Kryst the Conqueror (Pronounced "Christ the Conqueror") was an American Christian metal project, enormously unpopular, formed in August of 1987 by two former members of the horror punk band, The Misfits. The project was led by bassist Jerry Only, who adopted a new stage name, "Mo The Great" (or alternately, "Mocavious Kryst"), and his younger brother, guitarist Doyle Wolfgang von Frankenstein. The band fused fantastical and sci-fi imagery with religious themes and messages. The band has also been referred to as a "guitar shop project", as Only and Doyle constantly tweaked and refined their instruments throughout the band's existence, in an attempt to create what they felt would be the ultimate bass and guitar.
In 1988, they formed The Doyle Fan Club in order to promote the new project and stay in touch with fans of The Misfits. According to various interviews conducted at the time, and a series of fan club letters written by Jerry Only (as "Mo The Great") from 1988 to 1990, Kryst the Conqueror was meant to be Only's vision of the "perfect" band. He hoped the "righteous" message of the band would reach out to fans, especially those who had followed former Misfits frontman, Glenn Danzig's post-Misfits career with the bands Samhain and Danzig - bands which Jerry felt were satanic, evil and possibly damaging to impressionable youths.
A conqueror is a person who conquers.
Conqueror, The Conqueror or The Conquerors may also refer to:
Lupercalia is the fifth studio album by English-Irish singer-songwriter Patrick Wolf, released on 20 June 2011 by Hideout, a subsidiary of Mercury Records.
Formerly The Conqueror – originally the second part of a double album entitled Battle – the album's title and concept was changed by Wolf in August 2010.
On 4 November 2010, Wolf announced that the first single from the album was to be 'Time of My Life' and the song was posted on YouTube. The second single, entitled "The City", was released 14 March 2011.
On 23 December 2010, Wolf announced via Twitter that, while he had considered multiple album titles, such as 'The Native' and 'Tahina Spectabilis' with fan support he decided on Lupercalia, reflecting the "festival of love" theme of the album.
Speaking to Digital Spy in March 2011, of the album Wolf says:
On why the album is entitled Lupercalia, Wolf says,
A 7-track bonus disc titled ‘Lemuralia’ was released alongside the album online, containing album tracks in demo stages – it acts as an EP companion to Lupercalia.
From Genesis to Revelation is the first studio album by the British band Genesis. It was released in March 1969 on Decca Records in England (London Records in North America). It was produced by Jonathan King, who discovered them in 1967 while the members of Genesis were pupils at Charterhouse School, King's alma mater. It was reissued in various regions, including the United Kingdom (home country), as In the Beginning (first in 1974) and then part of Decca's Rock Roots repackaging series in 1976 before reverting to original title in recent reissues.
Genesis originally consisted of Peter Gabriel, Tony Banks, Mike Rutherford, and Anthony Phillips, without a drummer. Once one of their demo tapes caught the attention of Jonathan King, he took them under his wing, gave them the name Genesis and, with the addition of schoolmate Chris Stewart on drums, recorded "The Silent Sun" as their first single. It was later described by the band as a "Bee Gees pastiche" written specifically to win King's approval, as the Bee Gees were one of King's favourite groups. Its February 1968 release on Decca Records was not a commercial success. Neither was the follow-up "A Winter's Tale" three months later.
We're cursed from a time so long ago
This my son, you should know
The quakes we've been having at night
Is the birth of the Mega Mites
Centennial breeding in the midnight sun
Caused by a war, never won
Mistakes of a man in the past
Results of a nuclear blast
Man versus man, land against land
Life blew apart from greed in their hearts
Every hundred years they're born again
Feeding on women, children and men
The day of the coming is tonight
The year of the Mega Mite
They live tonight, but they'll die tomorrow
One days suffering, pain and sorrow
The only safe place is the sea
Just a legend of history
Man versus Mite, winless fight
Wars begun, we pray for the sun
Do you feel the march of the Mega Mites
Crashing down cities in the distant night?
Feel the ground rumbling beneath your feet
The march is on, now you see them start to eat
Prepare the men for the ride, it is time to fight
Unholy war, human race versus Mega Mite
Our only way to the sea, man's victory
We mustn't fear, we must charge, it's our destiny
Cursed from the start, we ride to their heart
Fight or be damned, maybe our last stand
Ride, ride, ride
Don't you know it's all we can do
Ride, ride, ride
Don't you know it's all we can do
With hope in our eyes, we're eaten like flies
The menacing monsters arrive
Killing us all, we must stand tall
Fighting just to stay alive
Must survive, cannot hide
So we ride, ride, ride
Don't you know it's all we can do
Yeah, we ride, ride, ride
Don't you know it's all we can do
Ride in the night, fight your life
Charging the mighty beasts
Death is at hand, life is a stand
Mega Mites enjoying a feast, east, east, retreat
So we ride, ride, ride
Don't you know it's all we can do
Yeah, we ride, ride, ride
Don't you know it's all we can do
The war is lost our lives it cost
Humans head for the sea
The Mites have won, until the sun
Rises up over the east, no more feast, for the beasts
have deceased
Now my son you will know of the Mega Mites
100 years they'll be back to live at night
Tell your son to pass on the holy word
Or human life will be gone, it must be heard
Man is not the only one to rule the Earth
Like he was in the past from the day of birth
The Mega Mites are always in victory
Man is not, he goes home, back to the sea