockey tables, where the thickness of the air layer beneath the puck is much smaller than the dimensions of the puck itself.
Internal flows are those where the fluid is fully bounded. Internal flow lubrication theory has many industrial applications because of its role in the design of fluid bearings. Here a key goal of lubrication theory is to determine the pressure distribution in the fluid volume, and hence the forces on the bearing components. The working fluid in this case is often termed a lubricant.
Free film lubrication theory is concerned with the case in which one of the surfaces containing the fluid is a free surface. In that case the position of the free surface is itself unknown, and one goal of lubrication theory is then to determine this. Surface tension may then be significant, or even dominant. Issues of wetting and dewetting then arise. For very thin films (thickness less than one micrometre), additional intermolecular forces, such as Van der Waals forces or disjoining forces, may become significant.
Kura is a contact centre company based in Glasgow. They provide outsourced contact centre services and software, including customer service, retention, win-back, up-sell, cross-sell, web chat, complaints handling, appointment setting, general customer management and software development.
Kura was formulated (as Response) in 1991 and is headquartered in Glasgow. The company were part of Murray International Holdings Ltd and owned by Sir David Murray until late 2014. Founded under Murray after the publication of the Taylor Report into safety at football grounds. One of the outcomes of the report required tickets to be sold prior to games. This spurred on many clubs to open call centres to deal with ticket sales and stadium seating arrangements. Murray, the chairman of Rangers F.C at the time, set up the company to deal with these enquiries.
Under Murray they acquired a contact centre company called Thus for £4m in 2004 and a specialist business process software company called Carnegie Information Systems in 2005. Trading under the RHL (Response Handling Ltd) name until in February 2007 it was shortened to Response. In June 2008 they also acquired a local software company known as Inisoft, meaning the company offer in-house software capability to potential clients.
Kura (倉 or 蔵) are traditional Japanese storehouses. They are commonly durable buildings built from timber, stone or clay used to safely store valuable commodities.
Kura in rural communities are normally of simpler construction and used for storing grain or rice. Those in towns are more elaborate, with a structural timber frame covered in a fireproof, clay outer coating. Early religious kura were built in a "log cabin" style, whilst those used later to store gunpowder were constructed from stone.
Earthen kura, dozō have evolved a particular set of construction techniques in order to make them relatively fireproof.
The kura storehouse was specifically used to store precious items. Other sorts of storehouses such as outbuildings (naya) and sheds (koya) were used to store more mundane items. The first kura appear during the Yayoi period (300BC - 300AD) and they evolved into takakura (literally tall storehouse) that were built on columns raised from the ground and reached via a ladder from underneath. They were especially prevalent on the Ryukyu Islands and Amami Ōshima. During the Nara period (710-794) the government taxed the country in rice and kura were frequently used to store it. After the introduction of Buddhism to Japan kura were often used to religious items such as sutra.