Kombu (昆布 konbu) is edible kelp from the family Laminariaceae and is widely eaten in East Asia. It may also be referred to as konbu (Japanese), dashima (Korean: 다시마) or haidai (simplified Chinese: 海带; traditional Chinese: 海帶; pinyin: Hǎidài). Some edible kelps in the family Laminariaceae are not always called kombu, such as arame, kurome (Ecklonia kurome) or Macrocystis pyrifera. Most kombu is from the species Saccharina japonica (Laminaria japonica), extensively cultivated on ropes in the seas of Japan and Korea. With the development of cultivation technology, over 90% of Japanese kombu is cultivated, mostly in Hokkaidō, but also as far south as the Seto Inland Sea.
In Old Japanese, edible seaweed was generically called "me" (cf. wakame, arame) in kanji such as "軍布", 海藻 or "和布" were applied to transcribe the word. Especially, kombu was called hirome (from hiroi, wide) or ebisume (from ebisu). Sometime later the names konfu and kofu appeared respectively in two editions of Iroha Jirui Shō in 12th-13th century.
Kombu is a sea vegetable.
Kombu may also refer to:
Kombu also known as the Kombu Pattu is a wind instrument (a kind of Natural Horn) in Tamil nadu and Kerala. Usually played along with Panchavadyam, Pandi Melam, Panchari melam etc. This musical instrument is usually seen in south India. The instrument is like a long horn (Kombu in Tamil language).
Listed one of the Musical instruments used by ancient Tamil people out in Tirumurai dated 6th to 11th century, Sangam Period.
வெல் படைத் தறுகண் வெஞ்சொல் வேட்டுவர் கூட்டம் தோறும்
சில்லரித் துடியும் கொம்பும் சிறு கண் ஆகுளியும் கூடி
கல் எனும் ஒலியின் மேலும் கறங்கிசை அருவி எங்கும் 12.0654
It is one of the few instrumental temple art forms in which the melody instruments dominate. Even this is only partly true, as the C-shaped trumpet, the kombu is regarded as a rhythm instrument by its players, with the function of embellishing the beats of the drums. The kombu can only produce three notes (sa, pa, and higher sa). The genre is played by a group of kombu players (3, 5, 7, or 9), led by the kombu leader. Within a given tala (rhythmic cycle), the leader improvises kombu patterns on the spot to be repeated by the chorus players.
Here in the dark
I stand before you
Knowing this is my chance to show you my heart
This is the start
This is the start
I have so much to say and I'm hopin'
That your arms are open
Don't turn away, I want you near me
But you have to hear me
Here's where I stand
Here's who I am
Love me, but don't tell me who I have to be
Here's who I am, I'm what you see
You said I had to change and I was tryin'
But my heart was lyin'
I'm not that child any longer
I am stronger
Here's where I stand
Here's who I am
Help me to move on but please don't tell me how
I'm on my way, I'm movin' now
In this life we've come so far
But we're only who we are
With the courage of love
To show us the way
We've got the power to stand up and say
Here's where I stand
Here's where I am
Stand up and be counted, I'm counting on you
If you're with me
We'll make it through
Here's where I stand
Here's who I am
Love me, love me, love me and we'll make it through
Here's where I stand
Baby, baby, baby I'm counting on you
Here's where I stand
Love me, love me, love me and we'll make it through
I'm counting
I'm counting