Kosovo Myth

The Kosovo Myth, Cult or Testament is a traditional belief of the Serb people asserting that the Battle of Kosovo (1389) symbolizes a martyrdom of the Serbian nation in defense of their honor and Christendom against Turks (non-believers). The legend evolved slowly through chronicles and particularly the oral tradition of Serbs. Since the 19th century period of national revivals in Europe, the Kosovo Myth became an important constitutive element of ethnic identity, as well as cultural and political homogenization of Serbs, and later of members of other South Slavic nations (Yugoslavs). The basic elements of the Kosovo Myth are vengeance, martyrdom, betrayal and glory. This myth dominated political discourse in Serbia until the end of the 20th century. The Kosovo myth is incorporated into the Serb national identity's multifaceted mythomoteur.

Background

The basis of the Kosovo Myth is a real historical event, the Battle of Kosovo, which took place on St. Vitus Day (Vidovdan) on June 28, 1389, at the Kosovo field.

Kosovo

Coordinates: 42°35′N 21°00′E / 42.583°N 21.000°E / 42.583; 21.000

Kosovo (/ˈkɒsəvoʊ, ˈkoʊ-/;Albanian: Kosova; Serbian Cyrillic: Косово) is a disputed territory and partially recognised state in Southeastern Europe that declared its independence from Serbia in February 2008 as the Republic of Kosovo. While Serbia recognises the Republic's governance of the territory, it still continues to claim it as its own Autonomous Province of Kosovo and Metohija.

Kosovo is landlocked in the central Balkan Peninsula. Its capital and largest city is Pristina. It is bordered by the Republic of Macedonia and Albania to the south, Montenegro to the west, and the uncontested territory of Serbia to the north and east. In antiquity, the Dardanian Kingdom, and later the Roman province of Dardania was located in the region. It was part of Serbia in the Middle Ages, and many consider the Battle of Kosovo of 1389 to be one of the defining moments in Serbian medieval history. After being part of the Ottoman Empire from the 15th to the early 20th century, in the late 19th century Kosovo became the centre of the Albanian independence movement with the League of Prizren. As a result of the defeat in the First Balkan War (1912–13), the Ottoman Empire ceded the Vilayet of Kosovo to the Balkan League; the Kingdom of Serbia took its larger part, while the Kingdom of Montenegro annexed the western part before both countries became a part of the Kingdom of Yugoslavia after World War I. After a period of Yugoslav unitarianism in the Kingdom of Yugoslavia, the post-World War II Yugoslav constitution established the Autonomous Province of Kosovo and Metohija within the Yugoslav constituent republic of Serbia.

Names of Kosovo

The name Kosovo (as referred to in this spelling) is the most frequently used form in English when discussing the region in question. The Albanian spelling Kosova has lesser currency. The alternative spellings Cossovo and Kossovo were frequently used until the early 20th century

Kosovo

Albanian usage may contain the definite article, as such it varies (Kosova vs. Kosovë). The question does not arise in Serbian, which has no definite article.

Kosovo (Serbian Cyrillic: Косово, pronounced [kosoʋo]) is the Serbian neuter possessive adjective of kos (кос) "blackbird", an ellipsis for Kosovo Polje "field of the blackbirds", the site of the 1389 Battle of Kosovo Field. The name of the field was applied to an Ottoman province created in 1864. In Greek the full name of the historical region is Kossyfopèdio meaning field (-pèdio) of the blackbirds (Kossyfi-).

The use of these spelling variants is a highly sensitive political issue for both Serbs and Albanians, who regard the use of the other side's name as being a denial of their own side's territorial rights.

Kosovo (song)

"Kosovo" is a parody of the Beach Boys hit song "Kokomo". It was produced in 1999 by Seattle radio comedian/radio personality Bob Rivers. It is a direct rip-off of the 1997 version made by Hoezo of the Netherlands, which was never mentioned.

According to Rivers, "...the intent of the song was to mock my own country for its bullying ways around the world. The idea was to point out how casually the U.S. plays World Police. The song takes on the persona of the U.S. government, ridiculing the fact that we push others around without much concern."

In May, 2005, a group of Norwegian peacekeepers in Kosovo (calling themselves the "Shiptare Boys") parodied the music video for "Kokomo," using Rivers' song with their own hand-held video camera footage. In the parody, the soldiers imitate dance moves and scenes from the original music video in desolate war-torn areas around Kosovo. It was widely broadcast in the Balkans, prompting the Norwegian ambassador to formally apologize.

Nicholas Wood of The New York Times wrote,